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Eustase Thomas-Salignac
Eustase Thomas, known under the stage name Salignac or Thomas-Salignac (29 March 1867 – 6 November 1943 in the 7th arrondissement of Paris) was a French tenor and lyrical singing professor. Biography Born in Générac, Gard department, Eustase Thomas-Salignac was the son of a coffee maker. Initially trained in lyrical singing in Marseille, the city of his childhood, he was a prize-winner of violin and singing. He then joined the Conservatoire de Paris where he followed the courses of Victor Alphonse Duvernoy and won the prize for opéra comique by singing the role of Don José in Bizet's '' Carmen''. Strengthened by this viaticum, he began in 1893 at the Opéra-Comique in '' Richard Cœur-de-Lion''. The following season, his career took on an international dimension, straddling the United States and Great Britain. He made himself known there as the principal tenor of the French lyrical repertoire of his generation. After a tour in the northeast of the country, he made hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eustase Thomas-Salignac (cropped)
Eustase Thomas, known under the stage name Salignac or Thomas-Salignac (29 March 1867 – 6 November 1943 in the 7th arrondissement of Paris) was a French tenor and lyrical singing professor. Biography Born in Générac, Gard department, Eustase Thomas-Salignac was the son of a coffee maker. Initially trained in lyrical singing in Marseille, the city of his childhood, he was a prize-winner of violin and singing. He then joined the Conservatoire de Paris where he followed the courses of Victor Alphonse Duvernoy and won the prize for opéra comique by singing the role of Don José in Bizet's ''Carmen''. Strengthened by this viaticum, he began in 1893 at the Opéra-Comique in '' Richard Cœur-de-Lion''. The following season, his career took on an international dimension, straddling the United States and Great Britain. He made himself known there as the principal tenor of the French lyrical repertoire of his generation. After a tour in the northeast of the country, he made his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Potter (musician)
John Potter is an English tenor and academic. Early life and education John Potter's musical education began as a chorister in the Choir of King's College, Cambridge, after which he became a scholar at The King's School, Canterbury and exhibitioner at Gonville and Caius College, Cambridge. His coaches included lieder specialist Walter Gruner, accompanist Paul Hamburger, and the tenor Peter Pears. Performance Potter specialises in early and contemporary classical music vocal music. In addition to his solo work, he has performed with many vocal ensembles including the Hilliard Ensemble, The Swingle Singers, The Dowland Project, the Gavin Bryars Ensemble, and Red Byrd, of which he is a co-founder. His discography includes over 100 recordings encompassing his eclectic musical interests including Léonin and Led Zeppelin. He has received a fifth gold disc for the Hilliard Ensemble's '' Officium'' album. He is also an ensemble coach, mentoring groups such as Trio Mediæval from Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Magdeleine
''Marie-Magdeleine'' is an oratorio (Drame Sacré) in three acts and four parts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Théâtre de l' Odéon in Paris on 11 April 1873, starring the famous contralto Pauline Viardot. The first staged performance took place in Nice on February 9, 1903. It was Massenet's first success and won him the praise of Tchaikovsky, Gounod and Bizet. The story concerns the last days of Jesus from the perspective of Mary Magdalene. The subject initially caused some controversy, as some believed that physical love was implied between Jesus and Mary Magdalene. From today's perspective those implications are difficult to detect. While it contains some beautiful music and has been revived for certain singers, notably Régine Crespin, the work has not endured and is rarely performed. Principal characters *Marie-Magdeleine (Méryem) – soprano *Marthe – mezzo-soprano *Jésus – tenor A tenor is a type of cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ministère De La Culture (France)
Ministère de la Culture is French for Ministry of Culture. It may refer to: (as a native name) * Ministry of Culture (France); french: link=no, Ministère de la Culture * Ministry of Culture (Ontario), Canada; french: link=no, Ministère de la Culture * Ministry of Culture and Communications (Quebec), Canada; french: link=no, Ministère de la Culture et des Communications * Ministry of Culture, Tourism and Handicrafts (Guinea); french: link=no, Ministère de la Culture, du Tourisme et de l'Artisanat * Ministry of Culture (Lebanon) The Ministry of Culture (french: Ministère de la Culture; ar, وزارة الثقافة) is a Ministry (government department), government ministry of Lebanon. History The Ministry was formed in 1993, originally as part of the Ministry of Cu ...; french: link=no, Ministère de la Culture See also * Minister of Culture * Ministère de la Culture et de la Communication {{Disambiguation * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Base Léonore
