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Vater Unser Im Himmelreich
"" (Our Father in Heaven) is a Lutheran hymn in German by Martin Luther. He wrote the paraphrase of the Lord's Prayer in 1538, corresponding to his explanation of the prayer in his (''Small Catechism''). He dedicated one stanza to each of the seven petitions and framed it with an opening and a closing stanza, each stanza in six lines. Luther revised the text several times, as extant manuscript show, concerned to clarify and improve it. He chose and possibly adapted an older anonymous melody, which was possibly associated with secular text, after he had first selected a different one. Other hymn versions of the Lord's Prayer from the 16th and 20th-century have adopted the same tune, known as "Vater unser" and "Old 112th". The hymn was published in Leipzig in 1539 in Valentin Schumann's hymnal , with a title explaining "The Lord's Prayer briefly expounded and turned into metre". It was likely first published as a broadsheet. The hymn was translated into English in several versions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Hymns By Martin Luther
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith. Luther wrote songs for occasions of the liturgical year ( Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of psalms, and other songs. Whenever Luther went out from pre-existing texts, here listed as "text source" (bible, Latin and German hymns), he widely expanded, transformed and personally interpreted them. Luther worked on the tunes, sometimes modifying older tunes, in collaboration with Johann Walter. Hymns were published in the ''Achtliederbuch'', in Walter's choral hymnal ''Eyn geystlich Gesangk Buchleyn ' ("A spiritual song booklet"), sometimes called First Wittenberg Hymnal and ' (Choir hymnal), was the first German hymnal for choir, published in Wittenberg in 1524 by Johann Walter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BuxWV
The Buxtehude-Werke-Verzeichnis ("Buxtehude Works Catalogue", commonly abbreviated to BuxWV) is the catalogue and the numbering system used to identify musical works by the German-Danish Baroque composer Dieterich Buxtehude (c. 1637 – 9 May 1707). It was compiled by Georg Karstädt and published in 1974 as ''Thematisch-Systematisches Verzeichnis der Musikalischen Werke von Dietrich Buxtehude''. The second edition, published in 1985, contains minor additions and corrections. The catalogue is organized thematically, not chronologically, and contains 275 individual pieces. The ''Anhang'' ("Appendix") adds 13 spurious and falsely attributed works. The fourteen trio sonatas (BuxWV 252–265) were the only works published during Buxtehude's lifetime. Originally issued in two volumes, the first seven are now commonly referred to as Buxtehude's opus 1 and the next seven as opus 2. Vocal music Cantatas (1–112) * BuxWV 1 — ''Accedite gentes, accurite populi'' * BuxWV 2 — ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieterich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707) was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in Helsingborg, Skåne at the time part of De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erster Theil Etlicher Choräle
''Erster Theil etlicher Choräle'' (commonly known as ''Acht Choräle zum Präambulieren'', PWC 45–52, T. 1–8, PC 1–8) is a collection of liturgical organ music by Johann Pachelbel, published during his lifetime. It contains eight chorale preludes in seven different styles. General information ''Erster Theil etlicher Choräle'' (literally "First Part of collection ofassorted chorales") is one of Pachelbel's earliest publications. It is a mystery, however, when or where it was first published. Johann Mattheson mentions that the first edition appeared before 1693, while the edition lacked any indications of the year of publication. The only copy extant today is a Nuremberg edition by Johann Christoph Weigel, who also published Pachelbel's ''Hexachordum Apollinis'' (1699) and a reprint of his ''Musicalische Ergötzung''. This copy is marked "1693", however, there are two problems with this date. The first is that it was added by another hand at a later date, the second is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 (with a 47th unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in other collections. Function The precise liturgical function of a chorale prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during extended ceremonial in church or in cathedrals. Style Chorale preludes are typically polyphonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Pachelbel
Johann Pachelbel (baptised – buried 9 March 1706; also Bachelbel) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secularity, secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque music, Baroque era. List of compositions by Johann Pachelbel, Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Pachelbel's Canon, Canon in D; other well known works include the Chaconne in F minor (Pachelbel), Chaconne in F minor, the Toccata in E minor for organ, and the ''Hexachordum Apollinis'', a set of keyboard Variation (music), variations. He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Scheidemann
Heinrich Scheidemann (ca. 1595 – 1663) was a German organist and composer. He was the best-known composer for the organ in north Germany in the early to mid-17th century, and was an important forerunner of Dieterich Buxtehude and J.S. Bach. Life He was born in Wöhrden in Holstein. His father was an organist in both Wöhrden and Hamburg, and probably Scheidemann received some early instruction from him. Scheidemann studied with Sweelinck in Amsterdam from 1611 to 1614, and evidently was one of his favorite pupils, since Sweelinck dedicated a canon to him, prior to Scheidemann's return to Germany. By 1629, and possibly earlier, Scheidemann was in Hamburg as organist at the Catharinenkirche, a position which he held for more than thirty years, until his death in Hamburg in early 1663 during an outbreak of the plague. Music and influence Scheidemann was renowned as an organist and composer, as evidenced by the wide distribution of his works; more organ music by Scheidem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Praetorius
Jacob Praetorius or Schultz (8 February 158621 or 22 October 1651) was a German people, German Baroque composer and organist, and the son of Hieronymus Praetorius. His grandfather, the father of Hieronymus, Jacob Praetorius the Elder (died 1586) was also a composer. As a student of Jan Pieterszoon Sweelinck, he was one of the most important organists and most respected pedagogues of the north German tradition before Johann Sebastian Bach. From 1603 on he was organist at the St. Peter's Church, Hamburg, Petrikirche in Hamburg. His most important pupil, Matthias Weckmann, studied with him from 1633 to 1636 and later joined him in Hamburg as organist at the Jakobikirche. His compositional style includes both traditional and progressive elements. His three surviving preludes show the kind of sectionalism and diversity of styles that would become one of the defining characteristics of the genre. That is to say, they contain a free, rhapsodic (though restrained) opening section that fore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation Form
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Ulrich Steigleder
Johann Ulrich Steigleder (22 March 1593 – 10 October 1635) was a German Baroque composer and organist. He was the most celebrated member of the Steigleder family, which also included Adam Steigleder (1561–1633), his father, and Utz Steigleder (died 1581), his grandfather. Steigleder was born in Schwäbisch Hall on 22 March 1593. He was instructed in music by his father Adam, whose teacher was the then-famous Simon Lohet. In 1613 he became organist of Stephanskirche in Lindau, on Lake Constance; then in 1617 he left Lindau for Stuttgart, where he became organist of the Stiftskirche the same year. In 1627 Steigleder was appointed ducal organist at the Württemberg court. While in Stuttgart, he may have taught, among others, Johann Jakob Froberger. He died of plague in 1635 in the midst of the Thirty Years' War. Steigleder's most important works are his two published collections of organ pieces. The first, ''Ricercar tabulatura'' of 1624 (published at Stuttgart), introduced a n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
