Eugène Prévost (musician)
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Eugène Prévost (musician)
Eugène-Prosper Prévost (23 April 1809 – 19 August 1872) was a French composer and conductor. Life Born in Paris, Prévost was introduced to music by his older sister, the singer Geneviève-Aimé-Zoë Prévost. From 1827 he studied counterpoint at the Conservatoire de Paris with Daniel Jelensperger and Louis Seuriot and musical composition with Jean-François Lesueur. In 1831, he won the Premier Grand Prix de Rome with the two-part scene ''La Fuite de Bianca Capello'' on a text by Amédée de Pastoret. In the same year he married the singer Augustine Dejean-Leroy (born 1807), who became known as Éléonore Colon, and went with her to Le Havre. After his stay in Rome in 1833 he made his debut as a composer with the world premiere of the Opéra bouffe ''Cosimo ou le peintre badigeonneur'' 1835 at the Opéra-Comique, where several more of his operas were performed until 1839. In 1838, he was engaged as a conductor at the Théâtre Français in New Orleans, where he introduced ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Ernest Guiraud
Ernest is a given name derived from Germanic word ''ernst'', meaning "serious". Notable people and fictional characters with the name include: People *Archduke Ernest of Austria (1553–1595), son of Maximilian II, Holy Roman Emperor * Ernest, Margrave of Austria (1027–1075) *Ernest, Duke of Bavaria (1373–1438) *Ernest, Duke of Opava (c. 1415–1464) *Ernest, Margrave of Baden-Durlach (1482–1553) *Ernest, Landgrave of Hesse-Rheinfels (1623–1693) *Ernest Augustus, Elector of Brunswick-Lüneburg (1629–1698) *Ernest, Count of Stolberg-Ilsenburg (1650–1710) *Ernest Augustus, King of Hanover (1771–1851), son of King George III of Great Britain *Ernest II, Duke of Saxe-Coburg and Gotha (1818–1893), sovereign duke of the Duchy of Saxe-Coburg and Gotha *Ernest Augustus, Crown Prince of Hanover (1845–1923) *Ernest, Landgrave of Hesse-Philippsthal (1846–1925) *Ernest Augustus, Prince of Hanover (1914–1987) *Prince Ernst August of Hanover (born 1954) * Prince Ernst A ...
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1809 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ...
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Gustave Chouquet
Gustave Chouquet (16 April 1819 – 30 January 1886)Grove & Charlton 2001. was a French music historian, music critic, and teacher of French. Early life and career Born Adolphe-Gustave Chouquet in Le Havre, he spent six years in Paris studying at the Massin Institute, but devoted almost all his spare time to studying voice and piano and attending concerts at the Paris Conservatory. In 1836, after receiving his degree ('' bachelier ès lettres''), he returned to Le Havre, where his father was a banker. The latter lost his fortune in creating a railroad company (from Paris to the sea), and in 1840 the family moved to the United States. Gustave produced his first essays of music criticism in New York.Fétis, "Chouquet (Adolphe-Gustave)", 1978vol. 1, pp. 181–182 He was also a professor of French literature and history and published several textbooks of French language instruction. After sixteen years devoted to education, a respiratory ailment caused him to move back to France, w ...
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Auguste Anicet-Bourgeois
Auguste Anicet, later Auguste Anicet-Bourgeois (25 December 1806 – 12 January 1871) was a French dramatist. He was born in Paris. The first play to bear his name is ''L'Ami et le mari, ou le Nouvel Amphitryon'', a vaudeville in one act. It was produced in 1825, when the author was still in his teens. Over the course of his career he was credited in the writing of nearly 200 plays, as many as ten a year. However the nature of theatrical collaboration at this time was such that the extent of his contribution to any given play is debatable. In fact it is known that he assisted Alexandre Dumas in the writing of several plays (''Térésa, Angèle, Le Mari de la Veuve, La Vénitienne''), sometimes without acknowledgement. He is the subject of an anecdote in Dumas's "''Comment je devins auteur dramatique''" ("How I became a Dramatist"), published in 1833 in ''Revue des Deux Mondes''. Other writers with whom he worked were Philippe Dumanoir, Julien de Mallian, Victor Ducange, Fra ...
