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Let Yourself Go (Irving Berlin Song)
"Let Yourself Go" is a popular song written by Irving Berlin for the 1936 film ''Follow the Fleet'', where it was introduced by Ginger Rogers. Background Ginger Rogers performed the song in the 1936 musical ''Follow the Fleet'' backed up by Jeanne Gray, Betty Grable, and Joy Hodges. She reprised the song in an audition scene. Notable recordings *Fred Astaire - recorded January 30, 1936 for Columbia Records (catalog No. 3116D). *Stacey Kent'' Let Yourself Go: Celebrating Fred Astaire'' (2000) *Ella Fitzgerald''Ella Fitzgerald Sings the Irving Berlin Songbook'' (1958) *Kristin Chenoweth'' Let Yourself Go'' (2003) *The Boswell Sisters (1936) *Tony Bennett''Bennett/Berlin'' (1987) *Crossroads - That Lucky Old Sun (2011) *Alex Mendham & His Orchestra Alex Mendham and His Orchestra are a British dance band, led by Alex Mendham, that performs and records music from the 1920s and 1930s. They perform concerts internationally. The orchestra held a long standing residency at the Savoy Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Follow The Fleet
''Follow the Fleet'' is a 1936 American RKO musical comedy film with a nautical theme starring Fred Astaire and Ginger Rogers in their Fred Astaire and Ginger Rogers, fifth collaboration as dance partners. It also features Randolph Scott, Harriet Nelson, Harriet Hilliard, and Astrid Allwyn, with music and lyrics by Irving Berlin. Lucille Ball and Betty Grable also appear, in supporting roles. The film was directed by Mark Sandrich with script by Allan Scott (American screenwriter), Allan Scott and Dwight Taylor (writer), Dwight Taylor based on the 1922 play ''Shore Leave'' by Hubert Osborne. ''Follow the Fleet'' was extremely successful at the box office, and during 1936, Astaire's recorded versions of "Let Yourself Go (Irving Berlin song), Let Yourself Go", "I'm Putting all My Eggs in One Basket", and "Let's Face the Music and Dance" reached their highest positions of 3rd, 2nd, 3rd respectively in the US Hit Parade. Harriet Hilliard and Tony Martin made their screen debuts in thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ginger Rogers
Ginger Rogers (born Virginia Katherine McMath; July 16, 1911 – April 25, 1995) was an American actress, dancer and singer during the Classical Hollywood cinema, Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (film), ''Kitty Foyle'' (1940), and performed during the 1930s in RKO Pictures, RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century. Rogers was born in Independence, Missouri, and raised in Kansas City, Missouri, Kansas City. She and her family moved to Fort Worth, Texas, when she was nine years old. In 1925, she won a Charleston dance contest that helped her launch a successful vaudeville career. After that, she gained recognition as a Broadway theatre, Broadway actress for her stage debut in ''Girl Crazy''. This led to a contract with Paramount Pictures, which ended after five films. Rogers had her first successful film roles as a supporting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Astaire
Fred Astaire (born Frederick Austerlitz; May 10, 1899 – June 22, 1987) was an American dancer, choreographer, actor, and singer. He is often called the greatest dancer in Hollywood film history. Astaire's career in stage, film, and television spanned 76 years. He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. As a dancer, he was known for his uncanny sense of rhythm, creativity, and tireless perfectionism. Astaire's most memorable dancing partnership was with Ginger Rogers, whom he co-starred with in 10 Hollywood musicals during the classic age of Hollywood cinema. Astaire and Rogers starred together in ''Top Hat'' (1935), '' Swing Time'' (1936), and ''Shall We Dance'' (1937). Astaire's fame grew in films like ''Holiday Inn'' (1942), '' Easter Parade'' (1948), '' The Band Wagon'' (1953), '' Funny Face'' (1957), and ''Silk Stockings'' (1957). The American Film Institute named Astaire the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Fitzgerald Sings The Irving Berlin Songbook
''Ella Fitzgerald Sings the Irving Berlin Song Book'' is a 1958 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Paul Weston, focusing on the songs of Irving Berlin. It was part of the popular and influential ''Songbook'' series. Grammy Awards At the inaugural Grammy Awards, ''Ella Fitzgerald Sings the Irving Berlin Song Book'' was nominated for the Grammy Award for Album of the Year. Fitzgerald won the Grammy Award for Best Vocal Performance, Female for her performance on the album. Reception In a review for AllMusic, Ronnie D. Lankford, Jr. wrote: "For fans who have enjoyed other songbook recordings, this reissue is a must-have; for those unfamiliar with Fitzgerald's songbook work, this is an excellent place to start." David Adler of All About Jazz called the album "essential in any music library," and commented: "Ella Fitzgerald's talent speaks for itself, as does Berlin's. The compatibility of these two American lege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let Yourself Go (album)
