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Fantastique Unfettered
''Fantastique'' is a French term for a literary and cinematic genre that overlaps with science fiction, horror, and fantasy. The ''fantastique'' is a substantial genre within French literature. Arguably dating back further than English language fantasy, it remains an active and productive genre which has evolved in conjunction with anglophone fantasy and horror and other French and international literature. Definition What is distinctive about the ''fantastique'' is the intrusion of supernatural phenomena into an otherwise realist narrative. It evokes phenomena which are not only left unexplained but which are inexplicable from the reader's point of view. In this respect, the ''fantastique'' is somewhere between fantasy, where the supernatural is accepted and entirely reasonable in the imaginary world of a non-realist narrative, and magic realism, where apparently supernatural phenomena are explained and accepted as normal. Instead, characters in a work of ''fantastiq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Genre
A literary genre is a category of literature. Genres may be determined by literary technique, tone, content, or length (especially for fiction). They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. The distinctions between genres and categories are flexible and loosely defined, and even the rules designating genres change over time and are fairly unstable. Genres can all be in the form of prose or poetry. Additionally, a genre such as satire, allegory or pastoral might appear in any of the above, not only as a subgenre (see below), but as a mixture of genres. Finally, they are defined by the general cultural movement of the historical period in which they were composed. History of genres Aristotle The concept of genre began in the works of Aristotle, who applied biological concepts to the classification of literary genres, or, as he called them, "species" (eidē). These classifications are mainl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belief
A belief is an attitude that something is the case, or that some proposition is true. In epistemology, philosophers use the term "belief" to refer to attitudes about the world which can be either true or false. To believe something is to take it to be true; for instance, to believe that snow is white is comparable to accepting the truth of the proposition "snow is white". However, holding a belief does not require active introspection. For example, few carefully consider whether or not the sun will rise tomorrow, simply assuming that it will. Moreover, beliefs need not be ''occurrent'' (e.g. a person actively thinking "snow is white"), but can instead be ''dispositional'' (e.g. a person who if asked about the color of snow would assert "snow is white"). There are various different ways that contemporary philosophers have tried to describe beliefs, including as representations of ways that the world could be (Jerry Fodor), as dispositions to act as if certain things are true (Rod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan And Iseult
Tristan and Iseult, also known as Tristan and Isolde and other names, is a medieval chivalric romance told in numerous variations since the 12th century. Based on a Celtic legend and possibly other sources, the tale is a tragedy about the illicit love between the Cornish knight Tristan and the Irish princess Iseult. It depicts Tristan's mission to escort Iseult from Ireland to marry his uncle, King Mark of Cornwall. On the journey, Tristan and Iseult ingest a love potion, instigating a forbidden love affair between them. The story has had a lasting impact on Western culture. Its different versions exist in many European texts in various languages from the Middle Ages. The earliest instances take two primary forms: the courtly and common branches. The former begins with the 12th-century poems of Thomas of Britain and Béroul, while the latter reflects a now-lost original version. A subsequent version emerged in the 13th century in the wake of the greatly expanded Prose ''Tris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Song Of Roland
''The Song of Roland'' (french: La Chanson de Roland) is an 11th-century ''chanson de geste'' based on the Frankish military leader Roland at the Battle of Roncevaux Pass in 778 AD, during the reign of the Carolingian king Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries. The epic poem written in Vulgar Latin is the first and one of the most outstanding examples of the ''chanson de geste'', a literary form that flourished between the 11th and 16th centuries in Medieval Europe and celebrated legendary deeds. The date of composition is put in the period between 1040 AD and 1115 AD; an early version began around 1040 AD with additions and alterations made up until about 1115 AD. The final text contains about 4,000 lines of poetry. Manuscripts and dating Although set in the Carolingian era, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson De Geste
The ''chanson de geste'' (, from Latin 'deeds, actions accomplished') is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.Hasenohr, 242. Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred ''chansons de geste'' have survived in approximately three hundred manuscripts''La Chanson de Roland,'' 12. that date from the 12th to the 15th century. Origins Since the 19th century, much critical debate has centered on the origins of the ''chansons de geste'', and particularly on explaining the length of time between the composition of the ''chansons'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morgan Le Fay
