Emil Obrovsky
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Emil Obrovsky
Emil Obrovsky was a significant mid-20th-century Austrian amateur photographer and a founder of the ''Österreichische Gesellschaft für Photographie'' (Austrian Society for Photography). Photography Obrovsky's work in both Pictorialist and documentary styles attracted international attention and he also produced Modernist semi-abstract photograms. His Pictorialist ''Im Hafen'' (In the Harbour) was included in London Salon of Photography of 1953. One commentator remarked: "''From Corfu to Mount Athos'' was the title of Emil Obrovsky's picture of his vacation of last year, and it must be known that Obrovsky is not one of those photographers who are unconcerned about quality..." His backlit picture of women washing laundry on a riverbank appears in MoMA's 1955 record-breaking world-touring exhibition of international photography organised by Edward Steichen, ''The Family of Man''. Promotion of Austrian photography In 1955, four internationally renowned photographers, Karl Piri ...
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Austria
Austria, , bar, Östareich officially the Republic of Austria, is a country in the southern part of Central Europe, lying in the Eastern Alps. It is a federation of nine states, one of which is the capital, Vienna, the most populous city and state. A landlocked country, Austria is bordered by Germany to the northwest, the Czech Republic to the north, Slovakia to the northeast, Hungary to the east, Slovenia and Italy to the south, and Switzerland and Liechtenstein to the west. The country occupies an area of and has a population of 9 million. Austria emerged from the remnants of the Eastern and Hungarian March at the end of the first millennium. Originally a margraviate of Bavaria, it developed into a duchy of the Holy Roman Empire in 1156 and was later made an archduchy in 1453. In the 16th century, Vienna began serving as the empire's administrative capital and Austria thus became the heartland of the Habsburg monarchy. After the dissolution of the H ...
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Amateur
An amateur () is generally considered a person who pursues an avocation independent from their source of income. Amateurs and their pursuits are also described as popular, informal, autodidacticism, self-taught, user-generated, do it yourself, DIY, and hobbyist. History Historically, the amateur was considered to be the ideal balance between pure intent, open mind, and the interest or passion for a subject. That ideology spanned many different fields of interest. It may have its roots in the ancient Greek philosophy of Amateur sports, amateur athletes competing in the Olympic Games, Olympics. The ancient Greek citizens spent most of their time in other pursuits, but competed according to their natural talents and abilities. The "gentleman amateur" was a phenomenon among the gentry of United Kingdom, Great Britain from the 17th century until the 20th century. With the start of the Age of Enlightenment, Age of Reason, with people thinking more about how the world works around th ...
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Pictorialism
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus (some more so than others), is printed in one or more colors other than black-and-white (ranging from warm brown to deep blue) and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination. Pictorialism as a movement thrived from about 1885 to 1915, although it was still being promoted by some as late as the 1940s. It began in response to claims that a photograph was nothin ...
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Documentary Photography
Documentary photography usually refers to a popular form of photography used to chronicle events or environments both significant and relevant to history and historical events as well as everyday life. It is typically undertaken as professional photojournalism, or real life reportage, but it may also be an amateur, artistic, or academic pursuit. History The term ''document'' applied to photography antedates the mode or genre itself. Photographs meant to accurately describe otherwise unknown, hidden, forbidden, or difficult-to-access places or circumstances date to the earliest daguerreotype and calotype "surveys" of the ruins of the Near East, Egypt, and the American wilderness areas. Nineteenth-century archaeologist John Beasly Greene, for example, traveled to Nubia in the early 1850s to photograph the major ruins of the region; One early documentation project was the French Missions Heliographiques organized by the official ''Commission des Monuments historiques'' to develo ...
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Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ...
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Photogram
A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it to light. The usual result is a negative shadow image that shows variations in tone that depends upon the transparency of the objects used. Areas of the paper that have received no light appear white; those exposed for a shorter time or through transparent or semi-transparent objects appear grey, while fully exposed areas are black in the final print. The technique is sometimes called cameraless photography. It was used by Man Ray in his exploration of rayographs. Other artists who have experimented with the technique include László Moholy-Nagy, Christian Schad (who called them "Schadographs"), Imogen Cunningham and Pablo Picasso. Variations of the technique have also been used for scientific purposes, in shadowgraph studies of flow in transparent media and in high-speed Schlieren photogra ...
