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Ernest Fanelli
Ernest Fanelli (29 June 1860 – 24 November 1917) was a French composer of Italian descent who is known for his works which have been considered as precursing Impressionism. He gained renown when his symphonic poem ''Thèbes'' premiered in Paris, a work incorporating elements associated with music ahead of its time, such as unique harmonies, extended chords, and polytonality. Fanelli was born in Paris to Italian parents and started studying music at the age of 10. He earned a living playing timpani and piano, eventually composing seriously when he was 22, although he abandoned the activity in 1894. Upon applying to work as a copyist for Gabriel Pierné in 1912, his music—a manuscript of ''Thèbes'', composed in 1883—astonished the latter, and a performance led to wide publicity and critical assessment of Fanelli's music and of the roots of the Impressionist style, especially that of Claude Debussy. Fanelli lived in poverty and struggled to support his family. He died in 191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclasm
Iconoclasm (from Ancient Greek, Greek: grc, wikt:εἰκών, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, wikt:κλάω, κλάω, lit=to break, translit=kláō, label=none)From grc, wikt:εἰκών, εἰκών + wikt:κλάω, κλάω, lit=image-breaking. ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious." Conversely, one who reveres or venerates religious images is called (by iconoclasts) an ''Iconolatry, ic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works include ''Ripostes'' (1912), ''Hugh Selwyn Mauberley'' (1920), and his 800-page Epic poetry, epic poem, ''The Cantos'' (c. 1917–1962). Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's ''A Portrait of the Artist as a Young Man'', the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's ''Ulysses (novel), Ulysses''. Hemingway wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voltaire
François-Marie Arouet (; 21 November 169430 May 1778) was a French Age of Enlightenment, Enlightenment writer, historian, and philosopher. Known by his ''Pen name, nom de plume'' M. de Voltaire (; also ; ), he was famous for his wit, and his criticism of Christianity—especially Criticism of the Catholic Church, of the Roman Catholic Church—and of slavery. Voltaire was an advocate of freedom of speech, freedom of religion, and separation of church and state. Voltaire was a versatile and prolific writer, producing works in almost every literary form, including stageplay, plays, poems, novels, essays, histories, and scientific Exposition (narrative), expositions. He wrote more than 20,000 letters and 2,000 books and pamphlets. Voltaire was one of the first authors to become renowned and commercially successful internationally. He was an outspoken advocate of civil liberties and was at constant risk from the strict censorship laws of the Catholic French monarchy. His polemics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard. The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judith Gautier
Judith Gautier (25 August 1845, Paris – 26 December 1917) was a French poet, translator and historical novelist, the daughter of Théophile Gautier and Ernesta Grisi, sister of the noted singer and ballet dancer Carlotta Grisi. She was married to Catulle Mendès, but soon separated from him and had a brief affair with the composer Richard Wagner during the late summer of 1876. She collaborated with Pierre Loti, the famous novelist, in writing a play, ''La fille du ciel'' (1912; English, ''The Daughter of Heaven''), translated and produced under their personal supervision at the Century Theatre, New York City. She was an Oriental scholar and her works dealt mainly with Chinese and Japanese themes. Her translations were among the earliest to bring Chinese and Japanese poetry to the attention of modern European poets. She was a member of the Académie Goncourt (1910–17). Works * ''Le livre de jade'' (Paris, 1867) (extended edition Paris, 1902) * ''Le Dragon Impérial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colonne Orchestra
The Colonne Orchestra is a French symphony orchestra, founded in 1873 by the violinist and conductor Édouard Colonne. History While leader of the Opéra de Paris orchestra, Édouard Colonne was engaged by the publisher Georges Hartmann to lead a series of popular concerts which he founded under the title of ‘Concert National’ in March 1873.''Cinquante Ans de Musique Française de 1874 à 1925.'' Les Éditions Musicales de la Librairie de France, Paris, 1925. While at first a great success, the financial burden forced Hartmann to withdraw from the enterprise. However, Colonne then decided to form his own orchestra, ‘l’Association artistique des Concerts Colonne’ based at the Théâtre du Châtelet in November 1873. The Concerts Colonne placed particular emphasis on contemporary music of the time ( Saint-Saëns, Massenet, Charpentier, Fauré, d'Indy, Debussy, Ravel, Widor, Enescu, Dukas and Chabrier). Alongside these were programmed Wagner and Richard Strauss, and C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Engraving
Music engraving is the art of drawing music notation at high quality for the purpose of mechanical reproduction. The term ''music copying'' is almost equivalent—though ''music engraving'' implies a higher degree of skill and quality, usually for publication. The name of the process originates in plate engraving, a widely used technique dating from the late sixteenth century. The term ''engraving'' is now used to refer to any high-quality method of drawing music notation, particularly on a computer ("computer engraving" or "computer setting") or by hand ("hand engraving"). Traditional engraving techniques Elements of music engraving style Mechanical music engraving began in the middle of the fifteenth century. As musical composition increased in complexity, so too did the technology required to produce accurate musical scores. Unlike literary printing, which mainly contains printed words, music engraving communicates several different types of information simultaneously. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Valentin Alkan
Charles-Valentin Alkan (; 30 November 1813 – 29 March 1888) was a French Jewish composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life. Alkan earned many awards at the Conservatoire de Paris, which he entered before he was six. His career in the salons and concert halls of Paris was marked by his occasional long withdrawals from public performance, for personal reasons. Although he had a wide circle of friends and acquaintances in the Parisian artistic world, including Eugène Delacroix and George Sand, from 1848 he began to adopt a reclusive life style, while continuing with his compositions – virtually all of which are for the keyboard. During this period he published, among other works, his collections of large-scale studies in all the major keys (Op. 35) and all the mino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
