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Erster Theil Etlicher Choräle
''Erster Theil etlicher Choräle'' (commonly known as ''Acht Choräle zum Präambulieren'', PWC 45–52, T. 1–8, PC 1–8) is a collection of liturgical organ music by Johann Pachelbel, published during his lifetime. It contains eight chorale preludes in seven different styles. General information ''Erster Theil etlicher Choräle'' (literally "First Part of collection ofassorted chorales") is one of Pachelbel's earliest publications. It is a mystery, however, when or where it was first published. Johann Mattheson mentions that the first edition appeared before 1693, while the edition lacked any indications of the year of publication. The only copy extant today is a Nuremberg edition by Johann Christoph Weigel, who also published Pachelbel's ''Hexachordum Apollinis'' (1699) and a reprint of his ''Musicalische Ergötzung''. This copy is marked "1693", however, there are two problems with this date. The first is that it was added by another hand at a later date, the second is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epiphany (holiday)
Epiphany ( ), also known as Theophany in Eastern Christian traditions, is a Christian feast day that celebrates the revelation (theophany) of God incarnation (Christianity), incarnate as Jesus Christ. In Western Christianity, the feast commemorates principally (but not solely) the Biblical Magi, visit of the Magi to the Christ Child, and thus Jesus Christ's physical manifestation to the Gentiles. It is sometimes called Three Kings' Day, and in some traditions celebrated as Little Christmas. Moreover, the feast of the Epiphany, in some Christian denominations, denominations, also initiates the liturgical season of Epiphanytide. Eastern Christians, on the other hand, commemorate the baptism of Jesus in the Jordan River, seen as his manifestation to the world as the Son of God. The spot marked by Al-Maghtas in Jordan, adjacent to Qasr al-Yahud in the West Bank, is considered to be the original site of the baptism of Jesus and the ministry of John the Baptist. The traditional dat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Pieterszoon Sweelinck
Jan Pieterszoon Sweelinck ( ; April or May, 1562 – 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. Life Sweelinck was born in Deventer, Netherlands, in April or May 1562. He was the eldest son of organist Peter (or Pieter) Swybbertszoon and Elske Jansdochter Sweeling, daughter of a surgeon. Soon after Sweelinck's birth, the family moved to Amsterdam, where from about 1564, Pieter Swybbertszoon served as organist of the Oude Kerk (Sweelinck's paternal grandfather and uncle also were organists).Sadie, Stanley. 1980.Sweelinck [Swelinck, Zwelinck, Sweeling, Sweelingh, Sweling, Swelingh], Jan Pieterszoon ''The New Grove Dictionary of Music and Musicians''. Vol.8. Macmillan Publishers Limited, London. Pg. 406–407 Jan Pieterszoon must have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wir Glauben All An Einen Gott
"" (We all believe in one God) is a Lutheran hymn, a paraphrase of the creed, by Martin Luther and first published in Johann Walter's chorale hymnal '' Eyn geystlich Gesangk Buchleyn''. The hymn was used in several musical settings, including ''Kleine Geistliche Konzerte'' I, SWV 303, by Heinrich Schütz, and Johann Sebastian Bach's ''Clavier-Übung III'', BWV 680 and BWV 681. The Zahn number of its hymn tune A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrai ... is 7971. References Bibliography * Wilhelm LuckeDigitalisat Wir glauben all an einen Gott In: ''D. Martin Luthers Werke. Kritische Gesamtausgabe'', vol 35, Weimar 1923, pp 172–177 * Robin A. Leaver: ''Wir glauben all an einen Gott''. In: Derselbe: ''Luther’s Liturgical Music'', Grand Rapids MI 2007, S. 122–127 () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicene Creed
The original Nicene Creed (; grc-gre, Σύμβολον τῆς Νικαίας; la, Symbolum Nicaenum) was first adopted at the First Council of Nicaea in 325. In 381, it was amended at the First Council of Constantinople. The amended form is also referred to as the Nicene Creed, or the Niceno-Constantinopolitan Creed for disambiguation. The Nicene Creed is the defining statement of belief of Nicene or mainstream Christianity and in those Christian denominations that adhere to it. The Nicene Creed is part of the profession of faith required of those undertaking important functions within the Orthodox and Catholic Churches. Nicene Christianity regards Jesus as divine and "begotten of the Father". Various non-Nicene doctrines, beliefs, and creeds have been formed since the fourth century, all of which are considered heresies by adherents of Nicene Christianity. In Western Christianity, the Nicene Creed is in use alongside the less widespread Apostles' Creed. In musical setting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord's Prayer
