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Fascination!
''Fascination!'' is an EP released by British synthpop band The Human League in 1983. The EP was issued as a stop-gap release in between the albums '' Dare'' (1981) and '' Hysteria'' (1984). Released in the US and Canada, it was made available in Europe as an import. The original vinyl release of ''Fascination!'' contained six tracks, including two versions of their single "(Keep Feeling) Fascination" as well as " Mirror Man", both of which were hits in the UK and the US Also included is "Hard Times", which was originally the B-side of their 1981 hit "Love Action" and also appears on the band's 1982 remix album ''Love and Dancing''. The featured version of "I Love You Too Much" is an earlier version of the song that would later be released on the band's ''Hysteria'' album in 1984. The album was released as a digital download in 2008 with a bonus track, a dub version of "I Love You Too Much". A CD version was released as part of the "deluxe edition" release of ''Dare'' in ...
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Dare (album)
''Dare'' (released as ''Dare!'' in the United States) is the third studio album by English synth-pop band The Human League, first released in the United Kingdom in October 1981 then subsequently in the US in mid-1982. The album was recorded between March and September 1981 following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their previous Avant-garde music, avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey. ''Dare'' became critically acclaimed and has proved to be a genre-defining album, whose influence can be felt in many areas of pop music. The album and its four singles were large successes, particularly "Don't You Want Me". The album reached number one on the UK Albums Chart and has been certified triple platinum by the British Phonographic Industry (BPI). A remix album based on ''Dare'', ''Love and Dancing'', was released in 1982. History In January 1981 ...
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(Keep Feeling) Fascination
"(Keep Feeling) Fascination" is a song by British synthpop group the Human League. It was composed by Jo Callis and Philip Oakey, and produced by Martin Rushent (which would be the last song he produced for the band for seven years). The song features vocals from four of the band members, including lead singer Philip Oakey, female co-vocalists Susan Ann Sulley and Joanne Catherall, and a rare vocal role from keyboardist and guitarist Jo Callis. The single was designated 'Red' on the Human League's short-lived, self-imposed labelling system of 'Blue' for pop songs and 'Red' for dance tracks. Chart performance and certifications The single was released in the UK on 15 April 1983 as a non-album single (music), single, and went to number 2 in the UK Singles Chart. It was incorporated into the band's Extended play, EP ''Fascination!''. Released in the US a month after the UK release, the single reached number 1 on the US Hot Dance Music/Club Play chart (their first single to do s ...
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Love And Dancing
''Love and Dancing'' is a remix album by English synth-pop band The Human League, released in July 1982 by Virgin Records. Issued under the band name "The League Unlimited Orchestra" as a nod to Barry White's disco-era Love Unlimited Orchestra, the album was principally the idea and work of producer Martin Rushent and contains dub-style, largely instrumental remixes of songs from the band's multi-platinum selling album '' Dare'' (1981), along with a version of the track "Hard Times", which had originally been the B-side of the single "Love Action (I Believe in Love)". Rushent was inspired by hip hop turntablist Grandmaster Flash and created ''Love and Dancing'' on a mixing board. He created vocal effects by cutting up portions of the ''Dare'' tape and manually gluing them together. In total, over 2,600 edits feature on the album. Upon release, ''Love and Dancing'' was able to take advantage of the huge success of ''Dare'' and also work as a stopgap while the Human League worked ...
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Mirror Man (Human League Song)
"Mirror Man" is a 1982 song by the British synthpop group The Human League. It was released as a single in the UK on 12 November 1982 and peaked at number two in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with keyboard players Jo Callis and Ian Burden, and produced by Martin Rushent. Background "Mirror Man" was the first track written and recorded by the Human League after they returned from their World Tour, conducted in the wake of the enormous international success of their album '' Dare''. "Mirror Man" was conceived and written as a celebration of Oakey and Philip Adrian Wright's love of Motown records. It has been described as electronic northern soul, with Oakey's main verses delivered in deliberate sentences with emphasis on the last word of each sentence. Vocalists Susan Ann Sulley and Joanne Catherall feature prominently throughout the song but have no lyrics, providing backing vocals of "oohs" and "ahhs". Recording and production was ...
