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Fanny Elssler
Fanny Elssler (born Franziska Elßler; 23 June 181027 November 1884) was an Austrian ballerina of the Romantic Period. Life and career She was born in Gumpendorf, a neighborhood of Vienna. Her father Johann Florian Elssler was a second generation employee of Nikolaus I, Prince Esterházy. Both Johann and his brother Josef were employed as copyists to the Prince's Kapellmeister, Joseph Haydn. Johann was to eventually become valet to Haydn and attended Haydn up to and was present at Haydn's death. From her earliest years she was trained for the ballet, and made her appearance at the Kärntnertortheater in Vienna before she was 7. She almost invariably danced with her sister Therese, who was two years her senior; the sisters studied dancing with Jean-Pierre Aumer and Friedrich Horschelt beginning when Elssler was 9 years old, also traveling to Naples, Italy, to study with Gaetano Gioja. After some years' experience together in Vienna, the sisters went in 1827 to Naples. Wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny Elssler
Fanny Elssler (born Franziska Elßler; 23 June 181027 November 1884) was an Austrian ballerina of the Romantic Period. Life and career She was born in Gumpendorf, a neighborhood of Vienna. Her father Johann Florian Elssler was a second generation employee of Nikolaus I, Prince Esterházy. Both Johann and his brother Josef were employed as copyists to the Prince's Kapellmeister, Joseph Haydn. Johann was to eventually become valet to Haydn and attended Haydn up to and was present at Haydn's death. From her earliest years she was trained for the ballet, and made her appearance at the Kärntnertortheater in Vienna before she was 7. She almost invariably danced with her sister Therese, who was two years her senior; the sisters studied dancing with Jean-Pierre Aumer and Friedrich Horschelt beginning when Elssler was 9 years old, also traveling to Naples, Italy, to study with Gaetano Gioja. After some years' experience together in Vienna, the sisters went in 1827 to Naples. Wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Gioja
Gaetano (anglicized ''Cajetan'') is an Italian masculine given name. It is also used as a surname. It is derived from the Latin ''Caietanus'', meaning "from ''Caieta''" (the modern Gaeta). The given name has been in use in Italy since medieval period, although it also remained in use as a byname indicating people from Gaeta, as in Thomas Cajetan or ''Gaetanus'' (1469–1534). The modern given name can be traced to Saint Gaetano dei Conti di Tiene (1480–1547) who was canonized in 1671. Other variants of the name exist in other Romance languages, the French form of the name is ''Gaëtan, Gaétan'', the Portuguese form is ''Caetano'', and the Spanish form is ''Cayetano''. The feminine form is ''Gaetana'' (also ''Caetana'' and ''Cayetana''). People with the given name ''Gaetano'' Clergy and religious figures * Pope Nicholas III (Giovanni Gaetano Orsini), Pope from 1277–1280 * Thomas Cajetan (Tomasso de Vio Cardinal Cajetan), (1469 – 1534), Italian philosopher, theolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Diable Boiteux (ballet)
''Le Diable boiteux'' is a ballet in three acts by Jean Coralli, with music by Casimir Gide, which premiered on 1 June 1836 at the Paris Opera. The main roles were played by Fanny Elssler, Joseph Mazilier, Amélie Legallois, Pauline Leroux and Jean-Baptiste Barrez. Loosely inspired by the novel of the same name by Lesage, this ballet was the first great success of Coralli who had, until then, mainly re-edited the ballets of other authors. The ''cachucha Cachucha is a Spanish solo dance in or time, similar to the bolero. Cachucha is danced to an Andalusian national song with castanet accompaniment. Etymology From Spanish , small boat. Possibly from diminutive of ', shard, saucepan, probabl ...'' performed by Fanny Elssler was a sensational success. Britannica. Retrieved 24 October 2022.< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casimir Gide
Casimir Gide (4 July 1804 – 18 February 1868) was a 19th-century French composer, bookseller as well as prints and maps editor. Biography The son of the Parisian bookseller Theophile Etienne Gide (1768–1837), to whom he would succeed, and of a singer in the chapel of the king, he studied harmony and musical composition at the Conservatoire de Paris. On 4 February 1833, he received the bookseller patent from the Maison Gide fils. He was a major printer of lithographs and financed the publication of six volumes, among them nineteen of the ''Voyages pittoresques et romantiques dans l'ancienne France'' by Charles Nodier and Justin Taylor. In 1854, he was one of the first to launch the trend of salon operettas and artistic evenings.Vapereau, ''Dictionnaire universel des contemporains'', p. 744. Works He wrote incidental music, ballets and operas. Shows *1828: ''Les Trois Marie'', vaudeville by Louis Duport, chant and accompagnement *1829: ''La Cachucha'' *1830: ''La Chatte blanche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Coralli
Jean Coralli (15 January 1779 – 1 May 1854) was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating ''Giselle'' (1841), the quintessential Romantic ballet of the nineteenth century. Early life and career Born Giovanni Coralli Peracini, he was a son of a Bolognese family resident in Paris, where his father was a comedian at the Théâtre Italien. As a child he studied at the ballet school of the Paris Opera but chose to go to Vienna to make his debut as a dancer and choreographer. He danced for a short while at the Paris Opera in 1802 and at the King's Theatre in London and then returned to Vienna to assume the position of ballet master at the Hoftheater (Court Theater). During these early years, he and his wife formed the celebrated dancing couple Giovanni and Teresa Coralli and were often pictured in contemporary prints. They danced leading roles in most of the ballets that Coralli created at the Hoftheater, including ''Helena u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cachucha
