|
Eugène Marin Labiche
Eugène Marin Labiche (6 May 181522 January 1888) was a French dramatist. He remains famous for his contribution to the vaudeville genre and his passionate and domestic pochads. In the 1860s, he reached his peak with a series of successes including Le Voyage de M. Perrichon (1860), La Poudre aux yeux (1861), La Station Champbaudet (1862) and La Cagnotte (1864). He worked with Jacques Offenbach, then director of the Bouffes-Parisiens, to write librettos for operettas and for several comic operas. His 1851 farce '' The Italian Straw Hat'', written with Marc-Michel, has been adapted many times to stage and screen. Early life He was born into a bourgeois family and studied law. At the age of twenty, he contributed a short story to ''Chérubin'' magazine, entitled "Les plus belles sont les plus fausses" ("The most beautiful are the most fake/false"). A few others followed, but failed to catch the attention of the public. Career Labiche tried his hand at dramatic criticism in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portrait ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Française
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Augier
Guillaume Victor Émile Augier (; 17 September 182025 October 1889) was a French dramatist. He was the thirteenth member to occupy seat 1 of the Académie française on 31 March 1857. Biography Augier was born at Valence, Drôme, the grandson of Pigault Lebrun, and belonged to the well-to-do bourgeoisie in spirit as well as by birth. After a good education and legal training, he wrote a play in two acts and in verse, ''La Ciguë'' (1844), which was refused at the Théâtre Français, but produced with as considerable success at the Odéon. This settled his career. From then on, at fairly regular intervals, either alone or in collaboration with other writers— Jules Sandeau, Eugène Marin Labiche, Édouard Foussier—he produced plays such as ''Le Fils de Giboyer'' (1862) - which was regarded as an attack on the clerical party in France, and was surely brought out by the direct intervention of the emperor. His last comedy, ''Les Fourchambault'', belongs to the year 1879. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Choler
Adolphe Joseph Choler (1821 – 19 January 1889) was a French playwright and librettist who was born in and died in Paris. He was Saint-Agnan Choler's brother. His plays were presented on the most important Parisian venues of the 19th century: Théâtre de la Porte Saint-Martin, Théâtre des Variétés, Théâtre du Palais-Royal, Théâtre du Gymnase-dramatique etc. He was managing director of the Théâtre du Palais-Royal from 1868 to 1879. Works *1842: ''Eva ou le Grillon du foyer'', comédie en vaudevilles in 2 acts, with Saint-Yves *1847: ''Mademoiselle Grabutot'', vaudeville in one act, with Saint-Yves *1848: ''Candide ou Tout est pour le mieux'', conte mêlé de couplets in 3 acts and 5 tableaux, with Clairville and Saint-Yves *1848: ''La république de Platon'', vaudeville in 1 act, with Saint-Yves *1849: ''Madame veuve Larifla'', vaudeville in 1 act, with Labiche *1849: ''Le Marquis de Carabas et la princesse Fanfreluche'', tale by Perrault in 1 act, mixed with dist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Delacour
Alfred Delacour or Alfred-Charlemagne Delacour, real name Pierre-Alfred Lartigue, (3 September 1817 – 31 March 1883 ) was a 19th-century French playwright and librettist. Biography In addition to his occupation as a physician, which he practised from 1841, Delacour turned progressively to the theatre. He collaborated with Eugène Labiche and Clairville for several vaudevilles Titles and decorations * Knight of the Legion of honour (7 August 1867 decree) His entry on the Base Léonore wrongly calls him ''Alfred-Charlemagne'' which was his pen name. Plays ''Le Courrier de Lyon'' (1850) was one of Delacour's noted plays. It was written together with Eugène Moreau and Paul Siraudin. The play was based on the story of Joseph Lesurques, an innocent man who was executed after he was mistaken for the leader of a gang who brutally murdered a courier. Aside from his collaborations with Labiche and Clairville, Delacour also worked with Lambert Thiboust on ''Le diable'' (188 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imbroglio
In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes referred to as a subplot or ''imbroglio''. Plot is similar in meaning to the term ''storyline''. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The term ''plot'' can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. The term ''plot'', however, in common usage (for example, a "movie plot") can mean a narrative summary or story synopsis, rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Chapeau De Paille D'Italie (play)
''The Italian Straw Hat'' (''Un chapeau de paille d'Italie'') is a five-act comedy by Eugène Labiche and Marc-Michel. It premiered at the Théâtre du Palais-Royal in Paris on 14 August 1851. It has been adapted for the cinema in French, English, German, Czech and Russian, and as a musical play in English and Italian versions. The piece remains regularly staged in France, where it entered the repertoire of the Comédie-Française in Paris and of theatres in other French cities. Plot The play is set in Paris in the middle of the 19th century, on the morning of the day on which Fadinard, a well-to-do bachelor, is to marry Hélène Nonancourt, daughter of a suburban market-gardener. Hélène, together with her cantankerous father and a fleet of eight cabs full of wedding guests, is on her way. Fadinard has ridden ahead to make final arrangements. On the way, his horse has eaten a straw hat hung on a bush. The hat belonged to Anaïs, an ex-girlfriend of Fadinard's, who has been dal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumanoir
Philippe François Pinel, known as Dumanoir (31 July 1806 – 16 November 1865), was a French playwright and librettist. Biography Dumanoir was born in Capesterre-Belle-Eau, Guadeloupe. He was the son of Mrs. Pinel-Dumanoir, whose family planted the palm trees lining the ''Allée Dumanoir'' in Guadeloupe. He left Guadeloupe in 1816. Dumanoir wrote in the theatrical genre of Comédie en vaudevilles. He was director of the Théâtre des Variétés from 1837 to 1839. In 1844, he wrote in collaboration with Adolphe d'Ennery, an eponymous drama about Don César de Bazan, one of the characters in ''Ruy Blas'' by Victor Hugo. He died in Pau. List of major works Plays * 1842: ''Le Chevalier d'Éon'', comedy in 3 acts, (with Jean-François Bayard), Théâtre des Variétés * 1839: ''Les Premières Armes de Richelieu'' (with Jean-François Bayard), Théâtre du Palais Royal * 1840: ''Indiana et Charlemagne'' (with Jean-François Bayard), Théâtre du Palais Royal * 1842: ''Ma ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clairville (Louis-François Nicolaïe)
Louis-François-Marie Nicolaïe (28 January 1811 – 8 February 1879), better known as Clairville, was a 19th-century French comedian, poet, chansonnier, goguettier and playwright. Biography Son of the Lyonese playwright and stage manager Alexandre-Henri Nicolaïe dit Clairville (died 1832), he began in 1821 in Paris at the Luxembourg Theater as actor with Madame Saqui, then as stage manager and finally, from 1837, exclusively as playwright. He later joined the Théâtre de l'Ambigu-Comique, playing small roles and developed his craft as a playwright, finding that to be his true vocation. He first conceived a revue titled ''1836 dans la lune'', the success of which would launch his career. His plays included comedies, serious plays, revues, féeries, satires and parodies. He is credited with at least 230 miscellaneous pieces of which 50 have reached one hundred representations followed. He was particularly known for his comédies en vaudeville. He was assisted, from the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Molière")
