Emperor Guangzong
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Emperor Guangzong
Emperor Guangzong of Song (30 September 1147 – 17 September 1200), personal name Zhao Dun, was the 12th emperor of the Song dynasty of China and the third emperor of the Southern Song dynasty. He was the third son of his predecessor, Emperor Xiaozong. His mother was Emperor Xiaozong's first wife, Lady Guo (郭氏; 1126–1156), who was posthumously honoured as "Empress Chengmu" (成穆皇后). His reign was relatively peaceful, but his lack of filial piety eventually made officials replace him with his son Emperor Ningzong. Early life During his childhood, Guangzong either suffered from bipolar or severe neurosis. Despite this, Guangzong was reportedly filial to his father albeit his father kept on delaying the succession. In 1194, was promoted from the ruler of a Zhou to Fu. Emperor Xiaozong abdicated in favor of Emperor Guangzong in 1194 which Emperor Guangzong later described his crowning as king and then Emperor Guangzong as a "double celebration" which gave the ci ...
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Hanging Scroll
A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. The hanging scroll was displayed in a room for appreciation; it is to be distinguished from the handscroll, which was narrower and designed to be viewed flat on a table in sections and then stored away again. Hanging scrolls are generally intended to be displayed for short periods of time and are then rolled up to be tied and secured for storage. The hanging scrolls are rotated according to season or occasion, and such works are never intended to be on permanent display. The painting surface of the paper or silk can be mounted with decorative brocade silk borders. In the composition of a hanging scroll, the foreground is usually at the bottom of the scroll while the middle and far distances are at the middle and top respectively. The traditional craft involved in creating a hanging scroll is considered an art in itself. Mountings for Chinese paintings can be divided ...
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Zhou (country Subdivision)
''Zhou'' () were historical administrative and political divisions of China. Formally established during the Han dynasty, ''zhou'' existed continuously in 1912—a period of over 2000 years. ''Zhou'' were also previously used in Korea (, ''ju''), Vietnam ( vi, châu), and . Overview ''Zhou'' is typically rendered by several terms in the English language: * The large ''zhou'' before the Tang dynasty and in countries other than China are called "provinces" * The smaller ''zhou'' during and after the Tang dynasty are called "prefectures" * The ''zhou'' of the Qing dynasty are also called either "independent" or "dependent departments", depending on their level. The Tang dynasty also established '' fǔ'' (, "prefectures"), ''zhou'' of special importance such as capitals and other major cities. By the Ming and Qing, became predominant divisions within Chinese provinces. In Ming and Qing, the word ''fǔ'' () was typically attached to the name of each prefecture's capital cit ...
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History Of The Song Dynasty
The Song dynasty (Chinese: 宋朝; pinyin: Sòng cháo; 960–1279) of China was an imperial dynasty that ruled most of China proper and southern China from the middle of the 10th century into the last quarter of the 13th century. The dynasty was established by Emperor Taizu of Song with his usurpation of the throne of Later Zhou, ending the Five Dynasties and Ten Kingdoms period. The Song is considered a high point of classical Chinese innovation in science and technology, an era that featured prominent intellectual figures such as Shen Kuo and Su Song and the revolutionary use of gunpowder weapons. However, it was also a period of political and military turmoil, with opposing and often aggressive political factions formed at court that impeded political, social, and economic progress. The frontier management policies of the Chancellor Wang Anshi exacerbated hostile conditions along the Chinese-Vietnamese border. This sparked a border war with Vietnam's Lý dynasty, which wa ...
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Economy Of The Song Dynasty
The economy of the Song dynasty (960–1279) in China was the wealthiest economy in the world during its time. The dynasty moved away from the top-down command economy of the Tang dynasty (618-907) and made extensive use of market mechanisms as national income grew to be around three times that of 12th century Europe. The dynasty was beset by invasions and border pressure, lost control of North China in 1127, and fell in 1279. Yet the period saw the growth of cities, regional specialization, and a national market. There was sustained growth in population and per capita income, structural change in the economy, and increased technological innovation. Movable print, improved seeds for rice and other commercial crops, gunpowder, water-powered mechanical clocks, the use of coal as an industrial fuel, improved iron and steel production, more efficient canal locks, were only the most important technological innovations. Commerce in global markets increased significantly. Merchants inve ...
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Culture Of The Song Dynasty
The Song dynasty (960–1279 AD) was a culturally rich and sophisticated age for China. It saw great advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while general Chinese culture was enhanced by widespread printing, growing literacy, and various arts. Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many. Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo-Confucian political ideology at court. People in urban areas enjoyed theatrical drama on stage, restaurants that catered to a variety of regional cooking, lavish clothing and apparel sold in the markets, while both urban and rural people ...
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Architecture Of The Song Dynasty
The architecture of the Song dynasty (960–1279) was noted for its towering Buddhist pagodas, enormous stone and wooden bridges, lavish tombs, and extravagant palaces. Although literary works on architecture existed beforehand, architectural writing blossomed during the Song dynasty, maturing into a more professional form that described dimensions and working materials in a concise, organized manner. In addition to the examples still standing, depictions in Song artwork, architectural drawings, and illustrations in published books all aid modern historians in understanding the architecture of the period. The professions of architect, master craftsman, carpenter, and structural engineer did not have the high status of the Confucian scholar-officials during the dynastic era. Architectural knowledge had been passed down orally for thousands of years, usually from craftsman fathers to their sons. There were also government agencies and schools for construction, building, and engine ...
