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Emperor Duzong
Emperor Duzong of Song (2 May 1240 – 12 August 1274), personal name Zhao Qi, was the 15th emperor of the Song dynasty of China and the sixth emperor of the Southern Song dynasty. He was a nephew of his predecessor, Emperor Lizong, and reigned from 1264 until his death in 1274. His birth name was Zhao Mengqi but his name was changed to Zhao Zi in 1251 and finally to Zhao Qi in 1253 after he was designated as Emperor Lizong's heir apparent. Duzong's reign was filled with rebellions and warfare; the court was dominated by his chancellor Jia Sidao and Duzong himself gave in into drinking and women, thus abandoning his duties. He died in 1274 leaving behind three young boys, one of whom took the throne as Emperor Gong. He is the last Emperor of the Song to issue coins; subsequent Emperors were too busy fighting the Mongols to establish mints to cast any coins and did not have enough resources. People later blame him for the fall of the Song dynasty. Early life Despite his mothe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanging Scroll
A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. The hanging scroll was displayed in a room for appreciation; it is to be distinguished from the handscroll, which was narrower and designed to be viewed flat on a table in sections and then stored away again. Hanging scrolls are generally intended to be displayed for short periods of time and are then rolled up to be tied and secured for storage. The hanging scrolls are rotated according to season or occasion, and such works are never intended to be on permanent display. The painting surface of the paper or silk can be mounted with decorative brocade silk borders. In the composition of a hanging scroll, the foreground is usually at the bottom of the scroll while the middle and far distances are at the middle and top respectively. The traditional craft involved in creating a hanging scroll is considered an art in itself. Mountings for Chinese paintings can be divided ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jia Sidao
Jia Sidao (August 25, 1213 – October 1275), courtesy name Shixian, was a Chinese politician. He was a chancellor of the late Song dynasty of China, the younger brother of a concubine of Emperor Lizong, who subsequently had a relationship of special favor with Emperor Duzong, and had roles in the Mongol-Song Battle of Xiangyang and a land nationalization program in the 1260s. During the Mongol Yuan invasion of the Song, the Song failed in many battles. There was intense political infighting among Song generals, with Jia Sidao and members of the Lü Wenhuan's family actively opposing another Song general Li Tingzhi. Eventually Jia was assassinated by a Song dynasty court-designated sheriff charged with his custody in 1275. However, the Song would ultimately be destroyed by the Mongol Yuan. Early life Jia Sidao was born in 1213, to Jia She and Lady Hu; Hu was a renounced concubine of Jia She. Jia She died when Jia Sidao was 11. By the time he earned his ''jinshi'' at the age o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1240 Births
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Song (Yuan Dynasty)
The ''History of Song'' or ''Song Shi'' () is one of the official Chinese historical works known as the ''Twenty-Four Histories'' of China that records the history of the Song dynasty (960–1279). It was commissioned in 1343 and compiled under the direction of First Minister Toqto'a and Prime Minister Alutu () during the Yuan dynasty (1271–1368) at the same time as the ''History of Liao'' and the ''History of Jin''. Running to a total of 496 chapters, the ''History of Song'' includes biographies of the Song Emperors along with contemporary records and biographical sketches of Song dynasty politicians, soldiers and philosophers. Publication process Kublai Khan endorsed a proposal by Liu Bingzhong and Wang E (, 1190–1273) for the compilation of historic records of the Song, Jin, and Liao dynasties but the compilation effort stalled for some time. In March 1343, the third year of Ukhaantu Khan, Emperor Huizong of Yuan's Zhizheng Era (), an Imperial edict ordered the creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technology Of The Song Dynasty
The Song dynasty (; 960–1279 CE) invented some technological advances in Chinese history, many of which came from talented statesmen drafted by the government through imperial examinations. The ingenuity of advanced mechanical engineering had a long tradition in China. The Song engineer Su Song admitted that he and his contemporaries were building upon the achievements of the ancients such as Zhang Heng (78–139), an astronomer, inventor, and early master of mechanical gears.Needham, Volume 4, Part 2, 466. The application of movable type printing advanced the already widespread use of woodblock printing to educate and amuse Confucian students and the masses. The application of new weapons employing the use of gunpowder enabled the Song to ward off its militant enemies—the Liao, Western Xia, and Jin with weapons such as cannons—until its collapse to the Mongol forces of Kublai Khan in the late 13th century. Notable advances in civil engineering, nautics, and metallurg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society Of The Song Dynasty
Chinese society during the Song dynasty (960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of industry and of maritime and river commerce. The rural population were mostly farmers, with some hunters, fishermen, and workers in the imperial mines and salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and examination-drafted degree holders, the gentry considered themselves the leaders of society; gaining their cooperation and resources was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic officials of the Tang dynasty (618–907). C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of The Song Dynasty
