Edgar Munhall
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Edgar Munhall
Edgar Joseph Munhall (March 14, 1933 – October 17, 2016) was an American art historian and Curator Emeritus of the Frick Collection. Early life and education Munhall was born in Pittsburgh, Pennsylvania. He initially trained as an artist and at the age of seventeen won a scholarship to the Art Students League in New York City to study fashion drawing.Edgar Munhall, the First Curator of The Frick Collection Retires
Retrieved 5 August 2016.
After several months, however, he opted to pursue a career in art history and matriculated at Yale University, where he graduated Phi Beta Kappa with High Honors from the "History, the Arts, and Letters" program in 1955. He transferred to New York University, New York University's Institute of Fine Arts for his master's degree ...
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The Frick Collection
The Frick Collection is an art museum in New York City. Its permanent collection (normally at the Henry Clay Frick House, currently at the Frick Madison) features Old Master paintings and European fine and decorative arts, including works by Bellini, Fragonard, Goya, Holbein, Rembrandt, Titian, Turner, Velázquez, Vermeer, Thomas Gainsborough, and many others. The museum was founded by the industrialist Henry Clay Frick (1849–1919), and its collection has more than doubled in size since opening to the public in 1935. The Frick also houses the Frick Art Reference Library, a premier art history research center established in 1920 by Helen Clay Frick (1888–1984). History The Frick Collection became a public institution when Henry Clay Frick bequeathed his art collection, as well as his Upper East Side residence at 1 East 70th Street, to the public for the enjoyment of future generations. Frick started his substantial collection as soon as he began amassing his fortune. ...
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Hans Memling
Hans Memling (also spelled Memlinc; c. 1430 – 11 August 1494) was a painter active in Flanders, who worked in the tradition of Early Netherlandish painting. He was born in the Middle Rhine region and probably spent his childhood in Mainz. He moved to the Netherlands and spent time in the Brussels workshop of Rogier van der Weyden. He was subsequently made a citizen of Bruges in 1465, where he became one of the leading artists, running a large workshop, which painted religious works that often incorporated donor portraits of his wealthy patrons. Memling's patrons included burghers (bankers, merchants, and politicians), clergymen, and aristocrats. Memling's portraits built upon the styles that he learned in his youth. He became very successful, and in 1480 was listed among the wealthiest citizens in a city tax list. He married Anna de Valkenaere sometime between 1470 and 1480, and they had three children. Memling's art was rediscovered in the 19th century, attaining wide pop ...
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Richard Barsam
Richard Barsam (born 8 November 1938), author and film historian, is Professor Emeritus of Film Studies at Hunter College of The City University of New York (CUNY).W.W. Norton & Co. Inc.: Richard Barsam
Retrieved 22 September 2016.


Early life and education

Barsam was born in . He attended the , earning a PhD degree in English literature in 1967.Barsam, Richard Meran (1967).

