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Evil Overlord
In fiction and mythology, a dark lord (sometimes capitalized as Dark Lord or referred to as an Evil Overlord, Evil Emperor etc. depending on the work) is an antagonistic archetype, acting as the pinnacle of villainy and evil within a typically heroic narrative."Dark Lord" in ''The Encyclopedia of Fantasy'' (eds. John Clute & John Grant: First St. Martin's Griffin ed.: 1999), p. 250. Description The term and similar concepts enjoy widespread popularity as a stock character and a generic villainous moniker in fantasy and related genres as well as in literary analysis of such works. As the name implies, a dark lord is characterized as a given setting's embodiment of evil, darkness, or death (either metatextually or as literal figure within a work's mythopoeia) in a position of immense power, most often as a leader or emperor with a variety of minions and/or lesser villains at their disposal to influence their conflict against a heroic protagonist in a primarily indirect way, thou ...
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Fiction
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ...
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Magic In Fiction
Magic in fiction is the endowment of characters or objects in works of fiction or fantasy with powers that do not naturally occur in the real world. Magic often serves as a plot device and has long been a component of fiction, since writing was invented. Historical beliefs Historically, witches such as the Weird Sisters in William Shakespeare's ''Macbeth,'' wizards such as Prospero in '' The Tempest'' or characters like Doctor Faustus in Christopher Marlowe's play of the same name were widely considered to be real. Contemporary authors tend to treat magic as an imaginary idea, opting to build their worlds with a blank slate where the laws of reality do not carry as much weight. Function Within a work of fantasy, magic can help to advance the plot, often providing power to heroes or to their opponents. The use of magic frequently manifests itself in a transformation of a character, if not the transformation of the fictional world. For magic to carry out its functions, it ...
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Magician (fantasy)
A magician, also known as an enchanter/enchantress, mage, magic-user, archmage, sorcerer/sorceress, spell-caster, warlock, witch, or wizard, is someone who uses or practices magic derived from supernatural, occult, or arcane sources. Magicians are common figures in works of fantasy, such as fantasy literature and role-playing games, and enjoy a rich history in mythology, legends, fiction, and folklore. Character archetypes In medieval chivalric romance, the wizard often appears as a wise old man and acts as a mentor, with Merlin from the ''King Arthur'' stories being a prime example. Wizards such as Gandalf in ''The Lord of the Rings'' and Albus Dumbledore from ''Harry Potter'' are also featured as mentors, and Merlin remains prominent as both an educative force and mentor in modern works of Arthuriana. Other magicians, such as Saruman from ''The Lord of the Rings'' or Lord Voldemort from ''Harry Potter'', can appear as hostile villains. Villainous sorcerers were so crucial ...
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List Of Death Deities
Many have incorporated a god of death into their mythology or religion. As death, along with birth, is among the major parts of human life, these deities may often be one of the most important deities of a religion. In some religions in which a single powerful deity is the object of worship, the death deity is an antagonist against whom the primary deity struggles. The related term death worship has most often been used as a derogatory term to accuse certain groups of morally abhorrent practices which set no value on human life. In monotheistic religions, death is commonly personified by an angel or demon instead of a deity. Occurrence In polytheistic religions which have a complex system of deities governing various natural phenomena and aspects of human life, it is common to have a deity who is assigned the function of presiding over death. This deity may actually take the life of humans or, more commonly, simply rule over the afterlife in that particular belief system (a sin ...
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Paradise Lost
''Paradise Lost'' is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse (poetry), verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's ''Aeneid'') with minor revisions throughout. It is considered to be Milton's masterpiece, and it helped solidify his reputation as one of the greatest English poets of all time. The poem concerns the The Bible, biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Composition In his introduction to the Penguin Books, Penguin edition of ''Paradise Lost'', the Milton scholar John Leonard notes, "John Milton was nearly sixty when he published ''Paradise Lost'' in 1667. The biographer John Aubrey (1626–1697) tells us that the poem was begun in about 1658 and finished in about 1663. However, ...
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John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ...
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Prince Of Darkness (Satan)
''The Prince of Darkness'' is a term used in John Milton's poem '' Paradise Lost'' referring to Satan as the embodiment of evil. It is an English translation of the Latin phrase ''princeps tenebrarum'', which occurs in the ''Acts of Pilate'', written in the 4th century, in the ''Historia Francorum'' by Gregory of Tours (6th century), in the 11th century hymn ''Rhythmus de die mortis'' by Pietro Damiani, and in a sermon by Bernard of Clairvaux from the 12th century. See also * Beelzebub * Dark Lord (other) * Devil * Devil in Christianity * Lucifer * Mephistopheles * Prince of Darkness (Manichaeism) * Ozzy Osbourne John Michael "Ozzy" Osbourne (born 3 December 1948) is an English singer, songwriter, and television personality. He rose to prominence during the 1970s as the lead vocalist of the heavy metal band Black Sabbath, during which period he adop ... Notes and references Satan Hell (Christianity) Devils {{Term-stub ...
