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Eugène Oudin
Eugène Espérance Oudin (24 February 1858 – 4 November 1894) was an American baritone, composer and translator of the Victorian era. Life and career Early years Oudin was one of six brothers born in New York City to French parents, Lucien and Sophie Agnus Oudin. He sang as a boy soprano in the choir of Dr. Tyng's church in New York City and studied music under Moderati. Oudin showed talent and was eventually entrusted with the baritone solos at St. Stephen's Roman Catholic Church. He studied Law at Yale University and was admitted to the Bar in 1879, joining the offices of the legal firm Evart, Southmayd and Choate. In 1881 he set up in legal practice for himself and continued this work for three years, until he accepted an offer to join the American Opera Company, singing for them several times in the western United States. Travelling to Europe in May 1886, Oudin met fellow New Yorker Lady Randolph Churchill in London, who set him up as a salon singer, during which per ...
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McCaull Comic Opera Company
The McCaull Comic Opera Company, also called the McCaull Opera Comique Company, was an American theatral production company founded by Colonel John A. McCaull in 1880. The company produced operetta, comic opera and musical theatre in New York City and on tour in the eastern and midwestern U.S. and Canada until McCaull's death in 1894. It nurtured such stars, in their early careers, as Lillian Russell and DeWolf Hopper. History Early years McCaull (1846–1894) was born in Scotland. He served as a colonel in the Confederate Army and later became a lawyer in Baltimore.Bordman, Gerald and Thomas S. Hischak. "McCaull, John A." in ''The Oxford Companion to American Theatre'', 2004Encyclopedia.com accessed 21 September 2011 He was representing John T. Ford, lessee of the Fifth Avenue Theatre in New York, when Gilbert and Sullivan presented ''H.M.S. Pinafore'' in December 1879 and premiered ''The Pirates of Penzance'' at the end of that month. McCaull was attracted to theatrical pr ...
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Richard D'Oyly Carte
Richard D'Oyly Carte (; 3 May 1844 – 3 April 1901) was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day. Carte started his career working for his father, Richard Carte, in the music publishing and musical instrument manufacturing business. As a young man he conducted and composed music, but he soon turned to promoting the entertainment careers of others through his management agency. Carte believed that a school of wholesome, well-crafted, family-friendly, English comic opera could be as popular as the risqué French works dominating the London musical stage in the 1870s. To that end he brought together the dramatist W. S. Gilbert and composer Arthur Sullivan and nurtured their collaboration ...
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Royal English Opera House
The Palace Theatre is a West End theatre in the City of Westminster in London. Its red-brick facade dominates the west side of Cambridge Circus behind a small plaza near the intersection of Shaftesbury Avenue and Charing Cross Road. The Palace Theatre seats 1,400. Richard D'Oyly Carte, producer of the Gilbert and Sullivan operas, commissioned the theatre in the late 1880s. It was designed by Thomas Edward Collcutt and intended to be a home of English grand opera. The theatre opened as the Royal English Opera House in January 1891 with a lavish production of Arthur Sullivan's opera ''Ivanhoe''. Although this ran for 160 performances, followed briefly by André Messager's ''La Basoche'', Carte had no other works ready to fill the theatre. He leased it to Sarah Bernhardt for a season and sold the opera house within a year at a loss. It was then converted into a grand music hall and renamed the Palace Theatre of Varieties, managed successfully first by Sir Augustus Harris and the ...
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Ivanhoe (opera)
''Ivanhoe'' is a romantic opera in three acts based on the 1819 novel by Sir Walter Scott, with music by Sir Arthur Sullivan and a libretto by Julian Sturgis. It premiered at the Royal English Opera House on 31 January 1891 for a consecutive run of 155 performances, a record for a grand opera.''Ivanhoe''
at The Gilbert and Sullivan Archive. This has been surpassed only by 's 2003 production of ''''.
Later that year it was performed six more times, making a total of 161 performances.Dailey, Chapter 7 It was toured by

