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Erna Lendvai-Dircksen
Erna Lendvai-Dircksen (born Erna Katherina Wilhelmine Dircksen, 31 May 1883 – 8 May 1962) was a German photographer known for a series of volumes of portraits of rural individuals from throughout Germany. During the Third Reich, she also photographed for eugenicist publications and was commissioned to document the new ''Autobahn'' and the workers constructing it. Career Born in Wetterburg, now part of Bad Arolsen, Erna Dircksen studied painting at the Kunsthochschule Kassel from 1903 to 1905, and photography at the Lette-Verein from 1910 to 1911.Anne Maxwell, ''Picture Imperfect: Photography and Eugenics, 1870–1940'', Brighton, Sussex / Portland, Oregon: Sussex Academic Press, 2008, p. 194Ute Eskildsen ''et al''., ed., ''Fotografieren hieß Teilnehmen: Fotografinnen der Weimarer Republik'', Catalogue of exhibitions at Museum Folkwang Essen, Fundació "La Caixa", Barcelona, Jewish Museum, New York, Düsseldorf: Richter, 1994, n.p. She may have opened a photographic studio in H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the Writing system#Directionality, directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Glossary of mathematical sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volk
The German noun ''Volk'' () translates to people, both uncountable in the sense of ''people'' as in a crowd, and countable (plural ''Völker'') in the sense of '' a people'' as in an ethnic group or nation (compare the English term ''folk''). Within an English-language context, the German word is of interest primarily for its use in German philosophy, as in ''Volksseele'' ("national soul"), and in German nationalism – notably the derived adjective '' völkisch'' ("national, ethnic"). Etymology The term ''Volk'' in the medieval period (Middle High German ''volc'') had the primary meaning of "large crowd, army", while the more general sense of "population" or "people" was expressed by ''diet'' (adjective '' dietsch, deutsch'' "popular, of the people"). It was only in the early modern period that ''deutsch'' acquired the meaning of an ethnic self-designation. Beginning in 1512, the Holy Roman Empire was named ''Imperium Romanum Sacrum Nationis Germanicæ'', rendered in Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Fotografische Akademie
Deutsch or Deutsche may refer to: *''Deutsch'' or ''(das) Deutsche'': the German language, in Germany and other places *''Deutsche'': Germans, as a weak masculine, feminine or plural demonym *Deutsch (word), originally referring to the Germanic vernaculars of the Early Middle Ages Businesses and organisations *André Deutsch, an imprint of Carlton Publishing Group * Deutsch Inc., a former American advertising agency that split in 2020 into: **Deutsch NY,_a_New_York_City-based_advertising_agency *Deutsche_Aerospace_AG.html" ;"title="d Age, June 13 ..., a New York City-based advertising agency *Deutsche Aerospace AG">d Age, June 13 ..., a New York City-based advertising agency *Deutsche Aerospace AG *Deutsche Akademie, a cultural organisation, superseded by the Goethe-Institut *Deutsche Bahn, the German railway service *Deutsche Bank *Deutsche Börse, a German stock exchange *Deutsche Geophysikalische Gesellschaft, the German Geophysical Society *Deutsche Grammophon, a German cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erfurt
Erfurt () is the capital and largest city in the Central German state of Thuringia. It is located in the wide valley of the Gera river (progression: ), in the southern part of the Thuringian Basin, north of the Thuringian Forest. It sits in the middle of an almost straight line of cities consisting of the six largest Thuringian cities forming the central metropolitan corridor of the state, the "Thuringian City Chain" ('' Thüringer Städtekette'') with more than 500,000 inhabitants, stretching from Eisenach in the west, via Gotha, Erfurt, Weimar and Jena, to Gera in the east. Erfurt and the city of Göttingen in southern Lower Saxony are the two cities with more than 100,000 inhabitants closest to the geographic center of Germany. Erfurt is located south-west of Leipzig, north-east of Frankfurt, south-west of Berlin and north of Munich. Erfurt's old town is one of the best preserved medieval city centres in Germany. Tourist attractions include the Merchants' Bridge (''K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cologne
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western States of Germany, state of North Rhine-Westphalia (NRW) and the List of cities in Germany by population, fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 million people in the Cologne Bonn Region, urban region. Centered on the left bank of the Rhine, left (west) bank of the Rhine, Cologne is about southeast of NRW's state capital Düsseldorf and northwest of Bonn, the former capital of West Germany. The city's medieval Catholic Cologne Cathedral (), the third-tallest church and tallest cathedral in the world, constructed to house the Shrine of the Three Kings, is a globally recognized landmark and one of the most visited sights and pilgrimage destinations in Europe. The cityscape is further shaped by the Twelve Romanesque churches of Cologne, and Cologne is famous for Eau de Cologne, that has been produced in the city since 1709, and "col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Photography
Landscape photography shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on man-made features or disturbances of landscapes. Landscape photography is done for a variety of reasons. Perhaps the most common is to recall a personal observation or experience while in the outdoors, especially when traveling. Others pursue it particularly as an outdoor lifestyle, to be involved with nature and the elements, some as an escape from the artificial world.Caputo, Robert"Landscape Photography Tips" ''National Geographic,'' August 2007, (from ''Photography Field Guide: Landscapes and Ultimate Photography Field Guide: Landscapes'')McNeal, Kevin with interviewer Dimitri Vasileiou"In Conversation... Kevin McNeal", ''Landscape Photography Magazine'', 2014 Edition, p.34Ellement, Brad (U.K."Featured Artist: Brad Ellement", ''Landscape Photography Magazine,'' 2014 Edition, p.56Vas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upper Silesia
Upper Silesia ( pl, Górny Śląsk; szl, Gůrny Ślůnsk, Gōrny Ślōnsk; cs, Horní Slezsko; german: Oberschlesien; Silesian German: ; la, Silesia Superior) is the southeastern part of the historical and geographical region of Silesia, located today mostly in Poland, with small parts in the Czech Republic. Since the 9th century, Upper Silesia has been part of (chronologically) Greater Moravia, the Duchy of Bohemia, the Piast Kingdom of Poland, again of the Lands of the Bohemian Crown and the Holy Roman Empire, as well as of the Habsburg monarchy from 1526. In 1742 the greater part of Upper Silesia was annexed by the Kingdom of Prussia, and in 1871 it became part of the German Empire. After the First World War the region was divided between Poland (East Upper Silesia) and Germany (West Upper Silesia). After the Second World War, West Upper Silesia also became Polish as the result of the Potsdam Conference. Geography Upper Silesia is situated on the upper Oder River, north o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volk Und Rasse
The German noun ''Volk'' () translates to people, both uncountable in the sense of ''people'' as in a crowd, and countable (plural ''Völker'') in the sense of '' a people'' as in an ethnic group or nation (compare the English term ''folk''). Within an English-language context, the German word is of interest primarily for its use in German philosophy, as in ''Volksseele'' ("national soul"), and in German nationalism – notably the derived adjective '' völkisch'' ("national, ethnic"). Etymology The term ''Volk'' in the medieval period (Middle High German ''volc'') had the primary meaning of "large crowd, army", while the more general sense of "population" or "people" was expressed by ''diet'' (adjective '' dietsch, deutsch'' "popular, of the people"). It was only in the early modern period that ''deutsch'' acquired the meaning of an ethnic self-designation. Beginning in 1512, the Holy Roman Empire was named ''Imperium Romanum Sacrum Nationis Germanicæ'', rendered in Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympia (1938 Film)
''Olympia'' is a 1938 German sports film written, directed and produced by Leni Riefenstahl, which documented the 1936 Summer Olympics, held in the Olympic Stadium in Berlin during the Nazi period. The film was released in two parts: ''Olympia 1. Teil — Fest der Völker'' (''Festival of Nations'') (126 minutes) and ''Olympia 2. Teil — Fest der Schönheit'' (''Festival of Beauty'') (100 minutes). The first documentary about the Olympics made, ''Olympia'' set the precedent for future cinematic documents, glorifying the Olympics, particularly the Summer Games. The 1936 Summer Olympics torch relay was devised for the Games by the secretary general of the Organizing Committee, Dr. Carl Diem. Riefenstahl staged the torch relay for the film, with competitive events of the Games. Many advanced motion picture techniques, which later became industry standards but which were groundbreaking at the time, were employed, including unusual camera angles, smash cuts, extreme close-ups and pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leni Riefenstahl
Helene Bertha Amalie "Leni" Riefenstahl (; 22 August 1902 – 8 September 2003) was a German film director, photographer and actress known for her role in producing Nazi propaganda. A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film ''Mountain of Destiny'', she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, ''Das Blaue Licht'' ("The Blue Light"). In the 1930s, she directed the Nazi propaganda films ''Triumph des Willens'' ("Triumph of the Will") and '' Olympia'', resulting in worldwide attention and acclaim. The films are widely considered two of the most effective and technically innovative propaganda films ever made. Her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Objectivity
The New Objectivity (in german: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the ''Kunsthalle'' in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. As these artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen—rejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism. Although principally describing a tendency in German painting, the term took a life of its own and came to characterize the attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it. Rather than some goal of philosophical objectiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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