Esther (Weisgall Opera)
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Esther (Weisgall Opera)
''Esther'' is an American opera in 3 acts composed by Hugo Weisgall, with a libretto by Charles Kondek. ''Esther'' was premiered by the New York City Opera in October 1993. The opera is about Esther's struggle as she becomes the queen of Persia, and her heroic triumph over the evil Prime Minister Haman and his plot of exterminating the Jews. Background Esther was a Jewish queen of the Persian Empire, the wife of Ahasuerus (also known as Xerxes I). Today, her story is best known through its telling in Jewish Scriptures and the Old Testament of the Christian Bible. As a result of Esther's intervention and influence, Mizrahi Jews lived in the Persian Empire for 2400 years thereafter. Jews established an annual feast, the feast of Purim, in memory of their deliverance. Weisgall is one of few composers to use the character Esther as a subject, including Palestrina, Handel, and Milhaud. ''Esther'' was Weisgall's 10th and last opera. It was considered one of his most successful works, ...
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Hugo Weisgall
Hugo David Weisgall (October 13, 1912 – March 11, 1997) was an American composer and conductor, known chiefly for his opera and vocal music compositions. He was born in Ivančice, Moravia (then part of Austria-Hungary, later in his childhood Czechoslovakia) and moved to the United States at the age of eight. Weisgall studied at the Peabody Institute, privately with Roger Sessions, and at the Curtis Institute of Music with conductor Fritz Reiner and composer Rosario Scalero. He later earned a Ph.D. in German literature at Johns Hopkins University. During World War II he was an aide-de-camp to General George S. Patton. After the war he became a professor, and taught at Queens College, the Juilliard School, and the Jewish Theological Seminary, all in New York City. His notable students include composers Dominick Argento, Bruce Saylor and the accordionist/composer William Schimmel. Weisgall came from a family of several generations of cantors, and maintained a lifelong i ...
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Christopher Keene
Christopher Keene (December 21, 1946 – October 8, 1995) was an American conductor. Early life and education Keene was born in 1946 in Berkeley, California, the son of Yvonne (née Cyr) and Jim Keene. His mother was of Acadian, German, and Scottish descent. His parents divorced in 1953 and his mother remarried to Jim San Jule in 1954 until their divorce in 1970.Smith, p. 6 He has three siblings: Philip Keene (born 1941), Elodie Keene (born 1949), and Tamsen (née San Jule) Calhoon (born 1956). His mother remarried to biochemist Daniel E. Koshland Jr. in 2000, of the Haas family, the owners of Levi Strauss & Co. Keene studied the piano and cello in his youth. A highly self motivated student, he organized neighborhood productions of plays and operas while growing up and directed ensembles at his high school while a student. At the University of California, Berkeley he earned a degree in history instead of music; reasoning that he didn't want to waste his time re-learning skills ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Vashti
Vashti ( he, , translit=Vaštī; ; ) was a queen of Persia and the first wife of Persian king Ahasuerus in the Book of Esther, a book included within the Tanakh and the Old Testament which is read on the Jewish holiday of Purim. She was either executed or banished for her refusal to appear at the king's banquet to show her beauty as Ahasuerus wished, and was succeeded as queen by Esther, a Jew. That refusal might be better understood via the Jewish tradition that she was ordered to appear naked. In the Midrash, Vashti is described as wicked and vain; she is viewed as an independent-minded heroine in feminist theological interpretations of the Purim story. Attempts to identify her as one of the Persian royal consorts mentioned in extra-biblical records remain speculative. Etymology and meaning The meaning of the name ''Vashti'' is uncertain. As a modern Persian name it is understood to mean "goodness" but most likely it originated from the reconstructed Old Persian *''vaištī' ...