The Song dynasty (Chinese: 宋朝; pinyin: Sòng cháo; 960–1279) of China was an imperial dynasty that ruled most of China proper and southern China from the middle of the 10th century into the last quarter of the 13th century. The dynasty was established by Emperor Taizu of Song with his usurpation of the throne of Later Zhou, ending the Five Dynasties and Ten Kingdoms period. The Song is considered a high point of classical Chinese innovation in science and technology, an era that featured prominent intellectual figures such as Shen Kuo and Su Song and the revolutionary use of gunpowder weapons. However, it was also a period of political and military turmoil, with opposing and often aggressive political factions formed at court that impeded political, social, and economic progress. The frontier management policies of the Chancellor Wang Anshi exacerbated hostile conditions along the Chinese-Vietnamese border. This sparked a border war with Vietnam's Lý dynasty, which wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Economy Of The Song Dynasty
The economy of the Song dynasty (960–1279) in China was the wealthiest economy in the world during its time. The dynasty moved away from the top-down command economy of the Tang dynasty (618-907) and made extensive use of market mechanisms as national income grew to be around three times that of 12th century Europe. The dynasty was beset by invasions and border pressure, lost control of North China in 1127, and fell in 1279. Yet the period saw the growth of cities, regional specialization, and a national market. There was sustained growth in population and per capita income, structural change in the economy, and increased technological innovation. Movable print, improved seeds for rice and other commercial crops, gunpowder, water-powered mechanical clocks, the use of coal as an industrial fuel, improved iron and steel production, more efficient canal locks, were only the most important technological innovations. Commerce in global markets increased significantly. Merchants inve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of The Song Dynasty
The Song dynasty (960–1279 AD) was a culturally rich and sophisticated age for China. It saw great advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while general Chinese culture was enhanced by widespread printing, growing literacy, and various arts. Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many. Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo-Confucian political ideology at court. People in urban areas enjoyed theatrical drama on stage, restaurants that catered to a variety of regional cooking, lavish clothing and apparel sold in the markets, while both urban and rural people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architecture Of The Song Dynasty
The architecture of the Song dynasty (960–1279) was noted for its towering Buddhist pagodas, enormous stone and wooden bridges, lavish tombs, and extravagant palaces. Although literary works on architecture existed beforehand, architectural writing blossomed during the Song dynasty, maturing into a more professional form that described dimensions and working materials in a concise, organized manner. In addition to the examples still standing, depictions in Song artwork, architectural drawings, and illustrations in published books all aid modern historians in understanding the architecture of the period. The professions of architect, master craftsman, carpenter, and structural engineer did not have the high status of the Confucian scholar-officials during the dynastic era. Architectural knowledge had been passed down orally for thousands of years, usually from craftsman fathers to their sons. There were also government agencies and schools for construction, building, and engine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Emperors Family Tree (middle)
This is a family tree of Chinese monarchs from the Northern and Southern dynasties period to the collapse of the Southern Song dynasty. Southern and Northern Dynasties Liu Song Southern Qi Liang dynasty and Western Liang Chen dynasty Northern Wei, Eastern Wei, Western Wei Legend: Northern Qi Northern Zhou Sui dynasty The following is a simplified family tree for the Sui dynasty (隋朝), which ruled China between AD 581 and 618. The dynasty was named for the family title: the Yang (楊) family were the Dukes of Sui. Those who became emperor are listed in bold, with their years of reign large. The names given for emperors are posthumous names, the form by which Sui emperors were most commonly known. Tang and Wu Zhou dynasties The following is a simplified family tree for the Tang dynasty (唐朝), which ruled China between AD 618 and 907. The Tang dynasty was interrupted by the reign of Empress Wu Zetian (AD 690–705), who after deposin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhao Dezhao
Zhao Dezhao (趙德昭) (951 – 26 August 979) was an imperial prince of the Chinese Song Dynasty. Officially the Prince Yi of Yan (燕懿王), he was the second son of Emperor Taizu and the crown prince since his elder brother died young. However, he did not succeed the throne after his father, as his uncle Emperor Taizong assumed power. Death In 979, 3 years after his father's death, Zhao Dezhao was leading an army in Emperor Taizong's first campaign against the Khitans, when rumors spread in the army that Emperor Taizong had disappeared, and that Zhao Dezhao should be the new emperor. The rumors died when Emperor Taizong was found, however, and Emperor Taizong was very unhappy about the results of his campaign and refused to award the troops sparking complaints from them. On August 26, Zhao Dezhao went to inquire the emperor, who either barked "You do that when you become the new emperor!" or "You may do it yourself after you have ascended the throne! There's still ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
