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Enric Martínez-Castignani
Enric Martínez-Castignani (Barcelona, 1970) is an Italo-Spanish baritone who sings opera and lieder. He has been nominated for a Grammy Award.Classics', 31 December 2004 Biography Martínez-Castignani was born to a family from Senigallia, Italy. He graduated with honours in Barcelona and from the University of Music and Performing Arts in Mannheim, Germany. His tutors included Gérard Souzay, Carlos Chausson, Dalton Baldwin, Paul Schilhawsky, Gerd Türk, Ulrich Eisenlohr and Wolfram Rieger. He studied choral and orchestral conducting under Pierre Cao, Eric Ericson, Klaus Arp and Luis Gorelick. Career In 1992 Martínez-Castignani made his opera debut as Ottone in ''L’Incoronazione di Poppea''. He has performed in Madrid, Barcelona, Israel, Budapest, Karlsruhe, Oviedo's Opera (Spain), Villamarta, Córdoba (Argentina), Malaga, Galicia (Spain), and at the International Festivals of Perelada and Granada, under conductors including George Pehlivanian, Alberto Zedda, Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L’Incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'italiana In Algeri
''L'italiana in Algeri'' (; ''The Italian Girl in Algiers'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies. Composition history Rossini wrote ''L'italiana in Algeri'' when he was 21. Rossini stated that he composed the opera in 18 days, though other sources claim that it took him 27 days. Rossini entrusted the composition of the recitatives as well as the aria "Le femmine d'Italia" to an unknown collaborator. The opera is notable for Rossini's mixing of opera seria style with opera buffa. The overture is widely recorded and performed today, known for its distinct opening of slow, quiet pizzicato basses, leading to a sudden loud burst of sound from the full orchestra. This "surp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville (play), The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the Pierre Beaumarchais#Figaro plays, three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named The Barb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Campanello
''Il campanello'' or ''Il campanello di notte'' (''The Night Bell'') is a dramma giocoso, or opera, in one act by Gaetano Donizetti. The composer wrote the Italian libretto after Mathieu-Barthélemy Troin Brunswick and Victor Lhérie's French vaudeville ''La sonnette de nuit''. The premiere took place on 1 June 1836 at the Teatro Nuovo in Naples and was "revived every year over the next decade". Performance history The opera was presented in Italian at the Lyceum Theatre in London on 6 June 1836 and in English on 9 March 1841. It was also given in English in 1870. It was first performed in Italian in the US in Philadelphia on 25 October 1861; this production went on to New York three days later. An English translation was seen in that city on 7 May 1917. Among other performances, the work was staged by Teatro Regio di Torino in 1995 and by the Donizetti festival, Bergamo in 2010. Roles Synopsis :Time: Early 19th century :Place: NaplesOsborne 1994, p. 248 At the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Pasquale
''Don Pasquale'' () is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera '' Ser Marcantonio'' written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or is assistantAccursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is generally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Viaggio A Reims
''Il viaggio a Reims, ossia L'albergo del giglio d'oro'' (''The Journey to Reims, or The Hotel of the Golden Fleur-de-lis'') is an operatic dramma giocoso, originally performed in three acts,Janet Johnson: ''A Lost Masterpiece Recovered'', pp. 37–38 of the liner notes to the 1984 DG recording. by Gioachino Rossini to an Italian libretto by Luigi Balocchi, based in part on ' by Germaine de Staël. Rossini's last opera in the Italian language (all of his later works were in French) premiered under the title ''Le voyage à Reims, ou l'Hôtel du Lys-d'Or''. It was commissioned to celebrate the coronation of French King Charles X in Reims in 1825 and has been acclaimed as one of Rossini's finest compositions. A demanding work, it requires 14 soloists (three sopranos, one contralto, two tenors, four baritones, and four basses). At its premiere, it was sung by the greatest voices of the day. Since the opera was written for a specific occasion, with a plot about European aristocrats, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cenerentola
' ('' Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera ''Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for ' with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale ''Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. Rossini composed ''La Cenerentola'' when he was 25 years old, following the success of ''The Barber of Seville'' the year before. ''La Cenerentola'', which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini saved some time by reusing an overture from ''La gazzetta'' and part of an aria from ''The Barber of Seville'' and by enlisting a collaborator, Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions '' quadri'', '' tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suntory Hall
The is a concert venue in the central Akasaka district of Tokyo, Japan. Part of the Ark Hills complex, it consists of a main concert hall, widely considered one of the finest in the world for its acoustics — indeed Herbert von Karajan called it “a jewel box of sound” — and a smaller side-hall for chamber music. Its roof is an extended, tiered, landscape garden. Construction began in the late 1970s and the facility opened in October 1986. History The Suntory Hall opened on 12 October 1986 in commemoration of the sixtieth anniversary of whisky production and twentieth of that of beer by Suntory. The Herbert von Karajan plaza in front of the Suntory Hall, which was constructed in April 1998, is in remembrance of the maestro, who was involved in the design of the hall and who also recommended its vineyard style as used at the Berliner Philharmonie, in which the audience surrounds the concert floor in the Main Hall. He also helped with its acoustical evaluation. Suntory was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instituto Cervantes
Instituto Cervantes (the Cervantes Institute) is a worldwide nonprofit organization created by the Spanish government in 1991. It is named after Miguel de Cervantes (1547–1616), the author of ''Don Quixote'' and perhaps the most important figure in the history of Spanish literature. The Cervantes Institute is the largest organization in the world responsible for promoting the study and the teaching of Spanish language and culture. This organization has branched out to 45 countries with 88 centres devoted to the Spanish and Hispanic American culture and Spanish language. Article 3 of Law 7/1991, of March 21, created the Instituto Cervantes as a government agency. The law explains that the ultimate goals of the Institute are to promote the education, the study and the use of Spanish universally as a second language; to support the methods and activities that would help the process of Spanish language education, and to contribute to the advancement of the Spanish and Hispanic Ame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palau De La Música Catalana
Palau de la Música Catalana (, en, Palace of Catalan Music) is a concert hall in Barcelona, Catalonia, Spain. Designed in the Catalan '' modernista'' style by the architect Lluís Domènech i Montaner, it was built between 1905 and 1908 for Orfeó Català, a choral society founded in 1891 that was a leading force in the Catalan cultural movement that came to be known as the ''Renaixença'' (Catalan Rebirth).Benton, Tim. ''Modernismo in Catalonia'' In: ''Art Nouveau Architecture'' (Frank Russell, editor), New York: Arch Cape Press, 1986. . It was inaugurated on 9 February 1908. The construction project was mainly financed by Orfeó Català, but important financial contributions also came from Barcelona's wealthy industrialists and bourgeoisie. The palace won the architect an award from the Barcelona City Council in 1909, given to the best building built during the previous year. Between 1982 and 1989, the building underwent extensive restoration, remodeling, and extension un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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