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Eric Lewis (actor)
Frederic Lewis Tuffley (23 October 1855 – 1 April 1935), better known by his stage name, Eric Lewis, was an English comedian, actor and singer. In a career spanning five decades, he starred in numerous comedies and in a few musical comedy hits, but he is probably best remembered today as the understudy to George Grossmith in the Gilbert & Sullivan comic operas of the 1880s who left the D'Oyly Carte Opera Company just in time to give Henry Lytton his big break. Lewis began performing in comic musical sketches in Brighton in the 1870s. He made his London performing debut in 1880 and joined the D'Oyly Carte Opera Company in 1882, where he understudied Grossmith until 1887. Lewis then performed in a number of very successful musical comedies and other comedies for the next decade but devoted himself to the non-musical comedy stage, performing mostly in contemporary comedies by Arthur Wing Pinero, George Bernard Shaw, J. M. Barrie and R. C. Carton until 1925. Biography Lewis was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alice Barth
Alice Mary Barth (25 August 1848 – 18 July 1910) was an English operatic soprano who for some years was a member of the Carl Rosa Opera Company and who during the 1880s managed her own troupe, the Alice Barth Opera Company. Early life and career She was born in the St Pancras area of London in 1848, the youngest of five children of Sarah Jane ''née'' Wheeler (1810–1870) and George Harman Barth (1807–1869), who began his career as a perfumer but by 1851 was describing himself as a mesmerist, treating patients in his home. From this he progressed to treating ailments through the use of undefined ‘gases’, in 1854 patenting ‘improvements in an apparatus for administering and supplying and purifying gases or vapours for medicinal and other purposes’. In 1861 he described himself as an 'operative chemist and lecturer'. Gänzl, Kurt"Mrs Operetta: the story of Alice Barth" Kurt of Gerolstein, 4 October 2020 She was the aunt of the D'Oyly Carte Opera Company per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Theatre
West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1195, Along with New York City's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Famous screen actors, British and international alike, frequently appear on the London stage. There are a total of 39 theatres in the West End, with the Theatre Royal, Drury Lane, opened in May 1663, the oldest theatre in London. The Savoy Theatre – built as a showcase for the popular series of comic operas of Gilbert and Sullivan – was entirely lit by electricity in 1881. Opening in October 2022, @sohoplace is the first new West End theatre in 50 years. The Society of London Theatre (SOLT) announced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Lewis As Mollentrave
The given name Eric, Erich, Erikk, Erik, Erick, or Eirik is derived from the Old Norse name ''Eiríkr'' (or ''Eríkr'' in Old East Norse due to monophthongization). The first element, ''ei-'' may be derived from the older Proto-Norse ''* aina(z)'', meaning "one, alone, unique", ''as in the form'' ''Æ∆inrikr'' explicitly, but it could also be from ''* aiwa(z)'' "everlasting, eternity", as in the Gothic form ''Euric''. The second element ''- ríkr'' stems either from Proto-Germanic ''* ríks'' "king, ruler" (cf. Gothic ''reiks'') or the therefrom derived ''* ríkijaz'' "kingly, powerful, rich, prince"; from the common Proto-Indo-European root * h₃rḗǵs. The name is thus usually taken to mean "sole ruler, autocrat" or "eternal ruler, ever powerful". ''Eric'' used in the sense of a proper noun meaning "one ruler" may be the origin of ''Eriksgata'', and if so it would have meant "one ruler's journey". The tour was the medieval Swedish king's journey, when newly elected, to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruddigore
''Ruddigore; or, The Witch's Curse'', originally called ''Ruddygore'', is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan. It was first performed by the D'Oyly Carte Opera Company at the Savoy Theatre in London on 22 January 1887. The first night was not altogether a success, as critics and the audience felt that ''Ruddygore'' (as it was originally spelled) did not measure up to its predecessor, '' The Mikado''. After some changes, including respelling the title, it achieved a run of 288 performances. The piece was profitable, and the reviews were not all bad. For instance, the ''Illustrated London News'' praised the work of both Gilbert and, especially, Sullivan: "Sir Arthur Sullivan has eminently succeeded alike in the expression of refined sentiment and comic humour. In the former respect, the charm of graceful melody pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knightsbridge
Knightsbridge is a residential and retail district in central London, south of Hyde Park, London, Hyde Park. It is identified in the London Plan as one of two international retail centres in London, alongside the West End of London, West End. Toponymy Knightsbridge is an ancient name, spelt in a variety of ways in Saxon and Old English, such as ''Cnihtebricge'' (c. 1050); ''Knichtebrig'' (1235); ''Cnichtebrugge'' (13th century); and ''Knyghtesbrugg'' (1364). The meaning is "bridge of the young men or retainers," from the Old English ''cniht'' (genitive case plural –a) and ''brycg''. ''Cniht'', in pre-Norman days, did not have the later meaning of a warrior on horseback, but simply meant a youth. The allusion may be to a place where ''cnihtas'' congregated: bridges and wells seem always to have been favourite gathering places of young people, and the original bridge was where one of the old roads to the west crossed the River Westbourne. However, there is possibly a more spec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilfred Bendall
