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Eyes Without A Face (film)
''Eyes Without a Face'' (french: Les yeux sans visage) is a 1960 French-language horror film co-written and directed by Georges Franju. A French-Italian co-production, the film stars Pierre Brasseur and Alida Valli. Based on the novel of the same name by Jean Redon, it revolves around a plastic surgeon who is determined to perform a face transplant on his daughter, who was disfigured in a car accident. During the film's production, consideration was given to the standards of European censors by setting the right tone, minimizing gore and eliminating the mad scientist character. Although ''Eyes Without a Face'' was cleared by censors, its release in Europe caused controversy nevertheless. Critical reaction ranged from praise to disgust. In the United States, an edited and dubbed version of the film, titled ''The Horror Chamber of Dr. Faustus'', was released in 1962 as a double feature with '' The Manster''. The film's initial critical reception was not overtly positive, but sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Franju
Georges Franju (; 12 April 1912 – 5 November 1987) was a French filmmaker. He was born in Fougères, Ille-et-Vilaine. Biography Early life Before working in French cinema, Franju held several different jobs. These included working for an insurance company and a noodle factory. He served briefly in the military in Algeria and was discharged in 1932. Upon his return, he studied to become a set designer and later created backdrops for music halls including Casino de Paris and the Folies Bergère. In the mid-thirties, Franju and Henri Langlois met through Franju's twin brother Jacques Franju.Ince, 2005. p.2 As well as creating the 16 mm short film ''Le Métro'', Langlois and Franju also started a short-lived film magazine and created a film club called ''Le Cercle du Cinema'' with 500 francs he borrowed from Langlois' parents. The club showed silent films from their own collections followed by an informal debate about them amongst members. From ''Le Cercle du Cinema'', Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Manster
is an American science-fiction horror film. Shot in Japan, it was produced by George P. Breakston and directed by Breakston and Kenneth G. Crane from a screenplay by Walter J. Sheldon. Sheldon's script was based on Breakston's story which he originally titled ''The Split''. The film starred Peter Dyneley as a foreign correspondent in Japan who is given an experimental drug which causes an eye and eventually, a second head to grow from his shoulder. Tetsu Nakamura played the mad scientist, Dr. Suzuki, and Terri Zimmern his assistant, Tara. Jane Hylton also starred as Dyneley's wife. Plot American foreign news correspondent Larry Stanford has been working in Japan for the last few years, to the detriment of his marriage. His last assignment before returning to his wife in the United States is an interview with the renowned but reclusive scientist Dr. Robert Suzuki, who lives atop a volcanic mountain. During the brief interview, Dr. Suzuki amiably discusses his work on evolution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include ''A Trip to the Moon'' (1902) and '' The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film '' Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized Sound recording and reproduction, recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of intertitle, title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a piano, pianist, theatre organ, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or musical improvisation, improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Documentary Film
A documentary film or documentary is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception hat remainsa practice without clear boundaries". Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are educational, observational and docufiction. Documentaries are very informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social-media platforms (such as YouTube) have provided an avenue for the growth of the documentary- film gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinémathèque Française
The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films. History The collection emerged from the efforts of Henri Langlois and Lotte H. Eisner in the mid 1930s to collect and screen films. Langlois had acquired one of the largest collections in the world by the beginning of World War II, only to have it nearly wiped out by the German authorities in occupied France, who ordered the destruction of all films made prior to 1937. He and his friends smuggled huge numbers of documents and films out of occupied France to protect them until the end of the war. After the war, the French government provided a small screening room, staff and subsidy for the collection, which was relocated to the Avenue de Messine. Significant French filmmakers of the 1940s and 1950s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béatrice Altariba
