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Fantasia On Auld Lang Syne
The ''Fantasia on Auld Lang Syne'' is a piece for orchestra composed by the British light music composer Ernest Tomlinson in 1976. The original version was written for 16 saxophones. It was orchestrated in 1977 and there were later arrangements made for concert band and for "two pianos and two turnovers".Ernest Tomlinson (1983). Fantasia on Auld Lang Syne: For Two Pianos and Two Turn-overs'. Preston: Electrophonic Music Company The first version was commissioned by instrument maker Buffet Crampon as the finale for the 5th World Saxophone Congress, held at the Royal College of Music in July 1976. Tomlinson scored it for 16 saxophones: the (classical) London Saxophone Quartet, the (jazz) Peter Hughes Saxophone Quintet, and a third group including one each of the complete members of the saxophone family, from sopranino to Contrabass. The first orchestral performance was in March 1977 at the Palace Theatre in Manchester. It was first broadcast by BBC Radio on 4 January 1982 with th ...
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Ernest Tomlinson
Ernest Tomlinson MBE (19 September 1924 – 12 June 2015) was an English composer, particularly noted for his light music compositions. He was sometimes credited as 'Alan Perry'. Life and career Tomlinson was born in Rawtenstall, Lancashire, England, into a musical family, one of four children to Fred Tomlinson Sr and May Tomlinson (née Culpan). His younger brother, Fred Tomlinson, also a musician, founded The Fred Tomlinson Singers and performed the music for ''Monty Python's Flying Circus''. At the age of nine he became a chorister at Manchester Cathedral, where he was eventually appointed as Head Boy in 1939. He later attended Bacup and Rawtenstall Grammar School and at sixteen won a scholarship to Manchester University and the Royal Manchester College of Music. He spent the next two years studying composition until in 1943 he left to join the Royal Air Force, where, although colour-blind, he became a wireless mechanic and saw service in France during 1944 and 1945. He ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Gioacchino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. Durin ...
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William Tell Overture
The ''William Tell'' Overture is the overture to the opera ''William Tell'' (original French title ''Guillaume Tell''), whose music was composed by Gioachino Rossini. ''William Tell'' premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music). The overture is in four parts, each following without pause. There has been repeated use (and sometimes parody) of parts of this overture in both classical music and popular media. It was the theme music for ''The Lone Ranger'' in radio, television and film, and has become widely associated with horseback riding since then. Two different parts were also used as theme music for the British television series ''The Adventures of William Tell'', the fourth part (popularly identified in the US with ''The Lone Ranger'') in the UK, and the third part, rearranged as a stirring march, in the US. Franz Liszt prepared a piano transcripti ...
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Men Of Harlech
"Men of Harlech" or "The March of the Men of Harlech" (Welsh: ) is a song and military march which is traditionally saidFuld, James J., ''The Book of World-famous Music: Classical, Popular, and Folk'', Dover, 5th ed. 2000, p. 394 to describe events during the seven-year siege of Harlech Castle between 1461 and 1468, when the castle was held by the Lancastrians against the Yorkists as part of the Wars of the Roses. Commanded by Constable Dafydd ap Ieuan, the garrison withstood the longest known siege in the history of the British Isles. ("Through Seven Years" is an alternative name for the song.) The song has also been associated with the earlier, briefer siege of Harlech Castle about 1408, which pitted the forces of Owain Glyndŵr against the future Henry V of England. "Men of Harlech" is important for Welsh national culture. The song gained international recognition when it was featured in the 1941 movie ''How Green Was My Valley'' and the 1964 film '' Zulu''. History The musi ...
