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Empfindsamkeit (music)
Empfindsamkeit ( en, sentimental style) or Empfindsamer Stil is a style of musical composition and poetry developed in 18th-century Germany, intended to express "true and natural" feelings, and featuring sudden contrasts of mood. It was developed as a contrast to the Baroque ''Affektenlehre'' (doctrine of the affections), in which a composition (or movement) would have the same affect (e.g., emotion or musical mood) throughout. Etymology The German noun "Empfindsamkeit" is usually translated as "sensibility" (in the sense used by Jane Austen in her novel ''Sense and Sensibility''), while the adjective ''empfindsam'' is sometimes rendered as "sentimental" or "ultrasensitive". "Empfindsamkeit" is also sometimes translated, and may even be derived from the English word ''sentimentality'', since it is related to the then-contemporary English literature sentimentality literary movement. History The ''empfindsamer Stil'' is similar to and often considered a dialect of the international ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick The Great
Frederick II (german: Friedrich II.; 24 January 171217 August 1786) was King in Prussia from 1740 until 1772, and King of Prussia from 1772 until his death in 1786. His most significant accomplishments include his military successes in the Silesian wars, his re-organisation of the Prussian Army, the First Partition of Poland, and his patronage of the arts and the Enlightenment. Frederick was the last Hohenzollern monarch titled King in Prussia, declaring himself King of Prussia after annexing Polish Prussia from the Polish–Lithuanian Commonwealth in 1772. Prussia greatly increased its territories and became a major military power in Europe under his rule. He became known as Frederick the Great (german: links=no, Friedrich der Große) and was nicknamed "Old Fritz" (german: links=no, "Der Alte Fritz"). In his youth, Frederick was more interested in music and philosophy than in the art of war, which led to clashes with his authoritarian father, Frederick William I of Prussia. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Seixas
José António Carlos de Seixas (; 11 June 1704 – 25 August 1742) was a pre-eminent Portuguese composer of the 18th century. An accomplished virtuoso of both the organ and the harpsichord, Seixas succeeded his father as the organist for Old Cathedral of Coimbra, Coimbra Cathedral at the age of fourteen. In 1720, he departed for the capital, Lisbon, where he was to serve as the organist for the Capela Real, royal chapel, one of the highest offices for a musician in Portugal, a position which earned him a knighthood. Much of Seixas' music rests in an ambiguous transitional period from the Baroque music, learned style of the 17th century to the Galant music, galant style of the 18th century. Life Seixas was born in Coimbra to Francisco Vaz and Marcelina Nunes. From a young age, he was surrounded by musical activity; his father served as the cathedral organist, and the flurry of musical activity in the local monastery of Santa Cruz (Coimbra), Santa Cruz had an equally important role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Schaffrath
Christoph Schaffrath (1709 in Hohnstein 7 February 1763 in Berlin) was a German musician and composer of the late Baroque to Classical transition era. Career Schaffrath was born in Hohnstein. He applied to be organist at the Sophienkirche in Dresden, but did not receive this position (Wilhelm Friedemann Bach was favoured for it). He did serve in the court of the Crown Prince Frederick (Frederick the Great) as a harpsichordist in the orchestra. From 1741, however, he was strictly the musician to the King's sister, Amalia. As a composer Schaffrath limited himself to instrumental music including symphonies, keyboard pieces, sonatas and concertos. Schaffrath's music can be considered transitional, including pieces which are stylistically galant (between the Baroque and the Classical). The majority of his works may now be found in the state library in Berlin Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Reichardt
Johann Friedrich Reichardt (25 November 1752 – 27 June 1814) was a German composer, writer and music critic. Early life Reichardt was born in Königsberg, East Prussia, to lutenist and ''Stadtmusiker'' Johann Reichardt (1720–1780). Johann Friedrich began his musical training, in violin, keyboard, and lute, as a child. He was a student of Timofey Belogradsky, who in turn was a student of Sylvius Leopold Weiss. When Reichardt was ten years old, his father took the choir in which he sang, the ''"Wunderknaben"'', on a concert tour in East Prussia. After being encouraged by Immanuel Kant, Reichardt later studied Jurisprudence and Philosophy in his hometown and in Leipzig from 1769 to 1771. In 1771, he escaped civil service by embarking on a Sturm-und-Drang tour as a virtuoso. He returned to Königsberg in 1774 and became the ''Kammersekretär'' (Chamber Secretary) in Ragnit. After Reichardt sent his opera ''Le feste galanti'' as a sample piece to Friedrich II, he was appointed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joachim Quantz
Johann Joachim Quantz (; 30 January 1697 – 12 July 1773) was a German composer, flutist and flute maker of the late Baroque period. Much of his professional career was spent in the court of Frederick the Great. Quantz composed hundreds of flute sonatas and concertos, and wrote ''On Playing the Flute'', an influential treatise on flute performance. His works were known and appreciated by Bach, Haydn and Mozart. Biography 1697–1723: Early life Quantz was born as Hanß Jochim Quantz in Oberscheden, near Göttingen, in the Electorate of Hanover. His father, Andreas Quantz, was a blacksmith who died when Hans was not yet 11; on his deathbed, he begged his son to follow in his footsteps. Nevertheless, from 1708 to 1713 he began his musical studies as a child with his uncle Justus Quantz, a town musician in Merseburg; he also studied for a time with a cousin's husband, the organist Johann Friedrich Kiesewetter. From 1714 on, Quantz studied composition extensively and pored over sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottlieb Janitsch