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List Of Emperors Of The Song Dynasty
The Song dynasty (960–1279) was an imperial dynasty of China that succeeded the period referred to as Five Dynasties and Ten Kingdoms period (907–960) and preceded the Yuan dynasty (1271–1368), which conquered the Song dynasty in 1279. The conventional division into the Northern Song dynasty (960–1127) and Southern Song dynasty (1127–1279) is created by the conquest of northern China by the Jin dynasty (1115–1234) in 1127 and the consequent shift of the capital from Bianjing (present-day Kaifeng) in the north to Lin'an (present-day Hangzhou) in the south. Below is a complete list of emperors of the Song dynasty, including their temple names, posthumous names, given names, and era names. The dynasty was founded by Zhao Kuangyin, who became Emperor Taizu (r. 960–976) and concluded with the death of Zhao Bing (r. 1278–1279). The last emperor of the Northern Song was Emperor Qinzong (r. 1126–1127), while the first Southern Song emperor was Emperor Gaozong (r. 1 ...
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Chinese Emperors Family Tree (middle)
This is a family tree of Chinese monarchs from the Northern and Southern dynasties period to the collapse of the Southern Song dynasty. Southern and Northern Dynasties Liu Song Southern Qi Liang dynasty and Western Liang Chen dynasty Northern Wei, Eastern Wei, Western Wei Legend: Northern Qi Northern Zhou Sui dynasty The following is a simplified family tree for the Sui dynasty (隋朝), which ruled China between AD 581 and 618. The dynasty was named for the family title: the Yang (楊) family were the Dukes of Sui. Those who became emperor are listed in bold, with their years of reign large. The names given for emperors are posthumous names, the form by which Sui emperors were most commonly known. Tang and Wu Zhou dynasties The following is a simplified family tree for the Tang dynasty (唐朝), which ruled China between AD 618 and 907. The Tang dynasty was interrupted by the reign of Empress Wu Zetian (AD 690–705), who after deposin ...
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Zhejiang
Zhejiang ( or , ; , also romanized as Chekiang) is an eastern, coastal province of the People's Republic of China. Its capital and largest city is Hangzhou, and other notable cities include Ningbo and Wenzhou. Zhejiang is bordered by Jiangsu and Shanghai to the north, Anhui to the northwest, Jiangxi to the west and Fujian to the south. To the east is the East China Sea, beyond which lies the Ryukyu Islands. The population of Zhejiang stands at 64.6 million, the 8th highest among China. It has been called 'the backbone of China' due to being a major driving force in the Chinese economy and being the birthplace of several notable persons, including the Chinese Nationalist leader Chiang Kai-shek and entrepreneur Jack Ma. Zhejiang consists of 90 counties (incl. county-level cities and districts). The area of Zhejiang was controlled by the Kingdom of Yue during the Spring and Autumn period. The Qin Empire later annexed it in 222 BC. Under the late Ming dynasty and the Qing ...
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Xin Qiji
Xin Qiji (28 May 1140 – 3 Oct 1207) was a Chinese calligrapher, military general, and poet during the Southern Song dynasty (1127–1279). Life During Xin's lifetime, northern China was occupied during the Jin–Song Wars by the Jurchens of the Jin dynasty, a semi-nomadic people who moved to what is now Northeastern China. Only southern China was ruled by the Han Chinese during the Southern Song dynasty. Xin was born in the modern city of Jinan in Shandong Province, then governed by the Jin Dynasty. Xin was raised by his grandfather because of Xin's father's early death. In his childhood, his grandfather told him about the time when the Han Chinese ruled the north and told him to be an honorable man and seek revenge against the barbarian for the nation. It was then when he developed his patriotic feelings. At the ages of 14 and 17, Xin attended the imperial examination twice, but failed both of them. However, on Xin's way to Jin's capital for examinations, he followed his gra ...
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Nanxi (Chinese Opera)
''Nanxi'' (南戲) or xiwen (戲文) was an early form of Chinese opera, developed from ancient traditions of mime, singing, and dancing during the Song dynasty in the 12th century. The name means literally Southern drama, and the form originated in the area around Wenzhou in southeastern China. Nanxi is an abbreviation of ''nanqu xiwen'' (南曲戲文, "Southern music theatre text") or ''nan xiwen''. ''Nanxi'' started as combinations of Song plays and local folk songs and ballads, using colloquial language with many scenes. Due to its coarse language, rough prosody, and unsophisticated literary style, ''Nanxi'' was considered a low art form during the Song and Yuan dynasties. However, its status was elevated with ''Tale of the Pipa'' written by Gao Ming, a play of better literary quality and more complex structure. It was highly regarded by the Ming Hongwu Emperor. By the middle of the Ming dynasty, ''Nanxi'' had developed into a more complex dramatic form known as '' chuanqi'', ...
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Xu Wei
Xu Wei (, 1521–1593), other department Qingteng Shanren (), was a Chinese painter, playwright, poet, and tea master during the Ming dynasty. A noted painter, poet, writer and dramatist famed for his artistic expressiveness.Cihai: Page 802. Revolutionary for its time, his painting style influenced and inspired countless subsequent painters, such as Bada Shanren, the Eight Eccentrics of Yangzhou, and the modern masters Wu Changshuo and Qi Baishi.Barnhart: Page 232. Qi once exclaimed in a poem that "How I wish to be born 300 years earlier so I could grind ink and prepare paper for Green Vine ( A Xu Wei pen name)" (). Xu Wei can be considered as the founder of modern painting in China. His influence continues to exert itself. Despite his posthumous recognition, Xu was manifestly mentally ill and unsuccessful in life, ending his life in poverty after the murder of his third wife and several attempts at suicide. Life Xu's courtesy names were Wenqing (文清) and then later Wenchan ...
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