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Etenraku
is a Japanese gagaku melody and dance. It is usually played with a hichiriki or ryūteki, and is accompanied by other traditional instruments such as the shō, koto and kakko. History The origin of Etenraku is not fully known. There are theories that the melody was created in Japan, but others believe that it is from Khotan, a tributary state of the Tang dynasty that became part of the repertoire of the Chinese court. During the Heian period, a gagaku form known as became popular. In this form, poems would be sung using melodies. Etenraku was one of the most popular melodies to be used in imayō. In 1931 Hidemaro Konoye arranged an orchestral version of the piece, and it was later picked up by Leopold Stokowski. These days, Etenraku is often performed at wedding ceremonies. Melody There are different versions of Etenraku in three of the mode Mode ( la, modus meaning "manner, tune, measure, due measure, rhythm, melody") may refer to: Arts and entertainment * '' MO ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku Nihon gagakukai Today, it is performed by the in the . Gagaku consists of three primary repertoires: #Native [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hidemaro Konoye
Viscount was a Japanese conductor and composer of classical music. He was the younger brother of pre-war Japanese Prime Minister Fumimaro Konoe. Biography Konoye was born in Kōjimachi, Tokyo. He was the younger son of Duke Konoe Atsumaro, scion of one of the Five Regent Houses of the Fujiwara clan. The Konoe clan traditionally provided ''gagaku'' musicians to the Imperial Household. Despite this, Konoye pursued music over the objections of his family, who wished for him a career in politics. His decision was supported by his older brother, Fumimaro. Konoye attended the Gakushuin Peers School, where he became a close friend of Takashi Inukai. In 1913, he entered the Tokyo University of the Arts, where he specialized in the violin. In 1915, he went to Germany briefly to study musical composition. On his return to Japan he became a pupil of Kosaku Yamada. His debut as a conductor was in 1920, with an amateur orchestra led by Tokichi Setoguchi. Konoye returned to Europe for fur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hichiriki
The is a double reed Japanese used as one of two main melodic instruments in Japanese music. It is one of the "sacred" instruments and is often heard at Shinto weddings in Japan. Its sound is often described as haunting. According to scholars, the emerged after the 12th century when the popularity of the Chinese melodies in Japan called waned. Description Although a double reed instrument like the oboe, the has a cylindrical bore and thus its sound is similar to that of a clarinet. It is difficult to play due in part to the double reed configuration. It is made of a piece of bamboo that measures with a flat double reed inserted which makes a loud sound. Pitch and ornamentation (most notably bending tones) are controlled largely with the embouchure. The instrument is particularly noted for the ("salted plum seasoning"), a kind of pitch-gliding technique. The is the most widely used of all instruments in and it is used in all forms of music aside from poetry recitat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryūteki
The is a Japanese transverse '' fue'' made of bamboo. It is used in gagaku, the Shinto classical music associated with Japan's imperial court. The sound of the ''ryūteki'' is said to represent the dragons which ascend the skies between the heavenly lights (represented by the '' shō'') and the people of the earth (represented by the '' hichiriki''). The ryūteki is one of the three flutes used in gagaku, in particular to play songs of Chinese style. The pitch is lower than that of the ''komabue'' and higher than that of the ''kagurabue''. The ''ryūteki'' is held horizontally, has seven holes, and has a length of and an inner diameter of . Unlike the western flute, the holes are not covered by the fingertips, rather, the fleshy part of the finger is used. This allows for better control of "half-holing" techniques and chromatic notes, by simply raising the finger slightly above the holes. Hans Werner Henze calls for this instrument for his '' El Cimarrón'', and Karlheinz S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shō (instrument)
The is a Japanese free reed aerophone, free reed musical instrument that was introduced from China during the Nara period (AD 710 to 794). It is descended from the Chinese ''Sheng (instrument), sheng'', of the Tang Dynasty era, although the ''shō'' tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape. The instrument's sound is said to imitate the call of a Phoenix (mythology), phoenix, and it is for this reason that the two silent pipes of the ''shō'' are kept—as an aesthetic element, making two symmetrical "wings". Similar to the Chinese Sheng (instrument), sheng, the pipes are tuned carefully with a drop of a dense resin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (musical Instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakko (instrument)
The is a Japanese double-headed drum. drums are usually laid sideways on stands, and are played on both drumheads with sticks known as . drums have been used in taiko ensembles, but are also used in the form of older Japanese court music. History The is derived from the Chinese , a drum popular in China during the Tang Dynasty The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dyn ...; the Korean is also derived from this drum. Construction One way in which the differs from the regular drum is in the way in which it is made taut. Like the and , the skin of the heads are first stretched over metal hoops before they are placed on the body, tying them to each other and tightening them making them taut. See also * * References External links Drums Japanese musical instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Khotan
The Kingdom of Khotan was an ancient Buddhist Saka kingdom located on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert in the Tarim Basin (modern Xinjiang, China). The ancient capital was originally sited to the west of modern-day Hotan ( zh, c=和田) at Yotkan (Chinese: 约特干; pinyin: Yuētègàn). From the Han dynasty until at least the Tang dynasty it was known in Chinese as Yutian ( zh, t=于闐, , or ). This largely Buddhist kingdom existed for over a thousand years until it was conquered by the Muslim Kara-Khanid Khanate in 1006, during the Islamicisation and Turkicisation of Xinjiang. Built on an oasis, Khotan's mulberry groves allowed the production and export of silk and carpets, in addition to the city's other major products such as its famous nephrite jade and pottery. Despite being a significant city on the silk road as well as a notable source of jade for ancient China, Khotan itself is relatively small – the circumference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The House of Li, Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Zhou dynasty (690–705), Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repertoire
A repertoire () is a list or set of dramas, operas, musical compositions or roles which a company or person is prepared to perform. Musicians often have a musical repertoire. The first known use of the word ''repertoire'' was in 1847. It is a loanword from the French language, as (), with a similar meaning in the arts. This word, in turn, has its origin in the Late Latin word ''repertorium''. The concept of a basic repertoire has been extended to refer to groups which focus mainly on performing standard works, as in repertory theater or repertoire ballet. See also * setlist A set list, or setlist, is typically a handwritten or printed document created as an ordered list of songs, jokes, stories and other elements an artist intends to present during a specific performance. A setlist can be made of nearly any materi ... – a list of works for a specific performance * playlist – a list of works available to play * signature song – a musical composition most associa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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