English Poetry
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English Poetry
This article focuses on poetry from the United Kingdom written in the English language. The article does not cover poetry from other countries where the English language is spoken, including Republican Ireland after December 1922. The earliest surviving English poetry, written in Anglo-Saxon, the direct predecessor of modern English, may have been composed as early as the 7th century. The earliest English poetry The earliest known English poem is a hymn on the creation; Bede attributes this to Cædmon ( fl. 658–680), who was, according to legend, an illiterate herdsman who produced extemporaneous poetry at a monastery at Whitby. This is generally taken as marking the beginning of Anglo-Saxon poetry. Much of the poetry of the period is difficult to date, or even to arrange chronologically; for example, estimates for the date of the great epic ''Beowulf'' range from AD 608 right through to AD 1000, and there has never been anything even approaching a consensus. It is pos ...
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Cædmon Manuscript
The Junius manuscript is one of the four major codices of Old English literature. Written in the 10th century, it contains poetry dealing with Biblical subjects in Old English, the vernacular language of Anglo-Saxon England. Modern editors have determined that the manuscript is made of four poems, to which they have given the titles ''Genesis'', ''Exodus'', ''Daniel'', and ''Christ and Satan''. The identity of their author is unknown. For a long time, scholars believed them to be the work of Cædmon, accordingly calling the book the Cædmon manuscript. This theory has been discarded due to the significant differences between the poems. The manuscript owes its current designation to the Anglo-Dutch scholar Franciscus Junius, who was the first to edit its contents and who bequeathed it to Oxford University. It is kept in the Bodleian Library under shelfmark MS Junius 11. Name and date The codex now referred to as the "Junius manuscript" was formerly called the "Cædmon manu ...
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Alliterative Verse
In prosody, alliterative verse is a form of verse that uses alliteration as the principal ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic ''Beowulf'', as well as most other Old English poetry, the Old High German ''Muspilli'', the Old Saxon ''Heliand'', the Old Norse ''Poetic Edda'', and many Middle English poems such as ''Piers Plowman'', ''Sir Gawain and the Green Knight'', and the '' Alliterative Morte Arthur'' all use alliterative verse. While alliteration can be found in many poetic traditions, it is 'relatively infrequent' as a structured characteristic of poetic form.Frog, ...
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The Rhyming Poem
"The Rhyming Poem", also written as "The Riming Poem", is a poem of 87 lines found in the Exeter Book, a tenth-century collection of Old English poetry. It is remarkable for being no later than the 10th century, in Old English, and written in rhyming couplets. Rhyme is otherwise virtually unknown among Anglo-Saxon literature, which used alliterative verse instead. The poem is found on folios 94r-95v, in the third booklet of the Exeter Book, which may, or may not, be an indication of composition. Many scholarly attempts have been made to decipher the collation of the Exeter Book and to determine if works were placed in the manuscript by date or theme. Unlike the ''Monstrarum Librum'' of the '' Beowulf'' manuscript, the Exeter Book appears to be a self-consciously archival collection. The poem concerns the troubles and transience of life. It contrasts the life of a ruler, from the time of his birth to his prosperous rule and life at court (lines 1-42), with his life after his fall, ...
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Spell (paranormal)
An incantation, a spell, a charm, an enchantment or a bewitchery, is a magical formula intended to trigger a magical effect on a person or objects. The formula can be spoken, sung or chanted. An incantation can also be performed during ceremonial rituals or prayers. In the world of magic, wizards, witches, and fairies allegedly perform incantations. In medieval literature, folklore, fairy tales, and modern fantasy fiction, enchantments are charms or spells. This has led to the terms "enchanter" and "enchantress" for those who use enchantments. The English language borrowed the term "incantation" from Old French in the late 14th century; the corresponding Old English term was ''gealdor'' or '' galdor'', "song, spell", cognate to ON galdr. The weakened sense "delight" (compare the same development of "charm") is modern, first attested in 1593 (OED). Words of incantation are often spoken with inflection and emphasis on the words being said. The tone and rhyme of how the word ...
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Riddle
A riddle is a statement, question or phrase having a double or veiled meaning, put forth as a puzzle to be solved. Riddles are of two types: ''enigmas'', which are problems generally expressed in metaphorical or allegorical language that require ingenuity and careful thinking for their solution, and ''conundra'', which are questions relying for their effects on punning in either the question or the answer. Archer Taylor says that "we can probably say that riddling is a universal art" and cites riddles from hundreds of different cultures including Finnish, Hungarian, American Indian, Chinese, Russian, Dutch and Filipino sources amongst many others. Many riddles and riddle-themes are internationally widespread. In the assessment of Elli Köngäs-Maranda (originally writing about Malaitian riddles, but with an insight that has been taken up more widely), whereas myths serve to encode and establish social norms, "riddles make a point of playing with conceptual boundaries and cross ...
