Enrico Di Giuseppe
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Enrico Di Giuseppe
Enrico Di Giuseppe (October 14, 1932 – December 31, 2005) was a celebrated American operatic tenor who had an active performance career from the late 1950s through the 1990s. He spent most of his career performing in New York City, juggling concurrent performance contracts with both the New York City Opera and the Metropolitan Opera during the 1970s and 1980s. In the latter part of his career, he was active with the Grand Opera House. Possessing a lyric tenor voice with a bright timbre and easy upper extension, Di Giuseppe excelled in the Italian repertory. He was particularly successful in tackling the bel canto repertoire, notably partnering Beverly Sills in productions of Donizetti's ''Anna Bolena'', ''Maria Stuarda'', and ''Roberto Devereux'', as well as Bellini's ''I puritani'' at the NYCO. Di Giuseppe performed in similar repertoire at the Met opposite other notable bel canto interpreters like Dame Joan Sutherland, Marilyn Horne and Renata Scotto. Early life and ca ...
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Enrico Di Giuseppe
Enrico Di Giuseppe (October 14, 1932 – December 31, 2005) was a celebrated American operatic tenor who had an active performance career from the late 1950s through the 1990s. He spent most of his career performing in New York City, juggling concurrent performance contracts with both the New York City Opera and the Metropolitan Opera during the 1970s and 1980s. In the latter part of his career, he was active with the Grand Opera House. Possessing a lyric tenor voice with a bright timbre and easy upper extension, Di Giuseppe excelled in the Italian repertory. He was particularly successful in tackling the bel canto repertoire, notably partnering Beverly Sills in productions of Donizetti's ''Anna Bolena'', ''Maria Stuarda'', and ''Roberto Devereux'', as well as Bellini's ''I puritani'' at the NYCO. Di Giuseppe performed in similar repertoire at the Met opposite other notable bel canto interpreters like Dame Joan Sutherland, Marilyn Horne and Renata Scotto. Early life and ca ...
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I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel '' Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howev ...
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Renato Cellini
Renato Cellini (; April 24, 1912 – March 25, 1967) was an Italian opera conductor. His father was Ezio Cellini, who was a stage director who worked with Arturo Toscanini. Metropolitan Opera Cellini went to the United States in 1947, when he joined the staff of the Metropolitan Opera, and where he debuted conducting ''Don Carlos'', on April 9, 1952, with Jussi Björling, Eleanor Steber and Regina Resnik in the cast. The following year, he led ''Aïda'' (with Herva Nelli and Jean Madeira) and ''La forza del destino'' (with Zinka Milanov and Mario del Monaco). In 1954, he conducted ''La forza'' again (now with Nelli and Leonard Warren), and a double-bill of ''Cavalleria rusticana'' and ''Pagliacci''. His 1950 recording of ''Rigoletto'', with Jan Peerce, Warren, Italo Tajo, Erna Berger, and Nan Merriman, was the "first American recording of a complete opera by RCA Victor." New Orleans Opera In 1954, Cellini was appointed General Director and Conductor of the N ...
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New Orleans Opera
Opera has long been part of the musical culture of New Orleans, Louisiana. Operas have regularly been performed in the city since the 1790s, and since the early 19th century, New Orleans has had a resident company regularly performing opera in addition to theaters hosting traveling performers and companies. Earlier opera houses Operas were staged at a variety of theaters in the city, the first documented was André Grétry's ''Sylvain'' at the Theatre de la Rue Saint Pierre on 22 May 1796. On 30 January 1808, the Théâtre St. Philippe was opened with the U.S. premiere of Étienne Méhul's ''Une folie''. The U.S. premiere of Luigi Cherubini's ''Les deux journées'' took place at this theater on 12 March 1811. The city's most famous opera venue between 1819 and 1859 was the Théâtre d'Orléans. That theater was succeeded in 1859 by the French Opera House, located on Bourbon Street in the French Quarter. Living in a cosmopolitan city, New Orleans' inhabitants, whether high in ...
