Elizabethan Theater
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Swan Cropped
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Progymnasmata
Progymnasmata (Greek προγυμνάσματα "fore-exercises"; Latin ''praeexercitamina'') are a series of preliminary rhetorical exercises that began in ancient Greece and continued during the Roman Empire. These exercises were implemented by students of rhetoric, who began their schooling between ages twelve and fifteen. The purpose of these exercises was to prepare students for writing declamations after they had completed their education with the grammarians. There are only four surviving handbooks of progymnasmata, attributed to Aelius Theon, Hermogenes of Tarsus, Aphthonius of Antioch, and Nicolaus the Sophist. History Composition was not a primary subject taught in schools until the fifth century B.C. In fact, the term “progymnasmata” first appeared in Chapter 28 of Rhetoric to Alexander, most likely written by Anaximenes of Lampsacus in the late fourth century. This work is preserved alongside those of Aristotle, yet he never mentions the use of preliminary exerc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Feast Of Fools
Feast of Fools The Feast of Fools or Festival of Fools (Latin: ''festum fatuorum, festum stultorum'') was a feast day on January 1 celebrated by the clergy in Europe during the Middle Ages, initially in Southern France, but later more widely. During the Feast, participants would elect either a false Bishop, false Archbishop, or false Pope. Ecclesiastical ritual would also be parodied, and higher and lower-level clergy would change places. The lack of surviving documents or accounts, as well as changing cultural and religious norms, has considerably obscured the modern understanding of the Feast, which originated in proper liturgical observance, and has more to do with other examples of medieval liturgical drama. Though there is some connection with the earlier pagan (Roman) feasts of Saturnalia and Kalends or the later bourgeois in Sotie. Over the course of a week, the ceremonies would be led by different people in positions of power within the church. On December 26, St. Stephen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Late Medieval
The Late Middle Ages or Late Medieval Period was the period of European history lasting from AD 1300 to 1500. The Late Middle Ages followed the High Middle Ages and preceded the onset of the early modern period (and in much of Europe, the Renaissance). Around 1300, centuries of prosperity and growth in Europe came to a halt. A series of famines and plagues, including the Great Famine of 1315–1317 and the Black Death, reduced the population to around half of what it had been before the calamities. Along with depopulation came social unrest and endemic warfare. France and England experienced serious peasant uprisings, such as the Jacquerie and the Peasants' Revolt, as well as over a century of intermittent conflict, the Hundred Years' War. To add to the many problems of the period, the unity of the Catholic Church was temporarily shattered by the Western Schism. Collectively, those events are sometimes called the Crisis of the Late Middle Ages. Despite the crises, the 14th ce ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Academic Drama
Academic drama refers to a theatrical movement that emerged in the mid 16th century during the Renaissance. Dedicated to the study of classical dramas for the purpose of higher education, universities in England began to produce the plays of Sophocles, Euripides, and Seneca the Younger (among others) in the Greek and Roman languages, as well as neoclassical dramas. These classical and neoclassical productions were performed by young scholars at universities in Cambridge and Oxford. Other European countries, such as Spain and Italy adapted classical plays into a mixture of Latin and vernacular dramas. These Spanish and Italian adaptations were used in teaching morals in schools and colleges. The intellectual development of dramas in schools, universities, and Inns of Court in Europe allowed the emergence of the great playwrights of the late 16th century. Academic drama at Oxford University The history of academic drama at Oxford University may be traced back to the mid 16th cen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cynthia’s Revels
''Cynthia's Revels, or The Fountain of Self-Love'' is a late Elizabethan stage play, a satire written by Ben Jonson. The play was one element in the ''Poetomachia'' or War of the Theatres between Jonson and rival playwrights John Marston and Thomas Dekker. Performance The play was first performed in 1600 at the Blackfriars Theatre by the Children of the Chapel, one of the troupes of boy actors active in that era. The Children acted the play at the English Royal Court during the 1600/01 Christmas season – though it was not a success with the audience there. Publication The play was entered into the Stationers' Register on 23 May 1601, with the title ''Narcissus the Fountain of Self-Love.'' It was published in quarto later that year by the bookseller Walter Burre, under the title ''The Fountain of Self-Love, or Cynthia's Revels.'' The play next appeared in print when it was included in the first folio collection of Jonson's works in 1616. A prefatory note to the folio text ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Midas (Lyly Play)