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Satan
Satan,, ; grc, ὁ σατανᾶς or , ; ar, شيطانالخَنَّاس , also known as Devil in Christianity, the Devil, and sometimes also called Lucifer in Christianity, is an non-physical entity, entity in the Abrahamic religions that seduces humans into sin or falsehood. In Judaism, Satan is seen as an agent subservient to God in Judaism, God, typically regarded as a metaphor for the ''yetzer hara'', or "evil inclination." In Christianity and Islam, he is usually seen as a fallen angel or jinn who has rebelled against God in Abrahamic religions, God, who nevertheless allows him temporary power over the fallen world and a host of demons. In the Quran, Shaitan, also known as Iblis, is an entity made of fire who was cast out of Heaven because he refused to bow before the newly created Adam in Islam, Adam and incites humans to sin by infecting their minds with ''waswās'' ("evil suggestions"). A figure known as ''ha-satan'' ("the satan") first appears in the Hebrew B ...
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Christian Theology
Christian theology is the theology of Christianity, Christian belief and practice. Such study concentrates primarily upon the texts of the Old Testament and of the New Testament, as well as on Christian tradition. Christian theology, theologians use biblical exegesis, rationality, rational analysis and argument. Theologians may undertake the study of Christian theology for a variety of reasons, such as in order to: * help them better understand Christian tenets * make comparative religion, comparisons between Christianity and other traditions * Christian apologetics, defend Christianity against objections and criticism * facilitate reforms in the Christian church * assist in the evangelism, propagation of Christianity * draw on the resources of the Christian tradition to address some present situation or perceived need * education in Christian philosophy, especially in Neoplatonism, Neoplatonic philosophyLouth, Andrew. The Origins of the Christian Mystical Tradition: From Plato ...
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Mythlore
''Mythlore'' is a biannual (originally quarterly) peer-reviewed academic journal founded by Glen GoodKnight and published by the Mythopoeic Society. Although it publishes articles that explore the genres of myth and fantasy in general, special attention is given to the three most prominent members of the Inklings: J. R. R. Tolkien, C. S. Lewis, and Charles Williams. The current editor-in-chief is the Tolkien scholar Janet Brennan Croft. The Tolkien Society describes ''Mythlore'' as a "refereed scholarly journal". History ''Mythlore'' appeared in January 1969 under the editorship of Glen H. GoodKnight, founder of the Mythopoeic Society. Early issues were fanzines, albeit with a "sercon" ("serious and constructive") bent; for a time it included alternate issues of ''Mythprint''. ''Mythlore'' became a peer-reviewed journal beginning with issue #85 (Winter 1999), under the editorship of Theodore Sherman. Since 2006, it has been edited by Janet Brennan Croft. The full text of ''My ...
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Balor
In Irish mythology, Balor or Balar was a leader of the Fomorians, a group of malevolent supernatural beings. He is often described as a giant with a large eye that wreaks destruction when opened. Balor takes part in the Battle of Mag Tuired, and is primarily known from the tale in which he is killed by his grandson Lugh of the Tuatha Dé Danann. He has been interpreted as a personification of the scorching sun, and has also been likened to figures from other mythologies, such as the Welsh Ysbaddaden and the Greek Cyclops. Name The name ''Balor'' or The Lonni may come from Common Celtic ''*Boleros'', meaning "the flashing one". In the early literature he is also referred to as ''Balor Béimnech'' (Balor the smiter), ''Balor Balcbéimnech'' (Balor the strong smiter), ''Balor Birugderc'' (Balor of the piercing-eye), ''Balor mac Doit meic Néid'' (Balor, son of Dot son of Nét) or ''Balor ua Néit'' (Balor, grandson of Nét). Later forms are ''Balor Béimeann'' or ''Balar Bemen' ...
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Celtic Mythology
Celtic mythology is the body of myths belonging to the Celtic peoples.Cunliffe, Barry, (1997) ''The Ancient Celts''. Oxford, Oxford University Press , pp. 183 (religion), 202, 204–8. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples (the Gaels of Ireland and Scotland; the Celtic Britons of western Britain and Brittany). They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology. The supernatural race called the Tuatha ...
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