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Emotions (Mariah Carey Song)
"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. "Emotions" received positive reviews from music critics, who mainly praised Carey's vocal performance. The song became Carey's fifth consecutive number one song in the United States, topping the ''Billboard'' Hot 100 for three weeks, making her the first (and till date) the only act to have their first five singles top the chart. Internationally, it was a moderate success, topping the Canadian Sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariah Carey
Mariah Carey (; born March 27, 1969) is an American singer, songwriter, actress, and record producer. Referred to as the " Songbird Supreme", she is noted for her five-octave vocal range, melismatic singing style and signature use of the whistle register. Carey rose to fame in 1990 with her debut album '' Mariah Carey''. She was the first artist to have their first five singles reach number one on the ''Billboard'' Hot 100, from "Vision of Love" to "Emotions". For the enduring popularity of her holiday music, particularly the 1994 Christmas song " All I Want for Christmas Is You", she has also been dubbed the "Queen of Christmas". Carey's self-titled debut album was released under the guidance of Columbia Records executive Tommy Mottola, who married her three years later. She gained further worldwide success with the albums ''Music Box'' (1993) and ''Daydream'' (1995), with singles including "Hero", " Without You", "Fantasy", "Always Be My Baby", and "One Sweet Day", which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Critics
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colorfulness
Colorfulness, chroma and saturation are attributes of perceived color relating to chromatic intensity. As defined formally by the International Commission on Illumination (CIE) they respectively describe three different aspects of chromatic intensity, but the terms are often used loosely and interchangeably in contexts where these aspects are not clearly distinguished. The precise meanings of the terms vary by what other functions they are dependent on. * Colorfulness is the "attribute of a visual perception according to which the perceived color of an area appears to be more or less chromatic"., page 87. The colorfulness evoked by an object depends not only on its spectral reflectance but also on the strength of the illumination, and increases with the latter unless the brightness is very high ( Hunt effect). * Chroma is the "colorfulness of an area judged as a proportion of the brightness of a similarly illuminated area that appears white or highly transmitting". As a resu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Preiss
Jeff Preiss is an American filmmaker, cinematographer, director and producer known for '' Let's Get Lost'' (1988) and ''Broken Noses'' (1987). Career In 1987 Preiss began working with Rosa von Praunheim and Bruce Weber as Director of Photography on a series of short films and features. This included the documentary features ''Dolly, Lotte and Maria'', ''Broken Noses''Broken Noses Review New York Times 1987. and ''Let's Get Lost''.Let's Get Lost Review NY Times 1989. The latter, which focused on the jazz legend Chet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Emotions
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Best Of My Love (The Emotions Song)
"Best of My Love" is a song by American band The Emotions from their fourth studio album '' Rejoice'' (1977). It was composed by Maurice White and Al McKay of Earth, Wind & Fire, and produced by White and Clarence McDonald. Released as the album's lead single on June 9, 1977, the song topped both the US ''Billboard'' Hot 100 and US ''Billboard'' R&B charts. It also reached the Top 5 in the UK and Canada, the Top 10 in New Zealand, and the Top 20 in Australia. "Best of My Love" won a Grammy at the 20th Annual Grammy Awards (1977) for Best R&B Performance By A Duo Or Group With Vocals; it also won an American Music Award for Favorite Soul/R&B Single. Overview The song was ranked at number 87 on "The ''Billboard'' Hot 100 All-Time Top Songs". It was also the third biggest pop song of 1977 and the fifth biggest R&B song of 1977. "Best of My Love" has been certified platinum in the US by the RIAA and silver in the UK by the BPI. Recent reviews have been largely positive, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggio
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and brok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Minor
A minor is a minor scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has no flats and no sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: : : Well-known compositions in A minor *Johann Sebastian Bach ** Violin Concerto in A minor, BWV 1041 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" * Johannes Brahms **Double Concerto, Op. 102 * Frédéric Chopin ** Étude Op. 10, No. 2 ** Étude Op. 25, No. 4 ** Étude Op. 25, No. 11, ''Winter Wind'' ** Mazurka Op. 17, No. 4 ** Mazurka Op. 59, No. 1 ** ''Boléro'', Op. 19 ** Prelude No. 2 in A minor, Op. 28/2 ** Waltz in A minor, Op. 34, B. 150 * Franz Liszt ** Transcendental Étude No. 2, ''Fusà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
34th Annual Grammy Awards
The 34th Annual Grammy Awards were held on February 25, 1992, recognizing accomplishments by musicians from the previous year (1991). Natalie Cole won the most awards (three), including Album of the Year. Paul Simon opened the show. Performers Presenters * Vanessa L. Williams & Michael Bolton - Song of the Year * Dionne Warwick & Johnny Mathis - Record of the Year * Kenny Rogers & Whoopi Goldberg - Album of the Year * Andrew Strong & Robert Arkins of The Commitments - Best New Artist * Clint Black & Roy Rogers - Best Female Country Vocal Performance * Tanya Tucker & Chet Atkins - Best Male Country Vocal Performance * Willie Nelson & Ringo Starr - Best Female Pop Vocal Performance * Curtis Stigers & Jody Watley - Best Male Pop Vocal Performance * Little Steven & Robbie Robertson - Best Metal Performance * Henry Mancini - Best Jazz Instrumental Performance, Group * Juan Luis Guerra & Celine Dion - Best Pop Performance by a Duo or Group with Vocals * Boyz II Men & Color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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