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Enea Scala
Enea Scala is an Italian operatic tenor in the belcanto field, known internationally as a performer of Rossini's roles such as Rinaldo in Armida, Argirio in Tancredi, Pirro in Hermione, Idreno in Semiramide and Otello. He has appeared at major opera houses and festivals, and has made recordings. Career Scala was born in Ragusa, Sicily, Italy. Singing in choirs as a teenager inspired his wish to train his voice. He took voice lessons, and listened to recordings of bel canto opera. He then moved to Bologna for professional studies at the Bologna Conservatory. Scala made his debut at the Teatro Comunale di Bologna in 2006. He has performed leading bel canto roles such as Rossini's Lindoro in ''L'italiana in Algeri''. He appeared as Alberto in ''L'occasione fa il ladro'' at the Rossini Opera Festival in Pesaro. With the title role of Mascagni's ''L'amico Fritz'', Alfredo in Verdi's ''La traviata'' and Fenton in ''Falstaff'', Scala moved towards more lyric characters. His first Ge ...
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Ragusa, Sicily
Ragusa (; scn, Rausa ; la, Ragusia) is a city and ''comune'' in southern Italy. It is the capital of the province of Ragusa, on the island of Sicily, with 73,288 inhabitants in 2016. It is built on a wide limestone hill between two deep valleys, Cava San Leonardo and Cava Santa Domenica. Together with seven other cities in the Val di Noto, it is part of a UNESCO World Heritage Site. History The origins of Ragusa can be traced back to the 2nd millennium BC, when there were several Sicel settlements in the area. The current district of Ragusa Ibla has been identified as Hybla Heraea. The ancient city, located on a hill, came into contact with nearby Greek colonies, and grew thanks to the nearby port of Camerina. After a short period of Carthaginian rule, it fell into the hands of the ancient Romans and the Byzantines, who fortified the city and built a large castle. Ragusa was occupied by the Arabs in 848  AD and remained under their rule until the 11th century, when ...
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La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 19 ...
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Opéra De Lille
The Opéra de Lille is a neo-classical opera house, built from 1907 to 1913 and officially inaugurated in 1923. Closed for renovation in 1998 it reopened in 2003 for Lille 2004. The Opéra de Lille is a member of the European Network for Opera, Music and Dance Education ( RESEO), and of Opera Europa. It is served by the metro stations Gare Lille-Flandres and Rihour. History Lille became French in 1668 through the Aix-la-Chapelle treaty. The classical singing activity grew quickly. Shows are organised in the city hall by the composer Pascal Collasse. In 1700, the opera room is destroyed and rebuilt thanks to a gift of 90,000 florins by Louis XIV. At the end of the 18th century, a bigger opera room is designed by the architect Lequeux, inaugurated in 1788. In 1903 fire destroyed the 1785 Lille opera house. For the replacement city officials chose architect Louis Marie Cordonnier by competition. Cordonnier's Belle Époque design features an elaborate pediment relief by sculpto ...
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La Finta Giardiniera
' ("The Pretend Garden-Girl"), K. 196, is an Italian-language opera by Wolfgang Amadeus Mozart. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on 13 January at the in Munich. There is debate over the authorship of the libretto, written for Anfossi's opera the year before. It is often ascribed to Calzabigi, but some musicologists now attribute it to Giuseppe Petrosellini, though again it is questioned whether it is in the latter's style. In 1780 Mozart converted the opera into a German Singspiel called ''Die Gärtnerin aus Liebe'' (also ''Die verstellte Gärtnerin''), which involved rewriting some of the music. Until a copy of the complete Italian version was found in the 1970s, the German translation was the only known complete score. Roles Synopsis :Time: 18th century :Place: Podestà's estate in Lagonero, near Milan Summary: The story follows Count Belfiore and the Marchioness Violante Onesti, who were lovers befor ...
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Coloratura
Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material,''Oxford American Dictionaries''.Apel (1969), p. 184. or a passage of such music. Operatic roles in which such music plays a prominent part, and singers of these roles, are also called coloratura.Steane, J. B.; Jander, Owen, "Coloratura" in Sadie (1992) 1: 907. Its instrumental equivalent is ornamentation. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color"). History The term ''coloratura'' was first defined in several early non-Italian music dictionaries: Michael Praetorius's ''Syntagma musicum'' (1618); Sébastien de Brossard's ''Dictionaire de musique'' (1703); and Johann Gottfried Walther's ''Musicalisches Lexicon'' (1732). In these early texts "the term is dealt with briefly and always with ...
