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Ella Fitzgerald Sings The Irving Berlin Song Book
''Ella Fitzgerald Sings the Irving Berlin Song Book'' is a 1958 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Paul Weston, focusing on the songs of Irving Berlin. It was part of the popular and influential ''Songbook'' series. Grammy Awards At the inaugural Grammy Awards, ''Ella Fitzgerald Sings the Irving Berlin Song Book'' was nominated for the Grammy Award for Album of the Year. Fitzgerald won the Grammy Award for Best Vocal Performance, Female for her performance on the album. Reception In a review for AllMusic, Ronnie D. Lankford, Jr. wrote: "For fans who have enjoyed other songbook recordings, this reissue is a must-have; for those unfamiliar with Fitzgerald's songbook work, this is an excellent place to start." David Adler of All About Jazz called the album "essential in any music library," and commented: "Ella Fitzgerald's talent speaks for itself, as does Berlin's. The compatibility of these two American lege ...
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Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ...
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The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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Cheek To Cheek
"Cheek to Cheek" is a song written by Irving Berlin in 1934–35, specifically for the star of his new musical, Fred Astaire. The movie was ''Top Hat'', co-starring Ginger Rogers."Cheek to Cheek" by Fred Astaire, 1935
; from the University of Virginia's American Studies website, subsection

: 1935-1939"; retrieved 2012-03-07.
In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song for 1936, which it lost to "
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How About Me?
"How About Me?" is a popular song written by Irving Berlin in 1928. The song is an expression of sorrow over a love affair that is over. The first recording by Fred Waring's Pennsylvanians (vocal by Clare Hanlon) was popular in 1928 and the song has subsequently been recorded by many artists. Notable recordings *Judy Garland - '' Alone'' (1957) *Ella Fitzgerald - ''Ella Fitzgerald Sings the Irving Berlin Songbook'' (1958) *Judy Holliday - ''Trouble Is a Man'' (1958). *Julie London - '' Around Midnight'' (1960) *Sue Raney - ''All By Myself'' (1964). *Barbra Streisand - ''The Way We Were'' (1974) *Rosemary Clooney - '' Rosemary Clooney Sings the Music of Irving Berlin'' (1984) *Ernie Andrews Ernest Mitchell Andrews Jr. (December 25, 1927 – February 21, 2022) was an American jazz, blues, and pop singer. Life and career Andrews was born in Philadelphia, Pennsylvania, but grew up in Los Angeles, and is said to have been discovered b ... - ''How About Me'' (2006) References ...
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Top Hat, White Tie And Tails
"Top Hat, White Tie and Tails" is a popular song written by Irving Berlin for the 1935 film ''Top Hat'', where it was introduced by Fred Astaire. The song title refers to the formal wear required on a party invitation: top hat, white tie, and a tailcoat. Popular recordings in 1935 were by Fred Astaire and by Ray Noble and his Orchestra (vocal by Al Bowlly and The Freshmen). Other notable recordings *The Boswell Sisters recorded the song on October 8, 1935 for Decca Records. *Carroll Gibbons with the Savoy Orpheans (1935) *Fred Astaire included the song in the album ''The Astaire Story'' (1952) *Mel Tormé included the song in the album ''Mel Tormé Sings Fred Astaire'' (1956) *Louis Armstrong - for his album ''Louis Under the Stars'' (1958) *Ella Fitzgerald – ''Ella Fitzgerald Sings the Irving Berlin Songbook'' (1958) *Fred Astaire recorded the song again in 1975 and it can be found on the album ''The Complete London Sessions''. *Tony Bennett - '' Steppin' Out'' (1993) *Cherry ...
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Alexander's Ragtime Band
"Alexander's Ragtime Band" is a Tin Pan Alley song by American composer Irving Berlin released in 1911 and is often inaccurately cited as his first global hit. Despite its title, the song is a march as opposed to a rag and contains little syncopation. The song is a narrative sequel to Berlin's earlier 1910 composition "Alexander and His Clarinet". This earlier composition recounts the reconciliation between an African-American musician named Alexander Adams and his flame Eliza Johnson as well as highlights Alexander's innovative musical style. Berlin's friend Jack Alexander, a cornet-playing African-American bandleader, inspired the title character. Emma Carus, a famous contralto renowned for her high lung power, introduced Berlin's song to the public in Spring 1911. Carus' brassy performance of "Alexander's Ragtime Band" at the American Music Hall in Chicago on April 18, 1911, electrified the audience, and she toured other metropolises such as Detroit and New York City with ac ...
