|
Faking The Books
''Faking the Books'' is the third studio album by German electronic music band Lali Puna. It was released on 5 April 2004 by Morr Music. ''Faking the Books'' peaked at number 23 on '' Billboard''s Top Dance/Electronic Albums chart. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, ''Faking the Books'' received an average score of 83 based on 18 reviews, indicating "universal acclaim". ''Faking the Books'' was ranked at number five on '' Exclaim!''s "Electronic – Year in Review 2004" list. Track listing Personnel Credits are adapted from the album's liner notes. Lali Puna * Valerie Trebeljahr * Markus Acher * Christoph Brandner * Christian Heiß Additional musicians * Sebastian Hess – cello on "Crawling by Numbers" * Osamu Nambu – violin on "Alienation" * Max Punktezahl – guitar on "Left Handed" Production * Chris Blair – mastering * Mario Thaler – production, mixing, recording A record, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lali Puna
Lali Puna is a German, Munich-based electropop band originally from Weilheim in Oberbayern, Germany. History Valerie Trebeljahr, the lead writer and singer, comes from Busan, Korea. The name of the band, meaning ''Valerie from Busan'', references this, as ''Lali'' is a diminutive form of ''Valerie'', and ''Puna'' is a childish spelling of Busan (which is often transliterated ''Pusan''). She also lived ten years in Portugal before moving to Germany, and that's reflected in some of her songs, featuring lyrics in Portuguese. Valerie played in an all-female band called L.B.Page, until 1998, when she released a 7" called ''Safe Side'' under the moniker ''Lali Puna''. She was later joined by Markus Acher, already lead singer and guitarist of The Notwist and Tied & Tickled Trio (with whom she was also romantically involved and also formed a side-project called John Yoko), Christoph Brandner, who played drums with Acher in the Tied & Tickled Trio, and keyboardist Florian Zimmer. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2004 Albums
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other hand, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultratop
Ultratop is an organization which generates and publishes the official record charts in Belgium. Ultratop is a non-profit organization, created on the initiative of the Belgian Entertainment Association (BEA), the Belgian member organization of the International Federation of the Phonographic Industry. Two parallel sets of charts are concurrently produced and published, one on behalf of Belgium's mainly Dutch-speaking Flanders region, and the other catering to the nation's mainly French-speaking region of Wallonia. Ultratop charts The music charts produced by Ultratop organization are separated along regional-language boundaries, an unusual division that is justified by the cultural differences in Belgium. So it is that the mainly Dutch-speaking Flanders region has one set of charts of record activity there, while the mainly French-speaking Wallonia region has another set to measure popularity in those provinces. The charts are broadcast on several Belgian radio statio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastering (audio)
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers and their website, exclaim.ca, has an average of 675,000 unique visitors a month. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. James Keast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncut (magazine)
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and has been published by NME Networks since December 2021. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of ''Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. According to IPC Media, 86% of the magazine's readers are mal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stylus Magazine
''Stylus Magazine'' was an American online music and film magazine, launched in 2002 and co-founded by Todd L. Burns. It featured long-form music journalism, four daily music reviews, movie reviews, podcasts, an MP3 blog, and a text blog. Additionally, ''Stylus'' had daily features like "The Singles Jukebox", which looked at pop singles from around the globe, and "Soulseeking", a column focused on personal responses in listening. Even though they never reached the readership of other music magazines such as PopMatters or Pitchfork, they still had a very consistent and fired-up audience. In 2006, the site was chosen by the ''Observer Music Monthly'' as one of the Internet's 25 most essential music websites. ''Stylus'' closed as a business on 31 October 2007. The site remained online for several years, but did not publish any new content. On 4 January 2010, with the blessing of former editor Todd Burns, ''Stylus'' senior writer Nick Southall launched ''The Stylus Decade'', a web ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