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Museum Of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art, and is often identified as one of the largest and most influential museums of modern art in the world. MoMA's collection offers an overview of modern and contemporary art, including works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated and artist's books, film, and electronic media. The MoMA Library includes about 300,000 books and exhibition catalogs, more than 1,000 periodical titles, and more than 40,000 files of ephemera about individual artists and groups. The archives hold primary source material related to the history of modern and contemporary art. It attracted 1,160,686 visitors in 2021, an increase of 64% from 2020. It ranked 15th on the list of most visited art museums in the world in 2021.'' The Art Newspaper'' an ...
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Edward Steichen
Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography. Steichen was credited with transforming photography into an art form. His photographs appeared in Alfred Stieglitz's groundbreaking magazine ''Camera Work'' more often than anyone else during its publication run from 1903 to 1917. Stieglitz hailed him as "the greatest photographer that ever lived". As a pioneer of fashion photography, Steichen's gown images for the magazine ''Art et Décoration'' in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines ''Vogue'' and '' Vanity Fair'', while also working for many advertising agencies, including J. Walter Thompson. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world. After ...
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The Family Of Man
''The Family of Man'' was an ambitious exhibition of 503 photography, photographs from 68 countries curated by Edward Steichen, the director of the New York City Museum of Modern Art's (MoMA) Department of Photography. According to Steichen, the exhibition represented the "culmination of his career." The title was taken from a line in a Carl Sandburg poem. ''The Family of Man'' was exhibited in 1955 from January 24 to May 8 at the New York MoMA, then toured the world for eight years to record-breaking audience numbers. Commenting on its appeal, Steichen said the people "looked at the pictures, and the people in the pictures looked back at them. They recognized each other." The physical collection is archived and displayed at Clervaux Castle in Edward Steichen's home country of Luxembourg, where he was born in 1879 in Bivange. It was first exhibited there in 1994 after restoration of the prints. In 2003 the ''Family of Man'' photographic collection was added to UNESCO's Memo ...
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Leopold Fischer (photographer)
Leopold Fischer (1902-1978) was an Austrian police officer and much-awarded Pictorialist, and later, Modernist, photographer. Biography Born in Vienna, and living there for much of his life from 1939 to 1962 in the one apartment-cum-studio at Passingergasse 61/9, from 1923 Fischer was a member of the Federal Security Guard (police). Pictorialist photographer In 1924 he began his first photographic experiments and later practiced as a part-time professional photographer. From 1928 he started exhibiting internationally with success in salons, and after 1934 showed with a group of photographers of the police sports association, becoming their leader in 1938. His specialty was bromoil and the still more complex bromoil transfer process with which he produced colour-tinted prints, for which in 1943 he received a Bronze medal inscribed “Leopold Fischer, master of the Schutzpolizei in Vienna, for his achievements in the field of pictorial photography". Reportage During WW2 Fischer p ...
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Royal Photographic Society
The Royal Photographic Society of Great Britain, commonly known as the Royal Photographic Society (RPS), is one of the world's oldest photographic societies. It was founded in London, England, in 1853 as the Photographic Society of London with the objective of promoting the art and science of photography, and in 1853 received Monarchy of the United Kingdom, royal patronage from Queen Victoria and Albert, Prince Consort, Prince Albert. A change to the society's name to reflect the patronage was, however, not considered expedient at the time. In 1874, it was renamed the Photographic Society of Great Britain, and only from 1894 did it become known as the Royal Photographic Society of Great Britain, a title which it continues to use today. On 25 June 2019, the Duchess of Cambridge, now Catherine, Princess of Wales, became the Society's Patron, taking over from Queen Elizabeth II who had been patron since 1952. A registered Charitable organization, charity since 1962, in July 2004, ...
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