''Let Yourself Go'' is Kristin Chenoweth's debut solo album, released in 2001. The backing orchestra is Robert Fisher and the Coffee Club Orchestra. The fifth track, "Hangin' Around with You", features actor Jason Alexander. Track listing # " Let Yourself Go" from the 1936 film ''Follow the Fleet'' # "If You Hadn't but You Did" from the 1951 musical revue ''Two on the Aisle'' # "How Long Has This Been Going On?" from the 1928 musical '' Rosalie'' # "My Funny Valentine" from the 1937 musical ''Babes in Arms'' # "Hangin' Around with You" from the 1930 musical '' Strike Up the Band'' # " The Girl in 14G" # "I'll Tell the Man in the Street" from the 1938 musical ''I Married an Angel'' # "I'm a Stranger Here Myself" from the 1943 musical ''One Touch of Venus'' # " Nobody Else but Me" from the 1946 Broadway revival of the musical ''Show Boat'' # "Nobody's Heart Belongs to Me" from the musical ''By Jupiter'' / "Why Can't I?" from the 1929 musical ''Spring Is Here'' # "Should I Be Swee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Boswell Sisters
The Boswell Sisters were an American close harmony singing trio of the jazz and swing eras, consisting of three sisters: Martha Boswell (June 9, 1905 – July 2, 1958), Connie Boswell (later spelled "Connee", December 3, 1907 – October 11, 1976), and Helvetia "Vet" Boswell (May 20, 1911 – November 12, 1988). Hailing from uptown New Orleans, the group blended intricate harmonies and song arrangements featuring effects such as scat, instrumental imitation, ‘Boswellese’ gibberish, tempo and meter changes, major/minor juxtaposition, key changes, and incorporation of sections from other songs. They attained national prominence in the United States in the 1930s during the twilight of the Jazz Age and the onset of the Great Depression. After the trio split in 1936, Connie continued as a solo vocalist in radio, film, and later television for an additional quarter century. The trio's "unique singing style and ground-breaking arrangements fused 'blackness' and 'whiteness' in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will Bradley
Wilbur Schwichtenberg (July 12, 1912 – July 15, 1989), known professionally as Will Bradley, was an American trombonist and bandleader during the 1930s and 1940s. He performed swing, dance music, and boogie-woogie songs, many of them written by Don Raye. Career Born in Newton, New Jersey, Bradley was raised in Washington, New Jersey. In 1928, he moved to New York City and became a member of bands such as Red Nichols & His Five Pennies. During the 1930s, he was a studio musician for CBS except for one year with the Ray Noble orchestra. In 1939, he started a big band with Ray McKinley, a swing drummer and vocalist from Texas, and changed his name from Schwichtenberg to Will Bradley. The band included Freddie Slack, Arthur Rollini, Peanuts Hucko, Lee Castle, and Pete Candoli. Vocalists included Terry Allen, Carlotta Dale, Lynn Gardner, Steve Jordan, Ray McKinley, Phyllis Myles, Larry Southern, and Jimmy Valentine. The Bradley band became well known for boogie-woogie, particula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artie Shaw
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction. Widely regarded as "one of jazz's finest clarinetists", Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Boswell
Martha Foore Boswell Lloyd (June 9, 1905 – July 2, 1958) was an American jazz singer and pianist, and the eldest of the vocal trio the Boswell Sisters. Her younger sisters were Connee and Helvetia "Vet" Boswell. The Boswell Sisters started their career in vaudeville in their native New Orleans. In 1925 they performed on local radio as an instrumental act. Martha played piano, Connee played cello, saxophone, and guitar, and Vet played banjo, guitar, and violin. When they became a vocal act, Connee was lead vocalist. They began recording in 1930, and singing songs from Hollywood films including '' Monkey Business'' starring the Marx Brothers The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in motion pictures from 1905 to 1949. Five of the Marx Brothers' thirteen feature films were selected by the American Film Institute (AFI) ..., however both Martha and Helvetia decided to leave the group in 1936 to begin motherhood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick McDonough
Richard Tobin McDonough (July 30, 1904 – May 25, 1938) was an American jazz guitarist and banjoist. Perhaps best remembered for his duets with fellow guitarist Carl Kress, McDonough appeared on numerous record sessions and radio broadcasts throughout the 1920s and 1930s. McDonough began playing banjo and mandolin in high school. An athlete, he initially played left-handed because, according to McDonough, that was how he held his hockey stick. At Georgetown University, he performed professionally at weekend dances and two years later started a band. He attended Columbia Law School after college and while there played with bands in New York City. McDonough played with Red Nichols in 1927 as a banjoist, and soon after played with Paul Whiteman. He began studying the guitar and eventually was in demand for session work, recording with The Dorsey Brothers, Red Nichols, and Miff Mole. In the 1930s, he performed in a duo with jazz guitarist Carl Kress and cut several sessions with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