''Midas'' is an Elizabethan era stage play, a comedy written by John Lyly. It is arguably the most overtly and extensively allegorical of Lyly's allegorical plays. Performance and production ''Midas'' was entered into the Stationers' Register on 4 October 1591; it was first published in 1592 in a quarto printed by Thomas Scarlet for Joan Broome. She was the widow of William Broome, the bookseller who issued reprints of Lyly's ''Campaspe'' and ''Sapho and Phao'' in 1591; the widow Broome herself published the first editions of Lyly's ''Endymion'' (1591) and ''Gallathea'' (1592). ''Midas'' was probably acted by the Children of Paul's, Lyly's regular company through most of his playwriting career. The title page of the first edition states that the play was performed at Court on Twelfth Night, probably on 6 January 1590. John Dover Wilson proposed that Lyly himself may have played the role of Midas; but this is a speculation unsupported by evidence. "Obviously" the play was wr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Endymion (play)
''Endymion, the Man in the Moon'' is an Elizabethan era comedy by John Lyly, written circa 1588. The action of the play centers around a young courtier, Endymion, who is sent into an endless slumber by Tellus, his former lover, because he has spurned her to worship the ageless Queen Cynthia. The prose is characterised by Euphuism, Lyly's highly ornate, formalised style, meant to convey the intelligence and wit of the speaker. ''Endymion'' has been called "without doubt, the boldest in conception and the most beautiful in execution of all Lyly's plays." Lyly makes allusions to ancient Greek and Roman texts and traditional English folklore throughout the play. While the title and characters are references to the myth of Endymion, the plot sharply deviates from the classical story and highlights contemporary issues in Elizabeth I's court through its allegorical framework. Characters * Endymion- a young man * Cynthia- the queen * Eumenides- Endymion's friend * Tellus- lady-in-wai ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gallathea
''Gallathea'' or ''Galatea'' is an Elizabethan era stage play, a comedy by John Lyly. The first record of the play's performance was at Greenwich Palace on New Year's Day, 1588 where it was performed before Queen Elizabeth I and her court by the Children of St Paul's, a troupe of boy actors. At this point in his literary career, Lyly had already achieved success with his prose romance Euphues and was a writer in residence at Blackfriars theatre. The play is set in a village on the Lincolnshire shore of the river Humber and in the neighboring woods. It features a host of characters including Greek deities, Nymphs, fairies, and some shepherds. Plot The play opens in a small village somewhere in Lincolnshire with the shepherd Tyterus informing his daughter Gallathea of Neptune's demands. Every five years, the village must sacrifice the fairest virgin to Neptune, or he will drown them all. This demand is payment for the destruction of Neptune's temples many years ago. Upon her sel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Lyly
John Lyly (; c. 1553 or 1554 – November 1606; also spelled ''Lilly'', ''Lylie'', ''Lylly'') was an English writer, dramatist of the University Wits, courtier, and parliamentarian. He was best known during his lifetime for his two books '' Euphues: The Anatomy of Wit'' (1578) and its sequel ''Euphues and His England'' (1580), but perhaps best remembered now for his plays. Lyly's distinctive and much imitated literary style, named after the title character of his two books, is known as ''euphuism''. Biography John Lyly was born in Kent, England, in 1553/1554, the eldest son of Peter Lyly and his wife, Jane Burgh (or Brough), of Burgh Hall in the North Riding of Yorkshire. He was probably born either in Rochester, where his father is recorded as a notary public in 1550, or in Canterbury, where his father was the Registrar for the Archbishop Matthew Parker and where the births of his siblings are recorded between 1562 and 1568. His grandfather was William Lily, the grammarian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Old St Paul's Cathedral
Old St Paul's Cathedral was the cathedral of the City of London that, until the Great Fire of London, Great Fire of 1666, stood on the site of the present St Paul's Cathedral. Built from 1087 to 1314 and dedicated to Paul of Tarsus, Saint Paul, the cathedral was perhaps the fourth church at Ludgate Hill. Work on the cathedral began after a Early fires of London#Norman, fire in 1087. Work took more than 200 years, and was delayed by another fire in 1135. The church was Consecration, consecrated in 1240, enlarged in 1256 and again in the early 14th century. At its completion in the mid-14th century, the cathedral was one of the List of longest church buildings in the world, longest churches in the world, had List of tallest churches in the world, one of the tallest spires and some of the finest stained glass. The presence of the shrine of Erkenwald, Saint Erkenwald made the cathedral a site of pilgrimage.Milman, 22. In addition to serving as the seat of the Diocese of London, the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |