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Erich Syri
Erich Syri (8 December 1937 – 8 September, 2022) was a German Bass opera singer. Life Syri was born in Andernach. After initial singing lessons with Elly Lauer in Neuwied, he studied singing with Professor Clemens Glettenberg at the State University of Music in Cologne. He debuted as Sarastro in Mozart's '' The Magic Flute'' in 1962 in Passau at the Landestheater Niederbayern, a theatre in Lower Bavaria. He had his first engagement as a at the Linz State Theatre from 1963 to 1966. From 1966 to 1968 he was engaged in the same position at the Theater Saarbrücken with the artistic director Hermann Wedekind and conductor Siegfried Köhler. A season followed at the Theater Freiburg in Breisgau with Hans-Reinhard Müller and Austrian conductor Leopold Hager. In 1969 he was engaged by German conductor Horst Stein at the Mannheim National Theatre, where he worked until 1999. Syri starred in the world premiers of Helmut Eder's s ''Der Kardinal'' in the title role, and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andernach
Andernach () is a town in the district of Mayen-Koblenz, in Rhineland-Palatinate, Germany, of about 30,000 inhabitants. It is situated towards the end of the ''Neuwied basin'' on the left bank of the Rhine between the former tiny fishing village of Fornich in the north and the mouth of the small river Nette in the southeast, just north of Koblenz, with its five external town districts: Kell, Miesenheim, Eich, Namedy, and Bad Tönisstein. A few hundred metres downstream of Andernach the Rhine valley narrows from both sides forming the northern part of the romantic ''Middle Rhine'' stretch. Already in Roman times the place the narrow passage begins was named "Porta Antunnacensis" or ''Andernachian Gate''. It is formed by two hills, the ''Krahnenberg'' (engl. ''Crane hill'') and the ''Engwetter'' (''Narrow weather'') on the right bank near the wine village ''Leutesdorf'' (external town district of Bad Hönningen). The crane hill is named after the old crane beneath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannheim National Theatre
The Mannheim National Theatre (german: Nationaltheater Mannheim) is a theatre and opera company in Mannheim, Germany, with a variety of performance spaces. It was founded in 1779 and is one of the oldest theatres in Germany. History In the 18th century Mannheim was the capital of the Electoral Palatinate and the residence city of the reigning prince-electors. When Charles Theodore also became the Duke of Bavaria in 1777, he moved to Munich and brought the theatre company of Theobald Marchand with him from Mannheim. In 1778 he instructed the courtier Wolfgang Heribert von Dalberg—the brother of Prince-Elector and Grand Duke Karl Theodor von Dalberg—to establish a new theatre in Mannheim. At first Dalberg contracted Abel Seyler's theatre company with performing in Mannheim on an occasional basis from 1778 to 1779. Performances included Shakespeare plays such as ''Hamlet'' and '' Macbeth''. In the autumn of 1779 Seyler moved permanently to Mannheim with the remaining members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period ... refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Lortzing
Gustav Albert Lortzing (23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German ''Spieloper'', a form similar to the French '' opéra comique'', which grew out of the '' Singspiel''. Life and career Lortzing was born in Berlin to Johann Gottlieb and Charlotte Sophie Lortzing. They had abandoned their leather shop and travelled through Germany as itinerant actors, founding the Berlin theatre company ''Urania'', and turning their amateur passion into a profession. The young Lortzing's first stage appearance was at the age of 12, entertaining the audience with comic poems during the interval in the ''Kornhaus'' at the Freiburg Münster. From 1817, the Lortzing family were part of Josef Derossi ensemble in the Rhineland, treading the boards at Bonn, Düsseldorf, Barmen and Aachen. Albert Lortzing became an audience favourite, playing the roles of a youthful lover, a country boy and bon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Wildschütz
''Der Wildschütz oder Die Stimme der Natur'' (''The Poacher, or The Voice of Nature'') is a German ''Komische Oper'', or comic opera, in three acts by Albert Lortzing from a libretto by the composer adapted from the comedy ''Der Rehbock, oder Die schuldlosen Schuldbewussten'' by August von Kotzebue. It had its premiere at the Stadttheater in Leipzig on 31 December 1842. Roles Synopsis Act 1 At the village hotel, the schoolmaster Baculus is celebrating his engagement to Gretchen. A hunter from the Count von Eberbach then arrives at the festivities with a letter telling Baculus that he has been dismissed from his schoolmaster post, as Baculus had earlier gone hunting on the count's land without his permission. Baculus thinks to send Gretchen to change the count's mind, but then recalls the count's weakness for young women. The Baroness von Freimann, sister of the count and recently widowed, arrives disguised as a student to travel ''incognito''. Her brother wants her to rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pimpinone
''Pimpinone'', TWV 21:15, is a comic opera by the German composer Georg Philipp Telemann with a libretto by Johann Philipp Praetorius. Its full title is ''Die Ungleiche Heirat zwischen Vespetta und Pimpinone oder Das herrsch-süchtige Camer Mägden'' (''The Unequal Marriage Between Vespetta and Pimpinone or The Domineering Chambermaid''). The work is described as a ''Lustiges Zwischenspiel'' ("comic intermezzo") in three parts. It was first performed at the Oper am Gänsemarkt in Hamburg on 27 September 1725 as light relief between the acts of Telemann's adaptation of Handel's opera seria ''Tamerlano''. ''Pimpinone'' was highly successful and pointed the way forward to later intermezzi, particularly Giovanni Battista Pergolesi's ''La serva padrona''. __NOTOC__ Roles Plot Vespetta the chambermaid wheedles her way into marrying her employer, old Pimpinone. Once married she shows her waspish nature (the name Vespetta means "little wasp") and completely dominates her husband. Record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera (British Magazine)
''Opera'' is a monthly Great Britain, British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes (musicologist), Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in ISO 216, A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monodrama
A monodrama is a theatrical or operatic piece played by a single actor or singer, usually portraying one character. In opera In opera, a monodrama was originally a melodrama with one role such as Jean-Jacques Rousseau's ''Pygmalion'', which was written in 1762 and first staged in Lyon in 1770, and Georg Benda's work of the same name (1779). The term monodrama (sometimes mono-opera) is also applied to modern works with a single soloist, such as Arnold Schoenberg's ''Die glückliche Hand'' (1924), which besides the protagonist has two additional silent roles as well as a choral prologue and epilogue. ''Erwartung'' (1909) and ''La voix humaine'' (1959) closely follow the traditional definition, while in ''Eight Songs for a Mad King'' (1969) by Peter Maxwell Davies, the instrumentalists are brought to the stage to participate in the action. Twenty-first century examples can be found in '' Émilie'' (2008) by Kaija Saariaho and ''Four Sad Seasons Over Madrid'' (2008) or ''God's Ske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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