''Base Léonore'', or the Léonore database, is a French database that lists the records of the members of the National Order of the Legion of Honor. The database lists the records of those inducted into the Legion of Honor The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon ... since its 1802 inception and who died before 1977. , the database contained 390,000 records. References External links * Archives in France History websites of France Online databases Recipients of the Legion of Honour {{database-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archives Nationales (France)
The Archives nationales (, "National Archives" in English; abbreviated AN) are the national archives of France. They preserve the archives of the French state, apart from the archives of the Ministry of Armed Forces and Ministry of Foreign Affairs, as these two ministries have their own archive services, the Defence Historical Service (SHD) and respectively. The National Archives of France also keep the archives of local secular and religious institutions from the Paris Region seized at the time of the French Revolution (such as local royal courts of Paris, suburban abbeys and monasteries, etc), as well as the archives produced by the notaries of Paris during five centuries, and many private archives donated or placed in the custody of the National Archives by prominent aristocratic families, industrialists, and historical figures. The National Archives have one of the largest and oldest archival collections in the world. As of 2020, they held of physical records (the total l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Légion D'honneur
The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon Bonaparte, it has been retained (with occasional slight alterations) by all later French governments and regimes. The order's motto is ' ("Honour and Fatherland"); its seat is the Palais de la Légion d'Honneur next to the Musée d'Orsay, on the left bank of the Seine in Paris. The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander), ' (Grand Officer) and ' (Grand Cross). History Consulate During the French Revolution, all of the French orders of chivalry were abolished and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers. From this wish was instituted a , a body of men that was not an order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groupe Collaboration
The Groupe Collaboration was a French Collaboration with the Axis powers#France, collaborationist group active during the Second World War. Largely eschewing the street politics of many such contemporary groups, it sought to establish close cultural links with Nazi Germany and to appeal to the higher echelons of French life. It promoted a "Europeanist" outlook and sought the rebirth of France through part of Europe-wide "National Revolution". Development The Groupe was a revival of the ''Comité France-Allemagne'', established in September 1940 by Fernand de Brinon.Littlejohn, p. 222 It eschewed political party status and instead worked towards "cultural" collaboration with the Germans. To this end it adopted a largely conservative approach and focused on such activities as hosting discussion circles and publishing two journals - ''La Gerbe'' and ''L'Union Francaise''. The initiative had the support of Otto AbetzFiss, p. 201 and was at least partially supported financially by German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max D'Ollone
Maximilien-Paul-Marie-Félix d'Ollone (13 June 1875 – 15 May 1959) was a 20th-century French composer. Life and career Born in Besançon, d'Ollone started composing very early, entering the Paris Conservatoire at 6, winning many prizes, receiving the encouragement of Gounod, Saint-Saëns, Massenet, Thomas and Delibes. His teachers at the Conservatoire were Lavignac, Massenet, Gédalge and Lenepveu; he won the Prix de Rome in 1897. He was director of music in Angers, professor at the Paris Conservatoire and director of the Opéra-Comique. His work was part of the music event in the art competition at the 1912 Summer Olympics. In 1932 he wrote three important articles for ''Le Ménestrel'' (29 July, 9 and 16 December) arguing for a more populist approach to composition.Landormy (1943) In addition to the works listed below, d'Ollone produced a number of song cycles (including "Les Chants d'Ailleurs"; " Les Chants d'Exil"; "Impressions d'Automne"), which demonstrate a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Dorgelès
Roland Dorgelès (; 15 June 1885 – 18 March 1973) was a French novelist and a member of the Académie Goncourt. Born in Amiens, Somme, under the name Roland Lecavelé (he adopted the pen name Dorgelès to commemorate visits to the spa town of Argelès), he spent his childhood in Paris. A prolific author, he is most renowned for the Prix Femina-winning ''Wooden crosses'' (), a moving study of World War I, in which he served. It was published in 1919 (in English by William Heinemann in 1920). Dorgelès served as a juror with Florence Meyer Blumenthal in awarding the Prix Blumenthal, a grant given between 1919 and 1954 to painters, sculptors, decorators, engravers, writers and musicians. See also Joachim-Raphaël Boronali Joachim-Raphaël Boronali was a fictitious Italian painter created as an invention of writer and critic Roland Dorgelès who created paintings on canvas by tying a paintbrush to the tail of a donkey named Lolo. A painting by the donkey, '' (Suns ... Ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