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Nino Burjanadze
Nino Burjanadze (Georgian language, Georgian: ნინო ბურჯანაძე , also romanized Burdzhanadze or Burdjanadze, born 16 July 1964) is a Georgia (country), Georgian politician and lawyer who served as Parliament of Georgia, Chairperson of the Parliament of Georgia from November 2001 to June 2008. As the first woman she has served as the acting head of state of Georgia twice; the first time from 23 November 2003 to 25 January 2004 in the wake of Eduard Shevardnadze's resignation during the Rose Revolution, and again from 25 November 2007 to 20 January 2008, when Mikheil Saakashvili stepped down to rerun in the 2008 Georgian presidential election, early presidential elections. She withdrew into opposition to Saakashvili as the leader of the Democratic Movement – United Georgia, Democratic Movement-United Georgia party in 2008. In October 2013, she ran in the 2013 Georgian presidential election, presidential election, competing against 22 candidates. She ended th ...
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Oper Frankfurt
The Oper Frankfurt (Frankfurt Opera) is a German opera company based in Frankfurt. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Shrek's ''Der ferne Klang'' in 1912, '' Fennimore und Gerda'' by Frederick Delius in 1919, and Carl Orff's ''Carmina Burana'' in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated. A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, the Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot. Voted best 'Opera house of the year' by ''Opernwelt'' several times since 1996, including 2020, Oper Frankfurt is part of the Städtische Bühnen Frankfurt. H ...
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New Zealand Opera
New Zealand Opera is New Zealand's only full-time professional opera company, formed in 2000 from the merger of companies in Auckland and Wellington (and later Christchurch). New Zealand Opera is headquartered in Parnell, Auckland, stages several productions a year, runs educational programmes, and supports early-career opera singers with the Dame Malvina Major Foundation. History The company was formed in 2000 when Opera New Zealand (the name adopted by Auckland Opera in 1995) and The National Opera of Wellington (formerly Wellington City Opera) decided to merge into one organisation for financial reasons. It launched on 15 October 1999 as ''The National Business Review'' New Zealand Opera (the ''National Business Review'' had paid $1,000,000 for naming rights for the next three years); the NBR sponsorship ceased in 2014 and its name became NZ Opera. A further merger with Southern Opera in Christchurch in 2012 allowed the company to maintain a nation-wide presence and stage ...
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William Tell (opera)
''William Tell'' (french: Guillaume Tell, link=no; it, Guglielmo Tell, link=no) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play ''Wilhelm Tell,'' which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he lived for nearly 40 more years. Fabio Luisi said that Rossini planned for ''Guillaume Tell'' to be his last opera even as he composed it. The often-performed overture in four sections features a depiction of a storm and a vivacious finale, the "March of the Swiss Soldiers". Paris Opéra archivist Charles Malherbe discovered the original orchestral score of the opera at a secondhand book seller's shop, resulting in its being acquired by the Paris Conservatoire. Performance history ''Guillaume Tell'' was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829, but within three performances cuts we ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Macerata Opera
The Macerata Opera is the name given to the coordinating bodies of the provincial and local government in Macerata, the provincial capital of the Marche region of Italy, which puts on performances of three or four operas each July and August under the name Macerata Opera Festival. From 1992 the Opera Association was founded by the municipality and the Province Association of Macerata to oversee the operations of the Festival. In addition to the main summer activities, the Association organizes many other musical events, ranging from the New Music Festival to the performances of baroque music in a number of historical sites and buildings. The Association also organizes international conferences. Overview While the Macerata Opera has organized the Macerata Opera Festival as a summer opera festival, it actually began in 1921 with a performance of Verdi's ''Aida'' in the 3,000 seat (plus 6,000 standing places) Arena Sferisterio, a huge neoclassical arena erected in the 1820s as a ...
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Opéra De Marseille
The Opéra de Marseille, known today as the Opéra Municipal, is an opera company located in Marseille, France. In 1685, the city was the second in France after Bordeaux to have an opera house which was erected on a tennis court. However, the first real theatre, the ''Grand-Théâtre'' or ''Salle Bauveau'' was constructed in 1787. During its period of great opulence following the Revolution, it was the site of many major opera presentations, including Verdi’s ''Rigoletto'' and ''Il Trovatore'' in 1860 and performances in 1866 of ''Lucia di Lammermoor'' and ''Il Barbiere di Siviglia'' by the famous soprano, Adelina Patti. Also, French premieres of major operatic works were given in the theatre: these include ''Aida'' (1877), ''La Fanciulla del West'' (1912), and an historic performance by Dame Nellie Melba in Ambroise Thomas’ ''Hamlet'' in 1890. Some years following the installation of electricity, in November 1919 a fire destroyed the 18th century theatre, leaving only its she ...
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