The Lord's Prayer, also called the Our Father or Pater Noster, is a central Christian prayer which Jesus taught as the way to pray. Two versions of this prayer are recorded in the gospels: a longer form within the Sermon on the Mount in the Gospel of Matthew, and a shorter form in the Gospel of Luke when "one of his disciples said to him, 'Lord, teach us to pray, as John the Baptist, John taught his disciples. Regarding the presence of the two versions, some have suggested that both were original, the Matthean version spoken by Jesus early in his ministry in Galilee, and the Lucan version one year later, "very likely in Judea". The first three of the seven petitions in Matthew address God; the other four are related to human needs and concerns. Matthew's account alone includes the "Your will be done" and the "Rescue us from the evil one" (or "Deliver us from evil") petitions. Both original Greek language, Greek texts contain the adjective ''epiousios'', which does not appear in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vater Unser Im Himmelreich
"" (Our Father in Heaven) is a Lutheran hymn in German by Martin Luther. He wrote the paraphrase of the Lord's Prayer in 1538, corresponding to his explanation of the prayer in his (''Small Catechism''). He dedicated one stanza to each of the seven petitions and framed it with an opening and a closing stanza, each stanza in six lines. Luther revised the text several times, as extant manuscript show, concerned to clarify and improve it. He chose and possibly adapted an older anonymous melody, which was possibly associated with secular text, after he had first selected a different one. Other hymn versions of the Lord's Prayer from the 16th and 20th-century have adopted the same tune, known as "Vater unser" and "Old 112th". The hymn was published in Leipzig in 1539 in Valentin Schumann's hymnal , with a title explaining "The Lord's Prayer briefly expounded and turned into metre". It was likely first published as a broadsheet. The hymn was translated into English in several versions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 103
Psalm 103 is the 103rd psalm of the Book of Psalms, beginning in English in the King James Version: "Bless the , O my soul". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In Latin, it is known as "Benedic anima mea Domino". The psalm is a hymn psalm. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 102. The first verse (the sub-heading in most English translations) attributes the psalm to King David. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. The psalm has been paraphrased in hymns, and has often been set to music. Background and themes Baptist preacher and biblical commentator Charles Spurgeon suggests that the psalm was written in David's later life, as seen by the psalmist's focus on the frailty of life and his "higher sense of the preciousness of pardon, because ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doxology
A doxology (Ancient Greek: ''doxologia'', from , ''doxa'' 'glory' and -, -''logia'' 'saying') is a short hymn of praises to God in various forms of Christian worship, often added to the end of canticles, psalms, and hymns. The tradition derives from a similar practice in the Jewish synagogue, where some version of the Kaddish serves to terminate each section of the service. Trinitarian doxology Among Christian traditions a doxology is typically an expression of praise sung to the Holy Trinity: the Father, the Son, and the Holy Spirit. It is common in high hymns for the final stanza to take the form of a doxology. Doxologies occur in the Eucharistic prayers, the Liturgy of the Hours, hymns, and various Catholic devotions such as novenas and the Rosary. ''Gloria in excelsis Deo'' The Gloria in excelsis Deo, also called the Greater Doxology, is a hymn beginning with the words that the angels sang when the birth of Christ was announced to shepherds in . Other verses were added v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nun Lob, Mein Seel, Den Herren
"" (Now praise, my soul, the Lord) is a Lutheran hymn written in German by the theologian and reformer Johann Gramann in 1525. It was published in 1540 and appears in 47 hymnals. A translation by Catherine Winkworth, "My Soul, now Praise thy Maker!", was published in 1863. History and text The hymn is a general song of praise, paraphrasing Psalm 103 in four stanzas of 12 lines each. It is supposed to have been written in 1525 "at the request of the Margrave Albrecht, as a version of his favourite Psalm". The hymn was published in Nürnberg as a broadsheet around 1540, and in Augsburg in the hymnal ''Concentus novi'' by in 1540, with a hymn tune, Zahn No. 8244, derived from the secular song "Weiß mir ein Blümlein blaue". A fifth stanza was added in a reprint in Nürnberg in 1555, "Sey Lob und Preis mit Ehren". The hymn appears in 47 hymnals. Music The text has been set by composers. Christoph Graupner wrote a cantata, Johann Hermann Schein composed a motet, Michael P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