Béatrice Altariba (born 18 June 1939) is a French actress who was active between 1956 and 1969. Biography Born in Marseille, she is the niece of symbolist poet Paul Fort.''Le Film Complet'', n° 591, 15 November 1956.''Elle - Spécial cinéma'', 6 August 1956. She started her career in revues and musical theatre, then she made her film debut at 17. Altariba was also active in Italian cinema. Her last French television appearance was in the first episode of the TV series The Aeronauts in 1967. Partial filmography * ''Pardonnez nos offenses'' (1956) - Sassia * ''Lorsque l'enfant paraît'' (1956) - Natacha * ''L'Homme et l'Enfant'' (1956) - Hélène Mercier * ''Women's Club'' (1956) - Dominique * ''Les violents'' (1957) - Lisiane Chartrain * ''L'Ami de la famille'' (1957) - Sophie * ''Le Triporteur'' (1957) - Popeline * ''Les Misérables'' (1958) - Cosette * ''Le temps des oeufs durs'' (1958) - Lucie Grandvivier * ''Be Beautiful But Shut Up'' (1958) - Olga Babitcheff * ''Le pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Rignault
Alexandre Rignault (14 February 1901 – 2 April 1985) was a French actor. He appeared in more than a hundred films between 1931 and 1985. Selected filmography External links * {{DEFAULTSORT:Rignault, Alexandre 1901 births 1985 deaths Male actors from Paris 20th-century French male actors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Guérin
François Guérin (1927–2003) was a French film and television actor An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), lite .... Filmography References External links * 1927 births 2003 deaths French male film actors French male television actors Male actors from Paris {{france-film-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMovie
AllMovie (previously All Movie Guide) is an online database with information about films, television programs, and screen actors. , AllMovie.com and the AllMovie consumer brand are owned by RhythmOne. History AllMovie was founded by popular-culture archivist Michael Erlewine, who also founded AllMusic and AllGame. The AllMovie database was licensed to tens of thousands of distributors and retailers for point-of-sale systems, websites and kiosks. The AllMovie database is comprehensive, including basic product information, cast and production credits, plot synopsis, professional reviews, biographies, relational links and more. AllMovie data was accessed on the web at the AllMovie website. It was also available via the AMG LASSO media recognition service, which can automatically recognize DVDs. In late 2007, TiVo Corporation acquired AMG for a reported $72 million. The AMG consumer facing web properties AllMusic.com, AllMovie.com and AllGame.com were sold by Rovi in August ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Tête Contre Les Murs
''Head Against the Wall'' (french: La Tête contre les murs) is a 1959 French drama film directed by Georges Franju which stars Pierre Brasseur, Paul Meurisse, Jean-Pierre Mocky, Anouk Aimée, and Charles Aznavour. Called ''The Keepers'' on its English release, the story follows an aimless young man who is institutionalized for defying his wealthy father, and in the process airs several questions about how society defines and treats mental illness. Plot François, motherless son of an influential lawyer, has no qualifications, and no job. To mix with rich and superficial friends, he has borrowed money that he cannot repay. In desperation, he breaks into his father's desk, steals his cash, and wantonly burns his legal documents. Rather than call in the police, with the connivance of a doctor, his father has him committed to an isolated psychiatric hospital in the country. There, he discovers that many of the inmates are not seriously deranged, but that Dr Varmont, the head of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transplant Rejection
Transplant rejection occurs when transplanted tissue is rejected by the recipient's immune system, which destroys the transplanted tissue. Transplant rejection can be lessened by determining the molecular similitude between donor and recipient and by use of immunosuppressant drugs after transplant. Types of transplant rejection Transplant rejection can be classified into three types: hyperacute, acute, and chronic. These types are differentiated by how quickly the recipient's immune system is activated and the specific aspect or aspects of immunity involved. Hyperacute rejection Hyperacute rejection is a form of rejection that manifests itself in the minutes to hours following transplantation. It is caused by the presence of pre-existing antibodies in the recipient that recognize antigens in the donor organ. These antigens are located on the endothelial lining of blood vessels within the transplanted organ and, once antibodies bind, will lead to the rapid activation of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
