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Emblematical Print On The South Sea Scheme
''Emblematical Print on the South Sea Scheme'' (also known as ''The South Sea Scheme'') is an early print by William Hogarth, created in 1721 and widely published from 1724. It caricatures the financial speculation, corruption and credulity that caused the South Sea Bubble in England in 1720–21. The print is often considered the first editorial cartoon or as a precursor of the form. Background The South Sea Company was a British joint stock company founded in 1711. It was granted a monopoly to trade with Spain's South American colonies as part of a treaty during the War of Spanish Succession, in return for the company's assumption of the national debt run up by England during the war. Speculation in the company's stock led to a great economic bubble in 1720, with company's shares rising rapidly in price from around £100 to over £1,000. Many investors were ruined when the bubble burst and the value of stock in the South Sea Company crashed. Political scandal ensued when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly sat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pickpocketing
Pickpocketing is a form of larceny that involves the stealing of money or other valuables from the person or a victim's pocket without them noticing the theft at the time. It may involve considerable dexterity and a knack for Misdirection (magic), misdirection. A thief who works in this manner is known as a pickpocket. As an occupation Pickpockets and other thieves, especially those working in teams, sometimes apply distraction, such as asking a question or bumping into the victim. These distractions sometimes require sleight of hand, speed, misdirection and other types of skills. Pickpockets may be found in any crowded place around the world. However, Barcelona and Rome were recently singled out as being particularly dangerous pickpocket havens. Thieves have been known to operate in high traffic areas such as mass transit stations, even boarding subway trains so they can use the distractions of crowds and sudden stop-and-go movements from the train to steal from others. As soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Harlot's Progress
''A Harlot's Progress'' (also known as ''The Harlot's Progress'') is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image. After painting a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and allegory are reminiscent of John Bunyan's ''Pilgrim's Progress''. In the first scene, an old woman praises her beauty and suggests a profitable occupation. A gentleman is shown towards the back of the image. In the second image she is with two lovers: a mistress, in the third she has become a prostitute as well as arrested, she is beating hemp in Bridewell Prison in the fourth. In the fifth scene she is dying from venereal disease, and she is dead at age 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merry-go-round
A carousel or carrousel (mainly North American English), merry-go-round (List of sovereign states, international), roundabout (British English), or hurdy-gurdy (an old term in Australian English, in South Australia, SA) is a type of amusement ride consisting of a rotation, rotating circular platform with seats for riders. The "seats" are traditionally in the form of rows of wooden horses or other animals mounted on posts, many of which are moved up and down by gears to simulate Horse gallop, galloping, to the accompaniment of Music loop, looped circus music. Carousels are commonly populated with horses, each horse weighing roughly 100 lbs (45 kg), but may include a variety of mounts, for example pigs, zebras, tigers, or mythological creatures such as dragons or unicorns. Sometimes, chair-like or bench-like seats are used, and occasionally mounts can be shaped like aeroplanes or cars. The names ''carousel'' and ''merry-go-round'' are also used, in varying dialects, to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rota Fortunae
In medieval and ancient philosophy the Wheel of Fortune, or ''Rota Fortunae'', is a symbol of the capricious nature of Fate. The wheel belongs to the goddess Fortuna (Greek equivalent Tyche) who spins it at random, changing the positions of those on the wheel: some suffer great misfortune, others gain windfalls. The metaphor was already a cliché in ancient times, complained about by Tacitus, but was greatly popularized for the Middle Ages by its extended treatment in the ''Consolation of Philosophy'' by Boethius from around 520. It became a common image in manuscripts of the book, and then other media, where Fortuna, often blindfolded, turns a large wheel of the sort used in watermills, to which kings and other powerful figures are attached. Origins The origin of the word is from the "wheel of fortune"—the zodiac, referring to the Celestial spheres of which the 8th holds the stars, and the 9th is where the signs of the zodiac are placed. The concept was first invented in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanging Humans
Hanging is the suspension of a person by a noose or ligature around the neck.Oxford English Dictionary, 2nd ed. Hanging as method of execution is unknown, as method of suicide from 1325. The '' Oxford English Dictionary'' states that hanging in this sense is "specifically to put to death by suspension by the neck", though it formerly also referred to crucifixion and death by impalement in which the body would remain "hanging". Hanging has been a common method of capital punishment since medieval times, and is the primary execution method in numerous countries and regions. The first known account of execution by hanging was in Homer's '' Odyssey'' (Book XXII). In this specialised meaning of the common word ''hang'', the past and past participle is ''hanged'' instead of ''hung''. Hanging is a common method of suicide in which a person applies a ligature to the neck and brings about unconsciousness and then death by suspension or partial suspension. Methods of judicial hang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industry And Idleness
''Industry and Idleness'' is the title of a series of 12 plot-linked engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Unlike his earlier works, such as ''A Harlot's Progress'' (1731) and '' Marriage à-la-mode'' (1743), which were painted first and subsequently converted to engravings, ''Industry and Idleness'' was created solely as a set of engravings. Each of the prints was sold for 1 /– each so 12/– for the entire set, which is equivalent in purchasing power to approximately £80 STG as of 2005. It may be assumed that these prints were aimed for a wider and less wealthy market than his earlier works. The originals currently reside at the British Museum. Antecedents Hogarth was far from the first to attempt to dramatically display parallel lives leading from the same start to opposite ends. Paulson suggests two: the plays ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Paul's Cathedral
St Paul's Cathedral is an Anglican cathedral in London and is the seat of the Bishop of London. The cathedral serves as the mother church of the Diocese of London. It is on Ludgate Hill at the highest point of the City of London and is a Grade I listed building. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present structure, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the city after the Great Fire of London. The earlier Gothic cathedral (Old St Paul's Cathedral), largely destroyed in the Great Fire, was a central focus for medieval and early modern London, including Paul's walk and St Paul's Churchyard, being the site of St Paul's Cross. The cathedral is one of the most famous and recognisable sights of London. Its dome, surrounded by the spires of Wren's City chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Fire Of London
The Great Fire of London was a major conflagration that swept through central London from Sunday 2 September to Thursday 6 September 1666, gutting the medieval City of London inside the old Roman city wall, while also extending past the wall to the west. The death toll is generally thought to have been relatively small, although some historians have challenged this belief. The fire started in a bakery in Pudding Lane shortly after midnight on Sunday 2 September, and spread rapidly. The use of the major firefighting technique of the time, the creation of firebreaks by means of removing structures in the fire's path, was critically delayed due to the indecisiveness of the Lord Mayor, Sir Thomas Bloodworth. By the time large-scale demolitions were ordered on Sunday night, the wind had already fanned the bakery fire into a firestorm which defeated such measures. The fire pushed north on Monday into the heart of the City. Order in the streets broke down as rumours arose of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monument To The Great Fire Of London
The Monument to the Great Fire of London, more commonly known simply as the Monument, is a fluted Doric column in London, England, situated near the northern end of London Bridge. Commemorating the Great Fire of London, it stands at the junction of Monument Street and Fish Street Hill, in height and 202 feet west of the spot in Pudding Lane where the Great Fire started on 2 September 1666. Constructed between 1671 and 1677, it was built on the site of St Margaret, New Fish Street, the first church to be destroyed by the Great Fire. It is Grade I-listed and is a scheduled monument. Another monument, the Golden Boy of Pye Corner, marks the point near Smithfield where the fire was stopped. The Monument comprises a Doric column built of Portland stone topped with a gilded urn of fire. It was designed by Christopher Wren and Robert Hooke. Its height marks its distance from the site of the shop of Thomas Farriner (or Farynor), the king's baker, where the blaze began. The viewi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