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Bath, Somerset
Bath () is a city in the Bath and North East Somerset unitary area in the county of Somerset, England, known for and named after its Roman-built baths. At the 2021 Census, the population was 101,557. Bath is in the valley of the River Avon, west of London and southeast of Bristol. The city became a World Heritage Site in 1987, and was later added to the transnational World Heritage Site known as the "Great Spa Towns of Europe" in 2021. Bath is also the largest city and settlement in Somerset. The city became a spa with the Latin name ' ("the waters of Sulis") 60 AD when the Romans built baths and a temple in the valley of the River Avon, although hot springs were known even before then. Bath Abbey was founded in the 7th century and became a religious centre; the building was rebuilt in the 12th and 16th centuries. In the 17th century, claims were made for the curative properties of water from the springs, and Bath became popular as a spa town in the Georgian era. ...
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The Ruin
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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The Seafarer (poem)
''The Seafarer'' is an Old English poem giving a first-person account of a man alone on the sea. The poem consists of 124 lines, followed by the single word "Amen". It is recorded only at folios 81 verso – 83 recto of the tenth-century Exeter Book, one of the four surviving manuscripts of Old English poetry. It has most often, though not always, been categorised as an elegy, a poetic genre commonly assigned to a particular group of Old English poems that reflect on spiritual and earthly melancholy. Summary Much scholarship suggests that the poem is told from the point of view of an old seafarer who is reminiscing and evaluating his life as he has lived it. The seafarer describes the desolate hardships of life on the wintry sea. He describes the anxious feelings, cold-wetness, and solitude of the sea voyage in contrast to life on land where men are surrounded by kinsmen, free from dangers, and full on food and wine. The climate on land then begins to resemble that of the wintr ...
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The Wanderer (Old English Poem)
''The Wanderer'' is an Old English poem preserved only in an anthology known as the Exeter Book, a manuscript dating from the late 10th century. It comprises 115 lines of alliterative verse. As is often the case with Anglo-Saxon verse, the composer and compiler are anonymous, and within the manuscript the poem is untitled. Origins The date of the poem is impossible to determine, but scholarly consensus considers it to be older than the Exeter Book itself, which dates from the late 10th century. The inclusion of a number of Norse-influenced words, such as the compound ''hrimceald'' (ice-cold, from the Old Norse word ''hrimkaldr''), and some unusual spelling forms, has encouraged others to date the poem to the late 9th or early 10th century. As is typical of Old English verse, the metre of the poem is alliterative and consists of four-stress lines, divided between the second and third stresses by a caesura. Each caesura is indicated in the manuscript by a subtle increase in chara ...
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Finnesburg Fragment
The "Finnesburg Fragment" (also "Finnsburh Fragment") is a portion of an Old English heroic poem about a fight in which Hnæf and his 60 retainers are besieged at "Finn's fort" and attempt to hold off their attackers. The surviving text is tantalisingly brief and allusive, but comparison with other references in Old English poetry, notably ''Beowulf'' (''c.'' 1000 AD), suggests that it deals with a conflict between Danes and Frisians in Migration-Age Frisia (400 to 800 AD). Transmission The extant text is a transcript of a loose manuscript folio that was once kept at Lambeth Palace, the London residence of the Archbishops of Canterbury. This manuscript was almost certainly Lambeth Library MS 487. A British scholar, George Hickes, made the transcript some time in the late 17th century, and published it in an anthology of Anglo-Saxon and other antiquities in 1705. (This anthology also contains the first reference to the sole manuscript of ''Beowulf''.) Since the time when the cop ...
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Waldere
"Waldere" or "Waldhere" is the conventional title given to two Old English fragments, of around 32 and 31 lines, from a lost epic poem, discovered in 1860 by E. C. Werlauff, Librarian, in the Danish Royal Library at Copenhagen, where it is still preserved. The parchment pages had been reused as stiffening in the binding of an Elizabethan prayer book, which had presumably come to Europe following the Dissolution of the Monasteries in England in the 16th century. Overview The portion that was found was a part of a much larger work. What remains of the poem comes in two parts, written on two separate single leaves, usually called “fragment I” and “fragment II”, and generally dated about 1000. The date of the poem's composition is unknown. The fragments can be situated in the epic of which they formed part because the subject, adventures surrounding the hero Walter of Aquitaine, is known in other texts: a Latin epic poem ''Waltharius'' by Ekkehard of Abbey of St. Gall, dati ...
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