Morgan le Fay (, meaning 'Morgan the Fairy'), alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings ( cy, Morgên y Dylwythen Deg, kw, Morgen an Spyrys), is a powerful and ambiguous Magician (fantasy), enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fairy , fay, a Witchcraft , witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as legends developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the ''Lancelot-Grail'' and the Post-Vulgate Cycle. A significant aspect in many of Morgan's Middle Ages, medieval and later iterations is the unpredictab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon
Oberon () is a king of the fairies in medieval and Renaissance literature. He is best known as a character in William Shakespeare's play ''A Midsummer Night's Dream'', in which he is King of the Fairies and spouse of Titania, Queen of the Fairies. Etymology Oberon is derived from Alberich (from Old High German ''alb-'' "elf" and ''-rîh-'', "ruler", "king"), the name of a dwarf from Germanic mythology. In the ''Nibelungenlied'', a Burgundian poem written around the turn of the 13th century, Alberich guards the treasure of the Nibelungen, but is overcome by Siegfried. In Old French, the name Alberich evolved into ''Alberon'' and then ''Auberon'' and ultimately into ''Aubrey''. French heroic song The name Oberon (as Auberon) is first attested to in the early 13th century entitled , wherein it refers to an elven man of the forest encountered by the eponymous hero. Huon, son of Seguin count of Bordeaux, passed through the forest inhabited by Oberon. He was warned by a hermit no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlequin
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque dialect, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian language, Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and Tricky slave, astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melusine
Mélusine () or Melusina is a figure of European folklore, a female spirit of fresh water in a holy well or river. She is usually depicted as a woman who is a serpent or fish from the waist down (much like a lamia or a mermaid). She is also sometimes illustrated with wings, two tails, or both. Her legends are especially connected with the northern and western areas of France, Luxembourg, and the Low Countries. The Limburg-Luxemburg dynasty (which ruled the Holy Roman Empire from 1308 to 1437 as well as Bohemia and Hungary), the House of Anjou and their descendants the House of Plantagenet (kings of England), and the French House of Lusignan (kings of Cyprus from 1205–1472, and for shorter periods over Cilician Armenia and Jerusalem) are said in folk tales and medieval literature to be descended from Melusine. The story combines several major legendary themes, such as the water nymph or mermaid, the earth being (terroir), the genius or guardian spirit of a location, the succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witches
Witchcraft traditionally means the use of magic or supernatural powers to harm others. A practitioner is a witch. In medieval and early modern Europe, where the term originated, accused witches were usually women who were believed to have used malevolent magic against their own community, and often to have communed with evil beings. It was thought witchcraft could be thwarted by protective magic or counter-magic, which could be provided by cunning folk or folk healers. Suspected witches were also intimidated, banished, attacked or killed. Often they would be formally prosecuted and punished, if found guilty or simply believed to be guilty. European witch-hunts and witch trials in the early modern period led to tens of thousands of executions. In some regions, many of those accused of witchcraft were folk healers or midwives. European belief in witchcraft gradually dwindled during and after the Age of Enlightenment. Contemporary cultures that believe in magic and the supernat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairies
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, with a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demons
A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in religion, occultism, literature, fiction, mythology, and folklore; as well as in media such as comics, video games, movies, anime, and television series. Belief in demons probably goes back to the Paleolithic age, stemming from humanity's fear of the unknown, the strange and the horrific. ''A Dictionary of Comparative Religion'' edited by S.G.F. Brandon 1970 In ancient Near Eastern religions and in the Abrahamic religions, including early Judaism and ancient-medieval Christian demonology, a demon is considered a harmful spiritual entity which may cause demonic possession, calling for an exorcism. Large portions of Jewish demonology, a key influence on Christianity and Islam, originated from a later form of Zoroastrianism, and was transferred to Judaism during the Persian era. Demons may or may not also be considered to be devils: minions of the Devil. In many tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