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Get Thee Behind Me Satan
"Get Thee Behind Me Satan" is a popular song written by Irving Berlin for the 1936 film ''Follow the Fleet'', where it was introduced by Harriet Hilliard. It was originally written for Ginger Rogers in ''Top Hat'' (1935). Notable recordings *Ella Fitzgerald - ''Ella Fitzgerald Sings the Irving Berlin Songbook ''Ella Fitzgerald Sings the Irving Berlin Song Book'' is a 1958 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Paul Weston, focusing on the songs of Irving Berlin. It was part of the popu ...'' (1958) References Songs written by Irving Berlin 1936 songs New Testament words and phrases {{Pop-standard-stub ...
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You Can Have Him
"You Can Have Him" is a popular song written by Irving Berlin for the 1949 musical ''Miss Liberty'', where it was introduced by Allyn McLerie and Mary McCarty. It is not to be confused with Roy Hamilton's 1961 hit "You Can Have Her", which has later been recorded by female singers using the title "You Can Have Him". Notable recordings *Doris Day & Dinah Shore - recorded May 1, 1949 for Columbia Records (catalog No. 38514). *Ella Fitzgerald - ''Ella Fitzgerald Sings the Irving Berlin Songbook'' (1958) *Eydie Gorme - for her album ''Eydie'' (1968). *Nina Simone - included in the album ''Nina Simone at Town Hall'' (1959) * Nancy Wilson - ''Broadway – My Way'' (1964) *Shirley Bassey - for her album ''I've Got a Song for You ''I've Got a Song for You'' is a 1966 album by Shirley Bassey. Bassey had left EMI's Columbia Label, and this was her first album for United Artists, a label she would remain with for approximately 14 years (until it was sold, ironically enough, ...'' (1966) ...
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Let Yourself Go (Irving Berlin Song)
"Let Yourself Go" is a popular song written by Irving Berlin for the 1936 film ''Follow the Fleet'', where it was introduced by Ginger Rogers. Background Ginger Rogers performed the song in the 1936 musical ''Follow the Fleet'' backed up by Jeanne Gray, Betty Grable, and Joy Hodges. She reprised the song in an audition scene. Notable recordings *Fred Astaire - recorded January 30, 1936 for Columbia Records (catalog No. 3116D). *Stacey Kent'' Let Yourself Go: Celebrating Fred Astaire'' (2000) *Ella Fitzgerald''Ella Fitzgerald Sings the Irving Berlin Songbook'' (1958) *Kristin Chenoweth'' Let Yourself Go'' (2003) *The Boswell Sisters (1936) *Tony Bennett''Bennett/Berlin'' (1987) *Crossroads - That Lucky Old Sun (2011) *Alex Mendham & His Orchestra Alex Mendham and His Orchestra are a British dance band, led by Alex Mendham, that performs and records music from the 1920s and 1930s. They perform concerts internationally. The orchestra held a long standing residency at the Savoy Ho ...
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You're Laughing At Me
"You're Laughing at Me" is a popular song written by Irving Berlin for the 1937 film '' On the Avenue'', where it was introduced by Dick Powell. Popular versions in 1937 were by Fats Waller and by Wayne King. Notable recordings *Mildred Bailey recorded the song on January 19, 1937 for Vocalion (No. 3456). *Ella Fitzgerald - ''Ella Fitzgerald Sings the Irving Berlin Songbook ''Ella Fitzgerald Sings the Irving Berlin Song Book'' is a 1958 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Paul Weston, focusing on the songs of Irving Berlin. It was part of the popu ...'' (1958) References Songs written by Irving Berlin Ella Fitzgerald songs Mildred Bailey songs 1937 songs {{Pop-standard-stub ...
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Let's Face The Music And Dance
"Let's Face the Music and Dance" is a song written in 1936 by Irving Berlin for the film ''Follow the Fleet'', where it was introduced by Fred Astaire and featured in a celebrated dance duet with Astaire and Ginger Rogers. The jazz song has also been covered by various artists years following its release, including Nat King Cole, Ella Fitzgerald, Frank Sinatra, Mel Torme, Todd Gordon and others. Background The song was composed and written by Irving Berlin. Berlin's repertoire of Hollywood compositions was growing at the time, as he ‘adapted’ to the trends and ideas in vogue in Hollywood. “Let’s Face the Music and Dance’s” debut as an original song for the Hollywood film, ''Follow the Fleet'', signified the popularisation of jazz, demonstrating a notable example of jazz on the silver screen. This jazz composition adheres to the typical conventions within the genre of jazz in the 1930s paradigm, classed as part of the ‘classical age.' “Let’s Face the Music ...
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