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The Hunchback Of Notre-Dame
''The Hunchback of Notre-Dame'' (french: Notre-Dame de Paris, translation=''Our Lady of Paris'', originally titled ''Notre-Dame de Paris. 1482'') is a French Gothic novel by Victor Hugo, published in 1831. It focuses on the unfortunate story of Quasimodo, the Gypsy street dancer Esmeralda and Quasimodo's guardian the Archdeacon Claude Frollo in 15th-century Paris. All its elements—Renaissance setting, impossible love affairs, marginalized characters—make the work a model of the literary themes of Romanticism. The novel has been described as a key text in French literature and has been adapted for film over a dozen times, in addition to numerous television and stage adaptations, such as a 1923 silent film with Lon Chaney, a 1939 sound film with Charles Laughton, and a 1996 Disney animated film with Tom Hulce. The novel sought to preserve values of French culture in a time period of great change, which resulted in the destruction of many French Gothic structures. The nov ...
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Jacques-François Ancelot
Jacques-Arsène-Polycarpe-François Ancelot (9 January 1794 – 7 September 1854) was a French dramatist and litterateur. Biography Born in Le Havre, Ancelot became a clerk in the admiralty, and retained his position until the Revolution of 1830. In 1816 his play ''Warwick'' was accepted by the Théâtre Français, but never produced, and three years later a five-act tragedy, ''Louis IX'', was staged. Three editions of the play were speedily exhausted; it had a run of fifty representations, and brought him a pension of 2000 francs from Louis XVIII. His next work, ''Le Maire du palais'', was played in 1825 with less success; but for it he received the cross of the Légion d'honneur. In 1824 he produced ''Fiesque'', a clever adaptation of Schiller's '' Fiesco''. In 1828 appeared ''Olga, ou l'orpheline russe'', the plot of which had been inspired by a voyage he made to Russia in 1826. About the same period he produced in succession ''Marie de Brabant'' (1825), a poem in six cant ...
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Paul Duport
Nicolas-Paul Duport (22 April 1798 – 26 December 1866) was a French dramatist and librettiste who also wrote under the pen names M. P. D., Paulin and Erbert. Theatre * 1824 : ''Le Beau-frère, ou la Veuve à 2 maris'', comédie-vaudeville in 1 act, with Auguste Duport and Amable de Saint-Hilaire * 1824 : ''Une journée de Charles V'', comedy in 1 act in prose, with A. Duport * 1825 : ''Kettly ou le Retour en Suisse'' vaudeville in 1 act by Duvert and Paulin, Vaudeville (28 January) * 1827 : ''L'Arbitre, ou les Séductions'', comédie-vaudeville in two acts by Théaulon and Paulin, Théâtre de Madame (7 May) * 1835 : ''Alda'', one-act opera-comique by Bayard and Paul Duport, music by Alphonse Thys, Opéra-Comique, salle des Nouveautés (8 July) * 1837 : ''La Champmeslé'', comédie anecdotique in two acts mixed with songs by Erbert and Ancelot, vaudeville (11 February) * 1838 : ''Le Perruquier de la Régence'', opera in three acts by Eugène de Planard and Paul Duport ...
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Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ...
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Théodore Ritter
Toussaint Prévost, known under the pseudonym Théodore Ritter (5 April 1840 – 6 April 1886) was a 19th-century French composer and pianist. Biography The son of composer Eugène Prévost, he was a student of Hector Berlioz. He began his career as a baritone singer at La Monnaie in Brussels under the name ''Félix,'' then studied the piano with Franz Liszt. He quickly became a renowned pianist and began an international career under the name "Théodore Ritter". A member of the "Société des derniers concerts de Beethoven" (1860), he undertook a concert tour in Canada and the US with the violinist Frantz Jehin-Prume and the operatic singer Carlotta Patti in 1869–1870. Among others, he was the teacher of Isidore Philipp and Samuel Sanford. Married with the singer Alice Desgranges; his niece Gabrielle Ritter-Ciampi was also famous as a singer. A chevalier of the Légion d'honneur (1880), he is buried at cimetière du Père-Lachaise (20th division) He composed numero ...
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Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Coppélia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ...
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Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ...
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