Johann Gottlieb Janitsch (19 June 1708 – 1762) was a German Baroque composer who wrote in the galant style, transitional between the Baroque and Classical periods. Life Janitsch was born in Schweidnitz, Silesia (today Świdnica, Poland). His father was a local merchant and later a Royal Tobacco importer for Schweidnitz and Jauer (today Jawor). His mother was the daughter of a well respected surgeon. He received his first musical education at the Latin school of the Holy Trinity in his hometown. His special inclination towards music led him to undertake a brief period of study in Breslau (today Wrocław) with the court musicians who were under the employment of the Archbishop of Breslau. In 1729 his father sent him to Frankfurt an der Oder, where he studied law at the University of Frankfurt an der Oder until 1733. During this time he received his first commissions to write large scale musical works for festive occasions. In 1733 Janitsch moved to Berlin for three years as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried August Homilius
Gottfried August Homilius (2 February 1714 – 2 June 1785) was a German composer, cantor and organist.Dennis Shrock ''Choral Repertoire'' 2009 -- Page 303 "1714–1785 Homilius was born near Dresden, where he was educated and where he served as substitute organist at the ..." He is considered one of the most important church composers of the generation following Bach's, and was the main representative of the '' empfindsamer'' style. Life Homilius was born in Rosenthal, Saxony, the son of a Lutheran pastor, and was educated at the Annenschule in Dresden. He then studied law at Leipzig University and the organ under Johann Sebastian Bach. From 1742 he was organist at the Dresden Frauenkirche, and from 1755 until his death cantor at the Kreuzkirche in Dresden with the associated responsibility of music director at the Kreuzkirche, the Sophienkirche, and the Frauenkirche. After the destruction of the Kreuzkirche during the Seven Years' War he worked mainly at the Frauenkir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Heinrich Graun
Carl Heinrich Graun (7 May 1704 – 8 August 1759) was a German composer and tenor. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. Biography Graun was born in Wahrenbrück in the Electorate of Saxony. In 1714, he followed his brother, Johann Gottlieb Graun, to the school of the Kreuzkirche, Dresden, and sang in the Dresdner Kreuzchor and the chorus of the Dresden Opera. He studied singing with Christian Petzold and composition with Johann Christoph Schmidt. In 1724, Graun moved to Braunschweig, singing at the opera house and writing six operas for the company. In 1735, Graun moved to Rheinsberg in Brandenburg, after he had written the opera ''Lo specchio della fedeltà'' for the marriage of the then crown prince Frederick (the Great) and Elisabeth Christine in Schloss Salzdahlum in 1733. He was ''Kapellmeister'' to Frederick the Great from his ascension to the throne in 1740 until Graun's death nineteen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Fils
Anton Fils (also Antonín Fils, Johann Anton Fils, Johann Anton Filtz), 22 September 1733 (baptized) – 14 March 1760 (buried) was a German classical composer. Fils was born in Eichstätt, in the Bishopric of Eichstätt. Long thought to have been of Bohemian origin (e.g., ), despite having been described as "from Bavaria" by Friedrich Wilhelm Marpurg in 1756, his true origins were discovered in the 1960s . Fils studied law and theology at the University of Ingolstadt, and in 1754 became part of the "Mannheimer Hofkapelle" as a cellist. The Mannheim orchestra at the time was led by Johann Stamitz . In 1757 Fils married Elizabeth Range, and in 1759 the couple bought a house. Although he died at age 26, he left an extensive body of work, including at least thirty-four symphonies. Although he composed about thirty concertos, mainly for cello and for flute, only about half have survived . Fils died in Mannheim and was buried on 14 March 1760 . In his book ''Ideas for an Aesth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Benda
Georg Anton Benda ( cz, Jiří Antonín Benda, italic=no, link=no; 30 June 17226 November 1795) was a composer, violinist and Kapellmeister of the classical period from the Kingdom of Bohemia. Biography Born into a family of notable musicians in Old Benatek (today Benátky nad Jizerou), Bohemia, he studied at the Piarist Gymnasium (grammar school) in Kosmanos and at the Jesuit Gymnasium in Gitschin from 1735 to 1742. Benda was 19 when Frederick the Great bestowed upon him in 1741 the position of second violinist in the chapel of Berlin. The following year Benda was summoned to Potsdam as a composer and arranger for his older brother Franz, himself an illustrious composer and violinist. Seven years later, in 1749, he entered the service of the Duke of Gotha as ''Kapellmeister,'' where he constantly cultivated his talents for composition, specializing in religious music. A stipend from the duke allowed Benda to take a study trip to Italy in 1764. He returned to Gotha in 1766, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Friedemann Bach
Wilhelm Friedemann Bach (22 November 17101 July 1784), the second child and eldest son of Johann Sebastian Bach and Maria Barbara Bach, was a German composer and performer. Despite his acknowledged genius as an organist, improviser and composer, his income and employment were unstable and he died in poverty. Life Wilhelm Friedemann (hereafter Friedemann) was born in Weimar, where his father was employed as organist and chamber musician to the Duke of Saxe-Weimar. In July 1720, when Friedemann was nine, his mother Maria Barbara Bach died suddenly; Johann Sebastian Bach remarried in December 1721. J. S. Bach supervised Friedemann's musical education and career with great attention. The graded course of keyboard studies and composition that J. S. Bach provided is documented in the ''Clavier-Büchlein vor Wilhelm Friedemann Bach'' (modern spelling: '' Klavierbüchlein für Wilhelm Friedemann Bach''), with entries by both father and son. This education also included (parts of) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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