Wilfred Ellington Bendall (22 April 1850–16 June 1920) was an English composer, pianist, conductor, arranger and teacher. After musical studies at the Royal Academy of Music in London and the University of Music and Theatre Leipzig, Leipzig Conservatoire, he pursued a varied career, based mainly in London. He composed several operettas, and a quantity of choral music and song. His other musical activities included conducting in the theatre and concert hall, playing piano accompaniments for recitals, serving as secretary to the composer Arthur Sullivan, and holding a professorship at the Guildhall School of Music. He died in London, aged seventy. Life and career Bendall was born at Watts' Terrace, Old Kent Road, London, on 22 April 1850. He was the second son and fifth of nine children of Robert Smith Bendall and his wife, Elizabeth Kay, ''née'' Holmes.Crisp, pp. 42–47 He was the only member of the family to pursue a musical career. In London he studied at the Royal Academy of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rutland Barrington
Rutland Barrington (15 January 1853 – 31 May 1922) was an English singer, actor, comedian and Edwardian musical comedy star. Best remembered for originating the lyric baritone roles in the Gilbert and Sullivan operas from 1877 to 1896, his performing career spanned more than four decades. He also wrote at least a dozen works for the stage. After two years with a comic touring company, Barrington joined Richard D'Oyly Carte's opera company and, over the next two decades, created a number of memorable comic opera roles, including Captain Corcoran in ''H.M.S. Pinafore'' (1878), the Sergeant of Police in ''The Pirates of Penzance'' (1880), and Pooh Bah in ''The Mikado'' (1885), among many others. Failing in an 1888 attempt to become a theatrical manager, Barrington refocused his energies on acting and occasional playwriting. Beginning in 1896 and continuing for ten years, Barrington played in a series of very successful musical comedies under the management of George Edwarde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Carp (opera)
''The Carp'' is a one-act comic opera (styled "a whimsicality") with a libretto by Frank Desprez and music by Alfred Cellier. It was first produced at the Savoy Theatre from 13 February 1886 to 19 January 1887, as a companion piece to ''The Mikado''. It was then revived as companion to ''Ruddigore'' from 21 February 1887 to 5 November 1887. The piece also toured throughout 1888. No printed libretto or vocal score is found in British Library. A copy of the libretto is in the Lord Chamberlain's collection. As the score is lost, modern amateur productions have played the piece with original music. One such score, composed by Quade Winter, was originally requested in 1998 by the Gilbert and Sullivan Archive for their Web Opera series, and later orchestrated for production by the Ohio Light Opera in 1999. It was revived in 2011 by Concert Operetta Theater of Philadelphia, Pennsylvania. The fashion in the late Victorian era was to present long evenings in the theatre, and so pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trial By Jury
A jury trial, or trial by jury, is a legal proceeding in which a jury makes a decision or findings of fact. It is distinguished from a bench trial in which a judge or panel of judges makes all decisions. Jury trials are used in a significant share of serious criminal cases in many but not all common law judicial systems. The majority of common law jurisdictions in Asia (such as Singapore, India, Pakistan and Malaysia) have abolished jury trials on the grounds that juries are susceptible to bias. Juries or lay judges have also been incorporated into the legal systems of many civil law countries for criminal cases. Only the United States makes routine use of jury trials in a wide variety of non-criminal cases. Other common law legal jurisdictions use jury trials only in a very select class of cases that make up a tiny share of the overall civil docket (like malicious prosecution and false imprisonment suits in England and Wales), but true civil jury trials are almost entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Private Wire
''A Private Wire'' is a one-act musical "vaudeville" operetta with a libretto by Frank Desprez and Arnold Felix and music by Percy Reeve. It was first produced at the Savoy Theatre on 31 March 1883 to 1 January 1884 as a companion piece to Gilbert and Sullivan's '' Iolanthe''. The piece also toured from March to July 1884. No copy of a printed libretto or vocal score is in the British Library. A copy of the libretto is in the Lord Chamberlain's collection. Background The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers such as ''A Private Wire''. W. J. MacQueen-Pope commented, concerning such curtain raisers: :This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were litt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mock Turtles (opera)
''Mock Turtles'' is a one-act comic opera with a libretto by Frank Desprez and music by Eaton Faning. It was first produced at the Savoy Theatre on 11 October 1881 as a curtain raiser to ''Patience'', then from 26 November 1882 to 30 March 1883 with ''Iolanthe''. The piece also toured from December 1881 throughout 1882. It also toured in 1883 and 1884 and enjoyed further revivals, including a tour in 1897 with J. M. Gordon and his company. A vocal score was published by Chappells, in 1882, which contains full dialogue as well as music. A copy is in the British Library. The libretto to ''Mock Turtles'' was republished by ''The Gaiety'' journal in September 2001. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers such as ''Mock Turtles''. W. J. MacQueen-Pope commented, concerning such curtain raisers: :This was a one-act play, seen only by the early comers. It w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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