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Hysteria (The Human League Album)
''Hysteria'' is the fourth studio album by English synth-pop band The Human League, released on 7 May 1984 by Virgin Records. Following the worldwide success of their 1981 album ''Dare'', the band struggled to make a successful follow-up and the sessions for ''Hysteria'' were fraught with problems. The album title itself is taken from the problematic recording period. Producers Martin Rushent and Chris Thomas both left the project which would eventually be finished by producer Hugh Padgham. ''Hysteria'' attained relatively lacklustre success in comparison to its multi-platinum predecessor. Three singles from the album reached the top 20 of the UK Singles Chart, and " The Lebanon" was the only single to chart in the United States, peaking at number 64 on the ''Billboard'' Hot 100. The album peaked at number three on the UK Albums Chart and has been certified Gold by the British Phonographic Industry (BPI), denoting shipments in excess of 100,000 copies. In 2005, ''Hysteria'' wa ...
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Mirror Man (The Human League Song)
"Mirror Man" is a 1982 song by the British synthpop group The Human League. It was released as a single in the UK on 12 November 1982 and peaked at number two in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with keyboard players Jo Callis and Ian Burden, and produced by Martin Rushent. Background "Mirror Man" was the first track written and recorded by the Human League after they returned from their World Tour, conducted in the wake of the enormous international success of their album '' Dare''. "Mirror Man" was conceived and written as a celebration of Oakey and Philip Adrian Wright's love of Motown records. It has been described as electronic northern soul, with Oakey's main verses delivered in deliberate sentences with emphasis on the last word of each sentence. Vocalists Susan Ann Sulley and Joanne Catherall feature prominently throughout the song but have no lyrics, providing backing vocals of "oohs" and "ahhs". Recording and production was ov ...
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The Human League
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album ''Dare'' in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit " Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including " Mirror Man", "(Keep Feeling) Fascination", " The Lebanon", "Human" (a second US No. 1) and "Tell Me When". The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17. Under Oakey's leadership, the Human League then evolved into a commercially successful new pop band,Harvel, Jess"Now That's What I Call New Pop!".Pitchfork ...
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Martin Rushent
Martin Charles Rushent (11 July 1948 – 4 June 2011) was an English record producer, best known for his work with The Human League, The Stranglers and Buzzcocks. Early life Rushent was born on 11 July 1948 in Enfield, Middlesex. His father was a car salesman. Rushent attended Minchenden Grammar School in Southgate, Middlesex. Career Early career Rushent's first experience in a recording studio was at EMI House in London's Manchester Square, when his school band (of which he was the lead singer) had the opportunity to record a demo. After leaving school, Rushent, who had already experimented with his father's 4-track recorder, worked at a chemical factory before working for his father while applying for studio jobs. After numerous rejections, Rushent was employed by Advision Studios as a 35mm film projectionist. After approximately three months, Rushent began working in the audio department as a tape operator alongside Tony Visconti. He worked on sessions for Fleetwoo ...
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The Human League EPs
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Albums Produced By Martin Rushent
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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1983 EPs
The year 1983 saw both the official beginning of the Internet and the first mobile cellular telephone call. Events January * January 1 – The migration of the ARPANET to TCP/IP is officially completed (this is considered to be the beginning of the true Internet). * January 24 – Twenty-five members of the Red Brigades are sentenced to life imprisonment for the 1978 murder of Italian politician Aldo Moro. * January 25 ** High-ranking Nazi war criminal Klaus Barbie is arrested in Bolivia. ** IRAS is launched from Vandenberg AFB, to conduct the world's first all-sky infrared survey from space. February * February 2 – Giovanni Vigliotto goes on trial on charges of polygamy involving 105 women. * February 3 – Prime Minister of Australia Malcolm Fraser is granted a double dissolution of both houses of parliament, for elections on March 5, 1983. As Fraser is being granted the dissolution, Bill Hayden resigns as leader of the Australian Labor Party, and in the subseq ...
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Creem
''Creem'' (often stylized in all caps) is a monthly American music magazine, based in Detroit, whose main print run lasted from 1969 to 1989. It was first published in March 1969 by Barry Kramer and founding editor Tony Reay. Influential critic Lester Bangs served as the magazine's editor from 1971 to 1976. It suspended production in 1989 but attained a short-lived renaissance in the early 1990s as a tabloid. In June 2022, ''Creem'' was relaunched as a digital archive, website, weekly newsletter, and quarterly print edition. The magazine is noted for having been an early champion of various heavy metal, punk rock, new wave and alternative bands, especially bands based in Detroit. The term "punk rock" was coined in the May 1971 issue of ''Creem,'' in Dave Marsh's ''Looney Tunes'' column about ? and the Mysterians. That same issue is sometimes credited with having originated the term "heavy metal" as well; in fact, the term had been used earlier, though ''Creem'' did help to ...
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