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The British Grenadiers
"The British Grenadiers" is a traditional marching song of British, Australian and Canadian military units whose badge of identification features a grenade, the tune of which dates from the 17th century. It is the Regimental Quick March of the Royal Artillery (since 1716), Corps of Royal Engineers (since 1787), the Honourable Artillery Company (since 1716), Grenadier Guards 'The First (later 'Grenadier') Regiment of Foot Guards' (since 1763), and the Royal Regiment of Fusiliers (since 1763). It is also an authorised march of the Royal Australian Artillery, The Royal Gibraltar Regiment, The Royal Regiment of Canadian Artillery, The Royal Regiment of Canada, The Princess Louise Fusiliers, and The 5th Canadian Mounted Rifles. The standard orchestration for the military band was approved in 1762, when the Royal Artillery Band (initiated in 1557) became recognised officially, and for all other 'grenade' regiments in 1763, when the remaining unofficial bands gained official status. ...
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Jeremiah Clarke
Jeremiah Clarke (c. 1674 – 1 December 1707) was an English baroque composer and organist, best known for his ''Trumpet Voluntary,'' a popular piece often played at wedding ceremonies or commencement ceremonies. Biography The exact date of Clarke's birth has been debated. The ''Dictionary of National Biography'' states that Clarke "is said to have been born in 1669 (though probably the date should be earlier)." Most sources say that he is thought to have been born in London around 1674. Clarke was one of the pupils of John Blow at St Paul's Cathedral and a chorister in 1685 at the Chapel Royal. Between 1692 and 1695 he was an organist at Winchester College, then between 1699 and 1704 he was an organist at St Paul's Cathedral.Dennis Shrock William Marshall (Editor) He later became an organist and 'Gentleman extraordinary' at the Chapel Royal, he shared that post with fellow composer William Croft, his friend. They were succeeded by John Blow. Today, Clarke is best remembered f ...
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Prince Of Denmark's March
The ''Prince of Denmark's March'' ( da, Prins Prince George of Denmark, Jørgens March), commonly called the ''Trumpet Voluntary'', was written around 1700 by the English composer Jeremiah Clarke, the first organist of the then newly-rebuilt St Paul's Cathedral. Composition For many years the piece was attributed incorrectly to Clarke's elder and more widely known contemporary Henry Purcell. The misattribution emanated from an arrangement for organ published in the 1870s by William Spark (the town organist of Leeds, England). It was later arranged for several different ensembles by Henry Wood (conductor), Sir Henry Wood. The oldest source is ''A Choice Collection of Ayres'', a collection of keyboard pieces published in 1700. A contemporary version for wind instruments also survives. According to some sources, the march was written in honour of Prince George of Denmark, husband of Anne, Queen of Great Britain, Queen Anne of Great Britain. Clarke also composed "King William's Mar ...
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Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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Stephen Foster
Stephen Collins Foster (July 4, 1826January 13, 1864), known also as "the father of American music", was an American composer known primarily for his parlour music, parlour and Minstrel show, minstrel music during the Romantic music, Romantic period. He wrote more than 200 songs, including "Oh! Susanna", "Hard Times Come Again No More", "Camptown Races", Old Folks at Home, "Old Folks at Home" ("Swanee River"), "My Old Kentucky Home", "Jeanie with the Light Brown Hair", "Old Black Joe", and "Beautiful Dreamer", and many of his compositions remain popular today. He has been identified as "the most famous songwriter of the nineteenth century" and may be the most recognizable American composer in other countries. Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day feature in various collections. Biography There are many biographies of Foster, but details differ widely. Among other issues, Foster wrote very little biographical info ...
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Old Folks At Home
"Old Folks at Home" (also known as " Swanee River") is a minstrel song written by Stephen Foster in 1851. Since 1935, it has been the official state song of Florida, although in 2008 the original lyrics were revised. It is Roud Folk Song Index no. 13880. Composition "Old Folks at Home" was commissioned in 1851 by E. P. Christy for use by Christy's Minstrels, his minstrel troupe. Christy also asked to be credited as the song's creator, and was so credited on early sheet music printings. As a result, while the song was a success, Foster did not directly profit much from it, though he continued to receive royalties for the song. Foster had composed most of the lyrics but was struggling to name the river of the opening line, and asked his brother, Morrison, to suggest one. Morrison wrote, “One day in 1851, Stephen came into my office, on the bank of the Monongahela, Pittsburgh, and said to me, ‘What is a good name of two syllables for a Southern river? I want to use it i ...
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