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Ministry Of Culture (France)
The Ministry of Culture (french: Ministère de la Culture) is the ministry of the Government of France in charge of national museums and the . Its goal is to maintain the French identity through the promotion and protection of the arts (visual, plastic, theatrical, musical, dance, architectural, literary, televisual and cinematographic) on national soil and abroad. Its budget is mainly dedicated to the management of the (six national sites and hundred decentralised storage facilities) and the regional (culture centres). Its main office is in the in the 1st arrondissement of Paris on the . It is headed by the Minister of Culture, a cabinet member. The current officeholder has been since 20 May 2022. History Deriving from the Italian and Burgundian courts of the Renaissance, the notion that the state had a key role to play in the sponsoring of artistic production and that the arts were linked to national prestige was found in France from at least the 16th century on. During ...
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Frick Art Reference Library
The Frick Art Reference Library is the research arm of The Frick Collection. Its reference services have temporarily relocated to the Breuer building at 945 Madison Avenue, called Frick Madison, during the renovation of the Frick's historic buildings at 10 East 71st Street (between Madison and Fifth Avenue) in New York City. The library was founded in 1920 and it offers public access to materials on the study of art and art history in the Western tradition from the fourth to the mid-twentieth century. It is open to visitors 16 years of age or older and serves the greater art and art history research community through its membership in the New York Art Resources Consortium (which also includes the libraries of the Brooklyn Museum and The Museum of Modern Art). Within the library is the Center for the History of Collecting—a research organization that supports the study of the formation of collections of fine and decorative arts, both public and private, from Colonial times to t ...
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John Soane
Sir John Soane (; né Soan; 10 September 1753 – 20 January 1837) was an English architect who specialised in the Neoclassical architecture, Neo-Classical style. The son of a bricklayer, he rose to the top of his profession, becoming professor of architecture at the Royal Academy and an official architect to the Office of Works. He received a Knight Bachelor, knighthood in 1831. His best-known work was the Bank of England (his work there is largely destroyed), a building which had a widespread effect on commercial architecture. He also designed Dulwich Picture Gallery, which, with its top-lit galleries, was a major influence on the planning of subsequent art galleries and museums. His main legacy is Sir John Soane's Museum, the eponymous museum in Lincoln's Inn Fields in his former home and office, designed to display the art works and architectural artefacts that he collected during his lifetime. The museum is described in the ''Oxford Dictionary of Architecture'' as "one o ...
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Robert De Montesquiou
Marie Joseph Robert Anatole, comte de Montesquiou-Fézensac (7 March 1855, Paris – 11 December 1921, Menton) was a French aesthete, Symbolist poet, painter, art collector, art interpreter, and dandy. He is reputed to have been the inspiration both for Jean des Esseintes in Joris-Karl Huysmans' ''À rebours'' (1884) and, most famously, for the Baron de Charlus in Marcel Proust's ''À la recherche du temps perdu'' (1913–1927).''Prince Of Aesthetes: Count Robert de Montesquiou (1855–1921)'', Philippe Jullian, The Viking Press, 1968 Some believe that he may even have been used by Oscar Wilde in ''The Picture of Dorian Gray''. Family Robert de Montesquiou was a scion of the French Montesquiou-Fézensac family. His paternal grandfather was Count Anatole de Montesquiou-Fézensac (1788–1878), '' aide-de-camp'' to Napoleon and grand officer of the ''Légion d'honneur''; his father was Anatole's third son, Thierry, who married Pauline Duroux, an orphan, in 1841. With his ...
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James Abbott McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other lea ...
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Nicolas Lancret
Nicolas Lancret (22 January 1690 – 14 September 1743) was a French painter. Born in Paris, he was a brilliant depicter of light comedy which reflected the tastes and manners of French society during the regency of the Duke of Orleans and, later, early reign of King Louis XV. Career Lancret’s first master was Pierre d'Ulin, but his acquaintance with and admiration for Watteau induced him to leave Ulin for Gillot, whose pupil Watteau had been. Lancret, who remained a pupil of Gillot from 1712–1713, was heavily influenced by the older painter, whose typical slender figures can be found in many of his pupil's younger works. Two pictures painted by Lancret and exhibited on the Place Dauphine had a great success, which laid the foundation of his fortune, and, it is said, estranged Watteau, who had been complimented as their author. In 1718 he was received as an Academician, from thereon becoming a very respected artist, especially amongst the admirers of Watteau. He completed ...
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Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ...
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Jean-Antoine Houdon
Jean-Antoine Houdon (; 20 March 1741 – 15 July 1828) was a French neoclassical sculptor. Houdon is famous for his portrait busts and statues of philosophers, inventors and political figures of the Enlightenment. Houdon's subjects included Denis Diderot (1771), Benjamin Franklin (1778-1809), Jean-Jacques Rousseau (1778), Voltaire (1781), Molière (1781), George Washington (1785–1788), Thomas Jefferson (1789), Louis XVI (1790), Robert Fulton (1803–04), and Napoléon Bonaparte (1806). Biography Houdon was born in Versailles, on 20 March 1741. In 1752, he entered the Académie royale de peinture et de sculpture, where he studied with René-Michel Slodtz, Jean-Baptiste Lemoyne, and Jean-Baptiste Pigalle. From 1761 to 1764, he studied at the École royale des élèves protégés. Houdon won the Prix de Rome in 1761, but was not greatly influenced by ancient and Renaissance art in Rome. His stay in the city is marked by two characteristic and important productions: the superb ...
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