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Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered ...
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Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and '' Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense o ...
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The Juilliard School
The Juilliard School ( ) is a private performing arts conservatory in New York City. Established in 1905, the school trains about 850 undergraduate and graduate students in dance, drama, and music. It is widely regarded as one of the most elite drama, music, and dance schools in the world. History Early years: 1905-1946 In 1905, the Institute of Musical Art, Juilliard's predecessor institution, was founded by Frank Damrosch, the godson of Franz Liszt and head of music education for New York City's public schools, on the premise that the United States did not have a premier music school and too many students were going to Europe to study music. In 1919, a wealthy textile merchant named Augustus Juilliard died and left the school in his will the largest single bequest for the advancement of music at that time. In 1968, the school's name was changed from the Juilliard School of Music to The Juilliard School to reflect its broadened mission to educate musicians, directors, an ...
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Richard Bonelli
Richard Bonelli (born George Richard Bunn; 6 February 1889 – 7 June 1980) was an American operatic baritone active from 1915 to the late 1970s. Although he sang predominantly on stage in both light and grand operas, he also performed at various times on radio, in concerts and films, as well as on television."Richard Bonelli dies at 91, sang with old Civic Opera", ''Chicago Tribune'', June 12, 1980, p. C23. ProQuest Historical Newspapers, Ann Arbor, Michigan; subscription access through The University of North Carolina Library at Chapel Hill Library. Early life and training Bonelli was the child of Ida (née Homel) and Martin Bunn of Port Byron, New York."California Death Index, 1940-1997", "Bonelli, Richard", 7 June 1980, including mother's maiden name; California Department of Health Services, Vital Statistics Section, Sacramento; copies of original records in FamilySearch database. His family later moved to Syracuse and soon George preferred to be called Richard. Prior to d ...
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Curtis Institute Of Music
The Curtis Institute of Music is a private conservatory in Philadelphia. It offers a performance diploma, Bachelor of Music, Master of Music in opera, and a Professional Studies Certificate in opera. All students attend on full scholarship. History The Curtis Institute of Music was founded in 1924 by Mary Louise Curtis Bok. She named the new school for her father, publishing magnate Cyrus Curtis. Early faculty at the institute included conductor Leopold Stokowski and the pianist Josef Hofmann. The institute has not charged tuition since 1928; it provides full scholarship to all admitted students. In 2020, following credible allegations of abuse at the hands of past faculty, the school ended its practice of keeping students enrolled "at the discretion of their major instrument teacher". In accepting the findings of an independent investigation of abuse allegations that found the practice was a "real threat" a student "could be dismissed for any reason at any time", Curtis ...
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Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language vi ...
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Philadelphia
Philadelphia, often called Philly, is the List of municipalities in Pennsylvania#Municipalities, largest city in the Commonwealth (U.S. state), Commonwealth of Pennsylvania, the List of United States cities by population, sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic (United States), Mid-Atlantic regions after New York City. Act of Consolidation, 1854, Since 1854, the city has been coextensive with Philadelphia County, Pennsylvania, Philadelphia County, the List of counties in Pennsylvania, most populous county in Pennsylvania and the urban core of the Delaware Valley, the Metropolitan statistical area, nation's seventh-largest and one of List of largest cities, world's largest metropolitan regions, with 6.245 million residents . The city's population at the 2020 United States census, 2020 census was 1,603,797, and over 56 million people live within of Philadelphia. Philadelphia was founded in 1682 by William Penn, ...
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Opera News
''Opera News'' is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to engender the appreciation of opera and also support the Metropolitan Opera of New York City. ''Opera News'' was initially focused primarily on the Met, particularly providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine has broadened its scope to include the larger American and international opera scenes. Currently published monthly, ''Opera News'' offers opera related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the United States and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances in the U.S. The Editor-in-Chief is currently F. Paul Driscoll. Regular contributors to the m ...
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