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Euphronius
Euphronios ( el, Εὐφρόνιος; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eufronius
Eufronius or Euphronius was the eighth Bishop of Tours; he served from 555 to 573, and was a near relative of Gregory of Tours. When upon the death of Bishop Gunthar, King Chlothar's nominee declined appointment to the See, it remained vacant for ten months until the people and clergy elected Eufronius. He was a priest at Tours, from a family of senatorial rank. a grandson of Gregory of Langres, and a friend of Venantius Fortunatus. When Clothar learned of the election, he confirmed their choice. In 552, the ''Abbaye de Sainte-Marie'' was founded near Poitiers by Frankish Queen, Radegund. It was the first monastery for women in the Frankish Empire. Radegund subsequently retired to the monastery, where she helped to care for the infirm. Upon her request, Byzantine Emperor Justin II sent the abbey a relic of the True Cross. When Bishop Maroveus of Poitiers refused to preside over its installation in the abbey, at Radegund's request, king Sigebert sent Eufronius to Poitiers to per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Pottery
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oltos
Oltos was a Late Archaic Greek vase painter, active in Athens from 525 BC to 500 BC. About 150 works by him are known. Two pieces, a cup in Berlin ( Antikensammlung F 2264) and a cup in Tarquinia (Museo Nazionale Tarquiniese RC 6848), are signed by him as painter. Overview Oltos is thought to have begun his career in the workshop of the potter Nikosthenes. Initially, he mainly painted bilingual vases or bowls with interior black-figure and exterior red-figure decoration. His black-figure style was influenced by Psiax and the Antimenes Painter. No pure black-figure works by Oltos are yet known. His tondos usually depict a single figure. They are often full of tension, frequently with differential directions of gaze and movement. Later, he exclusively painted red-figure, influenced especially by the Andokides Painter as well as several members of the Pioneer Group, especially his former pupil Euphronios. His drawing style was spacious and elegant, but never reached the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikosthenes
Nikosthenes was a potter of Greek black- and red-figure pottery in the time window 550–510 BC. He signed as the potter on over 120 black-figure vases, but only nine red-figure. Most of his vases were painted by someone else, called Painter N (for Nikosthenes). Beazley considers the painting "slovenly and dissolute;" that is, not of high quality. In addition, he is thought to have worked with the painters Anakles, Oltos, Lydos and Epiktetos. Six's technique is believed to have been invented in Nikosthenes' workshop, possibly by Nikosthenes himself, around 530 BC. He is considered transitional between black-figure and red-figure pottery. The pottery workshop Nikosthenes was the owner of a workshop in Athens in the latter part of the 6th century BC. On the theory that the number of signed works reflects the number of total works, the high number of signatures referring to Nikosthenes suggests that he had one of the largest if not the largest manufacturing center in Athens. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andokides (potter)
Andokides (; ''The Columbia Electronic Encyclopedia'', 6th ed., Columbia University Press, 2012. el, Ἀνδοκίδης) was a famous of . The painter of his pots was an anonymous artist, the , who is recognized as the creator of the |
Psiax
Psiax was an Attic vase painter of the transitional period between the black-figure and red-figure styles. His works date to ''circa'' 525 to 505 BC and comprise about 60 surviving vases, two of which bear his signature. Initially he was allocated the name "Menon Painter" by John Beazley. Only later was it realised that the artist was identical with the painters signing as "Psiax". Psiax collaborated with the potters Hilinos, Menon, Andokides and Nikosthenes. While he started as a painter in the black-figure technique, he played a major role in the early development of red-figure, which was invented in the workshop of Andokides. The black-figure Antimenes Painter, working for the same workshop, was stylistically close to Psiax; Beazley described the two as "brothers". Perhaps unsurprisingly, considering his chronological position, Psiax was a master of bilingual vase painting. Formerly called the Menon Painter, after the potter’s signature on a red-figure amphora (Philadelph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kachrylion
Kachrylion was a potter of Greek red-figure pottery at the end of the 6th and the beginning of the 5th century BC. At his pottery had worked some of the most important Attic-Greek vase painters of these times, so Euphronios and Oltos. He signed 29 kylixes and one plate. References *Martin Robertson. ''The Art of Vase-Painting in Classical Athens.'' Cambridge University Press, 1992 Literature *John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the U ...: ''Attic Red-figure Vase-painters'' 2nd ed. Oxford 1963, S. 107-109. Ancient Greek potters {{AncientGreece-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishop Of Tours
The Roman Catholic Archdiocese of Tours (Latin: ''Archidioecesis Turonensis''; French: ''Archidiocèse de Tours'') is an archdiocese of the Latin Rite of the Roman Catholic Church in France. The archdiocese has roots that go back to the 3rd century, while the formal erection of the diocese dates from the 5th century. The ecclesiastical province of Tours corresponds with the late Roman province of Tertia Lugdunensis. During Breton independence the see of Dol briefly exercised metropolitical functions (mainly tenth century). In 1859 the Breton dioceses except that of Nantes were constituted into a province of Rennes. Tours kept its historic suffragans of Le Mans, Angers together with Nantes and a newly constituted Diocese of Laval. In 2002 Tours lost all connection with its historic province, all its previous suffragans depending henceforth on an expanded province of Rennes (corresponding to the Brittany and Pays de la Loire administrative regions). Tours since 2002 has become the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruria
Etruria () was a region of Central Italy, located in an area that covered part of what are now most of Tuscany, northern Lazio, and northern and western Umbria. Etruscan Etruria The ancient people of Etruria are identified as Etruscan civilization, Etruscans. Their complex Etruscan civilization, culture centered on numerous city-states that arose during the Villanovan period in the ninth century BCE, and they were very powerful during the Orientalizing Archaic period in Greece, Archaic periods. The Etruscans were a dominant culture in Italy by 650 BCE,Rix, Helmut. "Etruscan." In ''The Ancient Languages of Europe,'' ed. Roger D. Woodard. Cambridge University Press, 2008, pp. 141–164. surpassing other ancient Italic peoples such as the Ligures. Their influence may be seen beyond Etruria's confines in the Po River Valley and Latium, as well as in Campania and through their contact with the Magna Graecia, Greek colonies in Southern Italy (including Sicily). Indeed, at some Etrusc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