Cachucha is a Spanish solo dance in or time, similar to the bolero. Cachucha is danced to an Andalusian national song with castanet accompaniment. Etymology From Spanish , small boat. Possibly from diminutive of ', shard, saucepan, probably from vulgar Latin ', alteration of Latin ', pot, from Greek ', a small container. History The Cachucha was created in Cuba though it is now considered a Spanish dance. Fanny Elssler (1810-1884, Vienna) popularized this dance when she introduced it to the public in the ballet from Rossini's opera ''La donna del lago'' in 1830s London, and cemented its fame in Jean Coralli's ballet '' Le Diable boiteux'' (1836, Vienna). Gilbert and Sullivan sets the dance for the entire company in Act 2 of the Savoy Opera ''The Gondoliers ''The Gondoliers; or, The King of Barataria'' is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Spain
The culture of ''Spain'' is based on a variety of historical influences, primarily based on the culture of ancient Rome, Spain being a prominent part of the Greco-Roman world for centuries, the very name of Spain comes from the name that the Romans gave to the country, Hispania. Other ancient peoples such as Greeks, Tartessians, Celts, Iberians, Celtiberians, Phoenicians and Carthaginians also had some influence. In the areas of language and also religion, the Ancient Romans left a lasting legacy in the Spanish culture because Rome created Hispania as a political, legal and administrative unit. The subsequent course of Spanish history added other elements to the country's culture and traditions. The Visigothic Kingdom left a united Christian Hispania that was going to be welded in the ''Reconquista''. The Visigoths kept the Roman legacy in Spain between the fall of the Roman Empire and the Early Middle Ages. Muslim influences remained during the Middle Ages in the areas conqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballon (ballet)
Ballon () is the appearance of being lightweight and light-footed while jumping. It is a desirable aesthetic in ballet and other dance genres, making it seem as though a dancer effortlessly becomes airborne, floats in the air, and lands softly. The name is widely thought to be derived from the French word ''ballon'' (meaning "balloon"), though it has been dubiously claimed that the name was inspired by French ballet danseur Claude Balon, who was known for performing exceptionally light leaps. Physics A dancer will appear to defy the laws of physics when ballon is exhibited effectively. For example, during a grand jeté, the dancer may appear to hover in the air. Physically, the dancer's center of mass follows a ballistic trajectory, as does any projectile, but observers have limited ability to reckon center of mass when a projectile changes its configuration in flight. By raising the arms and legs while ascending and lowering them while descending, the dancer alters the apparent pat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Taglioni
Marie Taglioni, Comtesse de Voisins (23 April 1804 – 22 April 1884) was a Swedish-born ballet dancer of the Romantic ballet era partially of Italian descent, a central figure in the history of European dance. She spent most of her life in the Austrian Empire and France. She was one of the most celebrated ballerinas of the romantic ballet, which was cultivated primarily at Her Majesty's Theatre in London and at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet. She is credited with (though not confirmed as) being the first ballerina to truly dance ''en pointe''. Early life Taglioni was born in Stockholm, Sweden, to the Italian choreographer Filippo Taglioni and the Swedish ballet dancer Sophie Karsten, maternal granddaughter of the Swedish opera singer Christoffer Christian Karsten and of the Polish opera singer and actress Sophie Stebnowska. Her brother, Paul (1808–1884), was also a dancer and an influential choreographer; they performed together ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harriet Grote
Harriet Grote (1792–1878) was an English biographer. She was married to George Grote and was acquatined with many of the English philosophical radicals of the earlier 19th century. A longterm friend described her as "absolutely unconventional". Background Her father, Thomas Lewin (1753–1837) spent some years in the Madras civil service. He returned to Europe, travelling from Pondicherry in a ship with Madame Grand. Lewin remained with her for a time in Paris in the 1780s. Settling in England, Lewin in 1784 married Mary Hale (died 1843). She was the daughter of General John Hale and Mary Chaloner, daughter of William Chaloner of Gisborough. Mrs Hale was a noted society beauty, the model in ''Mrs Hale as Euphrosyne'', a mythological painting—Euphrosyne being one of the Three Graces—from 1764 by Joshua Reynolds. John Hale, on the other hand, was a radical involved in the Yorkshire Association of the 1780s, something of which Harriet was conscious (letter of her husband ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grote
George Grote (; 17 November 1794 – 18 June 1871) was an English political radical and classical historian. He is now best known for his major work, the voluminous ''History of Greece''. Early life George Grote was born at Clay Hill near Beckenham in Kent. His grandfather, Andreas, originally a Bremen merchant, was one of the founders (on 1 January 1766) of the banking-house of Grote, Prescott & Company in Threadneedle Street, London (the name of Grote did not disappear from the firm until 1879). His father, another George, married (1793) Selina, daughter of Henry Peckwell (1747–1787), minister of Selina, Countess of Huntingdon's chapel in Westminster, and his wife Bella Blosset (descended from a Huguenot officer Salomon Blosset de Loche who left the Dauphiné on the revocation of the Edict of Nantes), and had one daughter and ten sons, of whom George was the eldest. Arthur Grote was a brother. ( John Russell RA painted portraits of Henry Peckwell and Bella Blosset.) Ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
