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Eustache Le Peintre De Reims
Eustache le Peintre de Reims or Eustache de Rains (fl. 1225–40) was a trouvère from Reims, possibly a painter (), but that may just be a family name. Seven poems of his are preserved in surviving chansonniers. Eustache addressed one of his songs, "", to Guigues IV, Count of Forez and Nevers. Guigues participated in the Barons' Crusade of Theobald I of Navarre in 1239 and died in 1241; Eustache's poem was probably written during this time. All of Eustache's poems are in isometric decasyllables; stanzas are usually eight lines in length with two rhymes. His melodies are simple, and recorded in bar form Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the .... He must have participated in '' puys'', for his "" is labelled a (crowned, i.e. prized, song) in one of the manuscripts. Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isometre
In music, homorhythm (also homometer) is a texture having a "similarity of rhythm in all parts"Griffiths, Paul (2005). ''The Penguin Companion to Classical Music'', p.375. . or "very similar rhythm" as would be used in simple hymn or chorale settings.Randel, Don Michael (2002). ''The Harvard Concise Dictionary of Music and Musicians'', p.305. . Homorhythm is a condition of homophony. All voices sing the same rhythm. This texture results in a homophonic texture, which is a blocked chordal texture. Homorhythmic texture delivers lyrics with clarity and emphasis. Texture in which parts have different rhythms is heterorythmic or heterometric. The term is used for compositions in which all the voice-parts move simultaneously in the same rhythm, forming a succession of chords.Apel, Willi (1969). ''Harvard Dictionary of Music'', p.426. Harvard. . It may also be called '' chordal style'', ''familiar style'', ''note-against-note style'', ''isometric'', and ''homophonic''. ''Isometric'' may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puy (society)
A ''puy'' or ''pui'' was a society, often organised as a guild or confraternity, sometimes along religious (Catholic) lines, for the patronisation of music and poetry, typically through the holding of competitions. The term ''puy'' derives from the Latin ''podium'', meaning "a place to stand", referring probably to a raised platform from which either the contests delivered their works or the judges listened to them. ''Puys'' were established in many cities in northern and central France, the Low Countries, and even England during the High Middle Ages and the Renaissance, usually encouraging composition in the Old French language, but also in Latin and Occitan. The typical ''puy'' was dedicated to the Virgin Mary. Membership was regulated by statutes to which those entering had to swear. These governed the election of executive positions within the ''puy'' and the benefits inhering in members. Members could be clerical or lay, male or female, noble or bourgeois, urban or rural. The e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decasyllable
Decasyllable (Italian: ''decasillabo'', French: ''décasyllabe'', Serbian: ''десетерац'', ''deseterac'') is a poetic meter of ten syllables used in poetic traditions of syllabic verse. In languages with a stress accent (accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the ''chansons de geste'') were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the fourth syllable. (The medieval French romance (''roman'') was, however, most often written in 8 syllable (or ''octosyllable'') verse.) Use of the 10 syllable line in French poetry was eclipsed by the 12 syllable alexandrine line, particularly after the 16th century. Paul Valéry's great poem "The Graveyard by the Sea" (Le Cimetière marin) is, however, written in decasyllables. Similarly, South Slavic and in particular Serbian epic po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theobald I Of Navarre
Theobald I (french: Thibaut, es, Teobaldo; 30 May 1201 – 8 July 1253), also called the Troubadour and the Posthumous, was Count of Champagne (as Theobald IV) from birth and King of Navarre from 1234. He initiated the Barons' Crusade, was famous as a trouvère, and was the first Frenchman to rule Navarre. Rule of Champagne Regency of Champagne Born in Troyes, he was the son of Theobald III of Champagne and Blanche of Navarre, the youngest daughter of Sancho VI of Navarre. His father died less than a week before he was born, and Blanche ruled the county as regent until Theobald turned twenty-one in 1222. He was a notable trouvère, and many of his songs have survived, including some with music. The first half of Theobald's life was plagued by a number of difficulties. His uncle, Count Henry II, had left behind a great deal of debt, which was far from paid off when Theobald's father died. Further, Theobald's right to the succession was challenged by Henry's daughter Philippa an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barons' Crusade
The Barons' Crusade (1239–1241), also called the Crusade of 1239, was a crusade to the Holy Land that, in territorial terms, was the most successful crusade since the First Crusade. Called by Pope Gregory IX, the Barons' Crusade broadly embodied the highest point of papal endeavor "to make crusading a universal Christian undertaking." Gregory IX called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Ayyubid dynasty ( as-Salih Ismail in Damascus and as-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II had gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187. This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Nav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Of Nevers
The counts of Nevers were the rulers of the County of Nevers, which became a French duchy in 1539, with the rulers of the duchy calling themselves dukes. History The history of the County of Nevers is closely connected to the Duchy of Burgundy. The counts also held the County of Auxerre in the 11th and 12th centuries, and the county was held by the count of Flanders and then the duke of Burgundy again in the 14th century. In 1539, it was directly annexed to France and became a duchy in the peerage of France. For a time, it was held by a cadet branch of the House of Gonzaga. This branch inherited the Duchy of Mantua from the senior Gonzaga line (when it became extinct in 1627) and ruled Mantua until 1708, when the branch died out in the male line. Charles IV Gonzaga sold the duchies of Nevers and Rethel in 1659 to Cardinal Mazarin. His family held the duchy of Nevers until the French Revolution. Counts of Nevers * Otto-Henry (c.973–987; Duke of Burgundy, 965–1002) * Otto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