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Teresh (biblical Figure)
Bigthan ( he, בִּגְתָן, בִּגְתָנָא ''Bīgṯān, Bīgṯānāʾ'') and Teresh ( he, תֶרֶשׁ ''Ṯereš'') were two eunuchs in service of the Persian king Ahasuerus, according to the chapter 2 of the Book of Esther. According to the deuterocanonical/apocryphal additions to the Book of Esther available in the Greek Septuagint translation of the Bible, they were known as Gabatha and Tharra (Koine Greek: Γαβαθά καὶ Θαρρα). Bigthan's name is also spelled "Bigtan" or "Bigthana". It is a Persian name which means "Gift of God". Narrative Mordecai rested in the courtyard one day and overheard these two eunuchs plotting to kill the king. He went on to inform the king through Esther Esther is the eponymous heroine of the Book of Esther. In the Achaemenid Empire, the Persian king Ahasuerus seeks a new wife after his queen, Vashti, is deposed for disobeying him. Hadassah, a Jewess who goes by the name of Esther, is chosen ..., thus thwarting the pl ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Bigthan
Bigthan ( he, בִּגְתָן, בִּגְתָנָא ''Bīgṯān, Bīgṯānāʾ'') and Teresh ( he, תֶרֶשׁ ''Ṯereš'') were two eunuchs in service of the Persian king Ahasuerus, according to the chapter 2 of the Book of Esther. According to the deuterocanonical/apocryphal additions to the Book of Esther available in the Greek Septuagint translation of the Bible, they were known as Gabatha and Tharra (Koine Greek: Γαβαθά καὶ Θαρρα). Bigthan's name is also spelled "Bigtan" or "Bigthana". It is a Persian name which means "Gift of God". Narrative Mordecai rested in the courtyard one day and overheard these two eunuchs plotting to kill the king. He went on to inform the king through Esther Esther is the eponymous heroine of the Book of Esther. In the Achaemenid Empire, the Persian king Ahasuerus seeks a new wife after his queen, Vashti, is deposed for disobeying him. Hadassah, a Jewess who goes by the name of Esther, is chosen ..., thus thwarting the pl ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Mordecai
Mordecai (; also Mordechai; , IPA: ) is one of the main personalities in the Book of Esther in the Hebrew Bible. He is described as being the son of Jair, of the tribe of Benjamin. He was promoted to Vizier after Haman was killed. Biblical account Mordecai resided in Susa (Shushan or Shoushan),Esther 2:5–6 of the Bible ( New International Version): : Now there was in the citadel of Susa a Jew of the tribe of Benjamin, named Mordecai son of Jair, the son of Shimei, the son of Kish, who has been carried into exile from Jerusalem by Nebuchadnezzar king of Babylon, among those taken captive with Jeconiah king of Judah. the metropolis of Persia (now Iran). He adopted his orphaned cousin (Esther 2:7), Hadassah (Esther), whom he brought up as if she were his own daughter. When "young virgins" were sought, she was taken into the presence of King Ahasuerus and was made queen in the place of the exiled queen Vashti. Subsequently, Mordecai discovered a plot of the king's chamberlains Bi ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Edward Rothstein
Edward Benjamin Rothstein (born October 16, 1952) is an American critic. Rothstein wrote music criticism early in his career, but is best known for his critical analysis of museums and museum exhibitions. Rothstein holds a B.A. from Yale University (1973), an M.A. in English literature from Columbia University, and a Ph.D. from the Committee on Social Thought at the University of Chicago (1994). In addition, Rothstein did graduate work in mathematics at Brandeis University. He was at ''The New York Times'' for a long time, but he took a buyout (a cash payout offered to employees, with compensation based on a sliding scale of the number of years they spent working for the employer) from the newspaper and joined ''The Wall Street Journal''. He wrote in 2020 that "At ''The New York Times'', freedom of speech gave way to group pressure, and debate turned into intimidation.". Rothstein was the cultural critic-at-large for ''The New York Times'',Yoe, Mary Ruth"Everybody's a critic" ''Un ...
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