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Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Felix Mendelssohn College of Music and Theatre, Leipzig Conservatoire in Germany. His graduation piece, inc ...
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Dorothy (opera)
''Dorothy'' is a comic opera in three acts with music by Alfred Cellier and a libretto by B. C. Stephenson. The story involves a rake who falls in love with his disguised fiancée. It was first produced at the Gaiety Theatre in London in 1886. After a rocky start, it was revised and transferred to the Prince of Wales Theatre later that year and then transferred to the Lyric Theatre in 1888, where it played until 1889. The piece had an initial run of 931 performances, breaking the record for the longest-running musical theatre production in history and holding this record until the run of the musical play '' A Chinese Honeymoon'' in the early 1900s. ''Dorothy'' also toured in Britain, America and Australia and enjoyed numerous revivals until at least 1908. The piece was popular with amateur theatre groups, particularly in Britain, until World War II. The show's hit songs included the ballad "Queen of My Heart", "Be Wise In Time", "Hark For'ard!", "With A Welcome To All", an ...
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Richard Traubner
Richard Traubner (November 24, 1946 – February 25, 2013) was an American journalist, author, operetta scholar and historian, and lecturer on theatre and (mostly musical) film. His best-known book, ''Operetta: A Theatrical History'', was first published in 1983. According to ''Opera News'', "Traubner was universally regarded as the foremost expert on operetta in the U.S.""Richard Traubner"
''Opera News'', Obituaries, May 2013 – Vol. 77, No. 11
He reviewed numerous opera and theatre productions and wrote widely on opera, musical theatre, classical music and film. He also wrote reviews, liner and program notes and participated in theatre productions as translator, director and designer.


Biography

Traubner was the son of Muriel and Edward Traubner. He attended Boston Universit ...
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DeWolf Hopper
William DeWolf Hopper (March 30, 1858September 23, 1935) was an American actor, singer, comedian, and theatrical producer. A star of vaudeville and musical theater, he became best known for performing the popular baseball poem "Casey at the Bat". Life and career Hopper was born William D'Wolf Hopper in New York City, the son of John Hopper (born 1815) and Rosalie D'Wolf (born 1827). His father was a wealthy Quaker lawyer and his mother came from a noted Colonial family. His paternal grandfather Isaac Hopper was a Philadelphia Quaker, and conductor of the Philadelphia station of the Underground Railroad. Though his parents intended that he become a lawyer, Hopper did not enjoy that profession. Hopper was called Willie as a child, and then Will or Wolfie, but when he set out on an acting career he chose his more distinguished middle name as his stage name. It was modified to "DeWolf" because of the frequency that it was mispronounced "Dwolf". He made his stage debut in New Haven ...
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Vienna
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Franz Von Suppé
Franz von Suppé (né Francesco Ezechiele Ermenegildo de Suppe) (18 April 181921 May 1895) was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia, Austro-Hungarian Empire (now part of Croatia). A composer and conductor of the Romantic period, he is notable for his four dozen operettas. Life and education Franz von Suppé's parents named him Francesco Ezechiele Ermenegildo when he was born on 18 April 1819 in Spalato, now Split, Dalmatia, Austrian Empire. His father was a civil servant in the service of the Austrian Empire, as was his father before him; Suppé's mother was Viennese by birth. He simplified and Germanized his name when in Vienna, and changed "de" to "von". Outside Germanic circles, his name may appear on programmes as Francesco Suppé-Demelli. He spent his childhood in Zara, now Zadar, where he had his first music lessons and began to compose at an early age. As a boy he had encouragement in music from a local ban ...
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Lillian Russell
Lillian Russell (born Helen Louise Leonard; December 4, 1860 or 1861 – June 6, 1922), was an American actress and singer. She became one of the most famous actresses and singers of the late 19th and early 20th centuries, known for her beauty and style, as well as for her voice and stage presence. Russell was born in Clinton, Iowa, but raised in Chicago. Her parents separated when she was 18, and she moved to New York with her mother. She began to perform professionally by 1879, singing for Tony Pastor and playing roles in comic opera, including Gilbert and Sullivan works. Composer Edward Solomon created roles in several of his comic operas for her in London. In 1884, they returned to New York and married in 1885, but in 1886, Solomon was arrested for bigamy. For many years, she was the foremost singer of operettas and musical theatre in the United States, performing continuously through the end of the 19th century. In 1899, she joined the Weber and Fields' Music Hall, wher ...
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