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Dare (album)
''Dare'' (also released as ''Dare!'' in certain countries) is the third studio album by English synth-pop band The Human League, first released in the United Kingdom in October 1981 and then subsequently in the US in mid-1982. The album was produced by Martin Rushent and recorded between March and September 1981, following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their previous avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey. ''Dare'' became critically acclaimed and proved to be a genre-defining album, whose influence can be felt in many areas of pop music. The album and its four singles were very successful, particularly "Don't You Want Me", which both ''Rolling Stone'' and ''The Village Voice'' credited with kickstarting the Second British Invasion. The album reached number one on the UK Albums Chart and has been certified triple platinum by the British Ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Human League
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic music, electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album ''Dare (album), Dare'' in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man (The Human League song), Mirror Man", "(Keep Feeling) Fascination", "The Lebanon (song), The Lebanon", "Human (The Human League song), Human" (a second US No. 1) and "Tell Me When". The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17, leaving Oakey and Philip Adrian WAdrian Wrigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Action (I Believe In Love)
"Love Action (I Believe in Love)" is a song by the English synth-pop band the Human League, released as a single in the UK in July 1981. It became the band's first Top 10 success, peaking at number three in the UK singles chart. The song was written jointly by lead vocalist Philip Oakey and keyboardist Ian Burden. It features lead vocal by Oakey and analogue synthesizers by Jo Callis, Philip Adrian Wright and Ian Burden. Drum machines, sequencing and programming were provided by producer Martin Rushent and his then engineer and programmer David M. Allen. One of the most notable synth sounds on the recording makes use of the pitch-to-voltage converter and envelope shaper on the Roland System 700 modular synth. Jo Callis' guitar strumming was fed into the synth and used to shape and trigger the sounds, producing an unusual choppy, strumming synth patch. Background "Love Action (I Believe in Love)" was the second of three songs from the Human League's third studio album ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone (magazine)
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner and the music critic Ralph J. Gleason. The magazine was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover, and was then published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. The magazine experienced a ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Q (magazine)
''Q'' was a British popular music magazine. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series ''The Old Grey Whistle Test''. ''Q'' was published in print in the UK from 1986 until its final issue was published in July 2020. In 2023, ''Q'' was revived as an Webzine, online publication, but this closed in May 2024. History ''Q'' was originally published by the EMAP media group and set itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called ''Cue'' (as in the sense of cueing a record, ready to play), but the name was changed so that it would not be mistaken for a snooker magazine. Another reason, cited in ''Q''s 200th edition, is that a single-letter title would be more prominent on newsstands. In January 2008, EMAP so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Oakey
Philip Oakey (born 2 October 1955) is an English singer-songwriter who is the frontman and co-founder of the synth-pop band the Human League. Aside from the Human League, he has enjoyed an extensive solo music career and has collaborated with numerous other artists and producers. Oakey was among the most visually distinctive music artists of the early 1980s. At the height of their success, the Human League released the triple platinum-certified studio album '' Dare'' (1981) and Oakey co-wrote and sang the multimillion-selling single "Don't You Want Me", a #1 single in both the US and UK, where it remains the 28th-highest-selling single of all time. Oakey has been lead vocalist of the Human League for more than 40 years. With the band, he has sold more than 20 million records worldwide. He continues recording and performing internationally. Early life Oakey was born on 2 October 1955 in Hinckley, Leicestershire. He is of English and Irish descent. Oakey's father worked for the G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom.S. Frith, W. Straw, and J. Street, eds, ''iarchive:cambridgecompani00frit, The Cambridge Companion to Pop and Rock'' (Cambridge: Cambridge University Press), , pp. 95–105. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock music, Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, wikt:ephemeral, ephemeral, and accessible. Identifying factors of pop music usually include repeated choruses and Hook (music), hooks, short to medium-length songs written in a basic format (often the verse–chorus form, verse–chorus structure), and rhythms or tempos that can be easily danced to. Much of pop music also borrows elements from other styles such as rock, hip hop, urban contemporary, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. The biggest distinction between avant-garde and experimental music was how it relates to tradition. Other distinctions include subject matter, as well as having a superficial idea to avoid diving into serious subjects. Even though avant-garde and experimental music have many distinctions, experi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Craig Marsh
Ian Craig Marsh (born 11 November 1956) is an English musician and composer. He was a founding member of the electronic band the Human League, writing and playing on their first two albums and several singles, until leaving in 1980 to form the British Electric Foundation and later Heaven 17. Musical career Marsh began in music at Sheffield's council-sponsored community theatre group Meatwhistle. There he met Mark Civico; they formed a performance art band called Musical Vomit, taking the name from a music paper's hostile review of the band Suicide.Blind Youth: The early work of the Human League Ex-rental.com, (archived) Musical Vomit specialised in |
Martyn Ware
Martyn Ware (born 19 May 1956) is an English musician, composer, arranger, record producer, and music programmer. As a founding member of both the Human League and Heaven 17, Ware co-wrote hit songs such as " Being Boiled" and "Temptation". Ware has also worked as a record producer, notably helping to revitalise Tina Turner's career in 1983 with her cover of " Let's Stay Together", launching Sananda Maitreya's career by co-producing his solo debut, '' Introducing the Hardline According to...'' in 1987, and producing Erasure's '' I Say I Say I Say'' album in 1994. He is also noted for work in surround sound technology and, more recently, for creation of sound installations. Early years Ware was born and grew up in Sheffield, England. After leaving King Edward VII School, he worked in the computer industry. With his first wages, he bought a Korg 700 monophonic keyboard and started experimenting with electronic sound. Music career The Human League In the 1970s, Ware and synth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Human League
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic music, electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album ''Dare (album), Dare'' in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man (The Human League song), Mirror Man", "(Keep Feeling) Fascination", "The Lebanon (song), The Lebanon", "Human (The Human League song), Human" (a second US No. 1) and "Tell Me When". The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17, leaving Oakey and Philip Adrian WAdrian Wrigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic music, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the New wave music, new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
