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Epilogue - Edward Weston (1919)
An epilogue or epilog (from Greek ἐπίλογος ''epílogos'', "conclusion" from ἐπί ''epi'', "in addition" and λόγος ''logos'', "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. It is presented from the perspective of within the story. When the author steps in and speaks directly to the reader, that is more properly considered an afterword. The opposite is a prologue—a piece of writing at the ''beginning'' of a work of literature or drama, usually used to open the story and capture interest. Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction". Epilogues are usually set in the future, after the main story is completed. Within some genres it can be used to hint at the next installment in a series of work. It is also used to satisfy the reader's curiosity and to cover any loose ends of the story. History of the term T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legend (other)
A legend is a historical narrative, a symbolic representation of folk belief. Legend(s) or The Legend(s) may also refer to: Narrative * Urban legend, a widely repeated story of dubious truth * A fictitious identity used in espionage Books, comic books, and theatre * ''Legend'' (Gemmell novel), a 1984 fantasy novel by David Gemmell * ''Legend'' (comic imprint), a comic book brand name * ''Legend'' (Lu novel), the first novel in ''Legend: The Series'': a trilogy by Marie Lu * ''Legend'' (play), a 1976 Broadway play by Samuel A. Taylor * Legend Books, an imprint of Random House * ''Legends'' (comics), comic book limited series published by DC Comics * ''Legends'' (book), a 1998 collection of short novels edited by Robert Silverberg ** ''Legends II'' (book), a 2003 second collection * ''Legends!'', a 1986 stage play by James Kirkwood, Jr. * '' Dragonlance Legends'', trilogy of books central to the Dragonlance series * ''The Legend'', a 1969 novel by Evelyn Anthony Film * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinummus
''Trinummus'' is a comedic Latin play by the early Roman playwright Titus Maccius Plautus. It is called "The Three Coins" because in the play an imposter () is paid three coins to dress up as a messenger from Syria. According to the prologue, the play is adapted from one called ''Thesaurus'' ("The Treasure") by the Greek playwright Philemon. Plot The play opens with a Prologue delivered by the goddess Extravagant Living () and her daughter Poverty (). They explain that the house behind them is occupied by a young man who has used up all his father's money and has become poor. An Athenian gentleman, Callicles, is reproached by his friend Megaronides for having purchased the house of his neighbour Charmides, who is away in Syria, at a cheap price from Charmides' spendthrift son Lesbonicus. Callicles explains that he has not done anything dishonourable, but that he wanted to protect the house and the treasure which Charmides told him is buried in it for his friend, to avoid Charmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plautus
Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the names "Maccius" (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terence
Publius Terentius Afer (; – ), better known in English as Terence (), was a Roman African playwright during the Roman Republic. His comedies were performed for the first time around 166–160 BC. Terentius Lucanus, a Roman senator, brought Terence to Rome as a slave, educated him and later on, impressed by his abilities, freed him. It is thought that Terence abruptly died, around the age of 25, likely in Greece or on his way back to Rome, due to shipwreck or disease. DEAD LINK He was supposedly on his way to explore and find inspiration for his comedies. His plays were heavily used to learn to speak and write in Latin during the Middle Ages and Renaissance Period, and in some instances were imitated by William Shakespeare. One famous quotation by Terence reads: "''Homo sum, humani nihil a me alienum puto''", or "I am human, and I think nothing human is alien to me." This appeared in his play ''Heauton Timorumenos''. Biography Terence's date of birth is disputed; Aelius ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus Ex Machina
''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought onto stage using a machine. The machine could be either a crane (''mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea, and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' Eume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorus (musical Theatre)
In musical theatre, the ensemble or chorus are the on-stage performers other than the featured players. Ensemble members typically do not play named characters and have few or no spoken lines or solo parts; rather, they sing and dance in unison. An ensemble member may play multiple roles through the course of a show. Origin The modern musical chorus descends from the chorus line, associated with early 20th century theatrical revues such as ''Ziegfeld Follies''. The chorus line was typically composed of women (dubbed ''chorus girls'' or ''chorines'') performing synchronized dances in a line. Composition In the 2018–2019 season, ensemble sizes for Broadway productions ranged from 9 (for ''Hadestown'') to 55 (for ''The Lion King''). Ensemble sizes on Broadway have generally decreased over time, possibly due to cost-cutting. Many modern musicals feature no ensemble at all, such as ''Girl from the North Country'' and ''Six''. Within the ensemble there exist certain specialized roles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyrannick Love
''Tyrannick Love, or The Royal Martyr'' is a tragedy by John Dryden in rhymed couplets, first acted in June 1669, and published in 1670. It is a retelling of the story of Saint Catherine of Alexandria and her martyrdom by the Roman Emperor Maximinus, the "tyrant" of the title, who is enraged at Catherine's refusal to submit to his violent sexual passion. Dryden reportedly wrote the play in only seven weeks. Nell Gwyn played the tyrant's daughter Valeria, and spoke "what must be the most amusing epilogue ever written" (in the words of Maximillian E. Novak, Dryden's modern editor). However, at that time "amusing" meant "thoughtful or thought-provoking" and was therefore very complimentary to both the play and the execution. The modern interpretation of "amusing" undermines the actual reality. When two stagehands came onstage to carry off Valeria's corpse at the play's end, Gwyn jumped up and assumed her genuine identity, though still in costume, to deliver the epilogue. In a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Consciousness
Double consciousness is the internal conflict experienced by subordinated or colonized groups in an oppressive society. The term and the idea were first published in W. E. B. Du Bois's autoethnographic work, ''The Souls of Black Folk'' in 1903, in which he described the African American experience of double consciousness, including his own.Du Bois, W. E. B. The Souls of Black Folk. New York, Avenel, NJ: Gramercy Books; 1994 Originally, double consciousness was specifically the psychological challenge African Americans experienced of "always looking at one's self through the eyes" of a racist white society and "measuring oneself by the means of a nation that looked back in contempt". The term also referred to Du Bois's experiences of reconciling his African heritage with an upbringing in a European-dominated society. The idea of double consciousness is important because it illuminates the experiences of black people living in post-slavery America, and also because it sets a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felicity Nussbaum
Felicity A. Nussbaum (born 1944) is Distinguished Research Professor of English at the University of California, Los Angeles. Her research interests include 18th-century literature and culture, critical theory, gender studies and postcolonial and Anglophone studies. In the past she taught at Syracuse University and Indiana University South Bend. She earned B.A., ''magna cum laude'' from the Austin College and M.A. and Ph.D. from the Indiana University. Books *2010: Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater *2008: (co-ed. with Saree Makdisi) The Arabian Nights in Historical Context: Between East and West *2003: The Limits of the Human: Fictions of Anomaly, Race and Gender in the Long Eighteenth Century *2003: (ed.) The Global Eighteenth Century *:The 21 essays of the book are "contributions to the new field of 'critical global studies' of the long eighteenth century". *2000: “Defects”: Engendering the Modern Body *1995: Torrid Zones: Mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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