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Ekkyklema
An ''ekkyklêma'' (; el, εκκύκλημα; "roll-out machine") was a wheeled platform rolled out through a '' skênê'' in ancient Greek theatre. It was used to bring interior scenes out into the sight of the audience. Some ancient sources suggest that it may have been revolved or turned. It is mainly used in tragedies for revealing dead bodies, such as Hippolytus' dying body in the final scene of Euripides' play of the same name, or the corpse of Eurydice draped over the household altar in Sophocles' ''Antigone''. Other uses include the revelation in Sophocles' ''Ajax'' of Ajax surrounded by the sheep he killed whilst under the delusion that they were Greeks.Rehm (1992, 69). The ''ekkyklêma'' is also used in comedy to parody the tragic effect. An example of this is in Aristophanes' '' Thesmophoriazusae'' when Agathon, portrayed as an effeminate Effeminacy is the embodiment of traits and/or expressions in those who are not of the female sex (e.g. boys and men) that are of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Greece
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδειν, ae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekkyklema
An ''ekkyklêma'' or ''eccyclema'' (; el, εκκύκλημα; "roll-out machine") was a wheeled platform rolled out through a '' skênê'' in ancient Greek theatre. It was used to bring interior scenes out into the sight of the audience. Some ancient sources suggest that it may have been revolved or turned. It is mainly used in tragedies for revealing dead bodies, such as Hippolytus' dying body in the final scene of Euripides' play of the same name, or the corpse of Eurydice draped over the household altar in Sophocles' ''Antigone''. Other uses include the revelation in Sophocles' ''Ajax'' of Ajax surrounded by the sheep he killed whilst under the delusion that they were Greeks.Rehm (1992, 69). The ''ekkyklêma'' is also used in comedy to parody the tragic effect. An example of this is in Aristophanes' ''Thesmophoriazusae'' when Agathon, portrayed as an effeminate Effeminacy is the embodiment of traits and/or expressions in those who are not of the female sex (e.g. boys and men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skene (theatre)
In the theatre of ancient Greece, the ''skene'' was the structure at the back of a stage. The word means 'tent' or 'hut', and it is thought that the original structure for these purposes was a tent or light building of wood and was a temporary structure. It was initially a very light structure or just cloth hanging from a rope, but over the course of time the ''skene'' underwent fundamental changes. First, it became a permanent building, whose roof could sometimes be used to make speeches, and as time passed it was raised up from the level of the orchestra, creating a , or "space in front of the ". The facade of the was behind the orchestra and provided a space for supporting stage scenery. During the Roman Period, the had become a large and complex, elaborately decorated, stone building on several levels. Actors emerged from the '' parodoi'' and could use its steps and balconies to speak from. It was also where costumes were stored and to which the ''periaktoi'' (painted p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolytus (play)
''Hippolytus'' ( grc, Ἱππόλυτος, ''Hippolytos'') is an Ancient Greek tragedy by Euripides, based on the myth of Hippolytus, son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. Euripides first treated the myth in a previous play, ''Hippolytos Kalyptomenos'' ( – ''Hippolytus Veiled''), which is now lost; what is known of it is based on echoes found in other ancient writings. The earlier play, and the one that has survived are both titled ''Hippolytus'', but in order to distinguish the two they have traditionally been given the names, ''Hippolytus Kalyptomenos'' and ''Hippolytus Stephanophoros'' ( – "Hippolytus the wreath bearer"). It is thought that the contents to the missing ''Hippolytos Kalyptomenos'' portrayed a shamelessly lustful Phaedra, who directly propositioned Hippolytus, which apparently offended the play's audience.Euripides. ''Hippolytus''. Bagg, Robert. Introduction. Oxford Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophocles
Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: ''Ajax'', ''Antigone'', ''Women of Trachis'', ''Oedipus Rex'', '' Electra'', '' Philoctetes'' and ''Oedipus at Colonus''. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles feature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antigone (Sophocles)
''Antigone'' ( ; grc, Ἀντιγόνη) is an Athenian tragedy written by Sophocles in (or before) 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second oldest surviving play of Sophocles, preceded by ''Ajax'', which was written around the same period. The play is one of a triad of tragedies known as the three Theban plays, following ''Oedipus Rex'' and ''Oedipus at Colonus''. Even though the events in Antigone occur last in the order of events depicted in the plays, Sophocles wrote ''Antigone'' first. The story expands on the Theban legend that predates it, and it picks up where Aeschylus' ''Seven Against Thebes'' ends. The play is named after the main protagonist Antigone. After Oedipus' self-exile his sons Eteocles and Polynices engaged in a civil war for the Theban throne, which resulted in both brothers dying fighting each other. Oedipus' brother-in-law and new Theban ruler Creon ordered the public honor of Eteocles an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajax (Sophocles)
Sophocles' ''Ajax'', or ''Aias'' ( or ; grc, Αἴας , gen. ), is a Greek tragedy written in the 5th century BCE. ''Ajax'' may be the earliest of Sophocles' seven tragedies to have survived, though it is probable that he had been composing plays for a quarter of a century already when it was first staged. It appears to belong to the same period as his ''Antigone'', which was probably performed in 442 or 441 BCE, when he was 55 years old. The play depicts the fate of the warrior Ajax, after the events of the ''Iliad'' but before the end of the Trojan War. Plot The play opens with a dialogue between Athena and Odysseus: After the great warrior Achilles had been killed in battle, there was a question as to who should receive his armor. As the man who now could be considered the greatest Greek warrior, Ajax felt he should be given Achilles’ armor, but the two kings, Agamemnon and Menelaus, awarded it instead to Odysseus. Ajax became furious about this and decided to kill the th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states. Demes as simple subdivisions of land in the countryside seem to have existed in the 6th century BC and ear ... Kydathenaion ( la, Cydathenaeum), was a comedy, comic playwright or comedy-writer of Classical Athens, ancient Athens and a poet of Ancient Greek comedy, Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Ancient Greek comedy, Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His pow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thesmophoriazusae
''Thesmophoriazusae'' ( grc-gre, Θεσμοφοριάζουσαι; ''Thesmophoriazousai'', meaning ''Women Celebrating the Festival of the Thesmophoria''), or ''Women at the Thesmophoria'' (sometimes also called ''The Poet and the Women''), is one of eleven surviving plays by Aristophanes. It was first produced in , probably at the City Dionysia. The play's focuses include the subversive role of women in a male-dominated society; the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon; and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus. The work is also notable for Aristophanes' free adaptation of key structural elements of Old Comedy and for the absence of the anti-populist and anti-war comments that pepper his earlier work. It was produced in the same year as ''Lysistrata'', another play with sexual themes. How ''Thesmophoriazusae'' fared in the City Dionysia drama competi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
