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Gallathea
''Gallathea'' or ''Galatea'' is an Elizabethan era stage play, a comedy by John Lyly. The first record of the play's performance was at Greenwich Palace on New Year's Day, 1588 where it was performed before Queen Elizabeth I and her court by the Children of St Paul's, a troupe of boy actors. At this point in his literary career, Lyly had already achieved success with his prose romance Euphues and was a writer in residence at Blackfriars theatre. The play is set in a village on the Lincolnshire shore of the river Humber and in the neighboring woods. It features a host of characters including Greek deities, Nymphs, fairies, and some shepherds. Plot The play opens in a small village somewhere in Lincolnshire with the shepherd Tyterus informing his daughter Gallathea of Neptune's demands. Every five years, the village must sacrifice the fairest virgin to Neptune, or he will drown them all. This demand is payment for the destruction of Neptune's temples many years ago. Upon her sel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lyly
John Lyly (; c. 1553 or 1554 – November 1606; also spelled ''Lilly'', ''Lylie'', ''Lylly'') was an English writer, dramatist of the University Wits, courtier, and parliamentarian. He was best known during his lifetime for his two books '' Euphues: The Anatomy of Wit'' (1578) and its sequel ''Euphues and His England'' (1580), but perhaps best remembered now for his plays. Lyly's distinctive and much imitated literary style, named after the title character of his two books, is known as ''euphuism''. Biography John Lyly was born in Kent, England, in 1553/1554, the eldest son of Peter Lyly and his wife, Jane Burgh (or Brough), of Burgh Hall in the North Riding of Yorkshire. He was probably born either in Rochester, where his father is recorded as a notary public in 1550, or in Canterbury, where his father was the Registrar for the Archbishop Matthew Parker and where the births of his siblings are recorded between 1562 and 1568. His grandfather was William Lily, the grammarian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackfriars Theatre
Blackfriars Theatre was the name given to two separate theatres located in the former Blackfriars Dominican priory in the City of London during the Renaissance. The first theatre began as a venue for the Children of the Chapel Royal, child actors associated with the Queen's chapel choirs, and who from 1576 to 1584 staged plays in the vast hall of the former monastery. The second theatre dates from the purchase of the upper part of the priory and another building by James Burbage in 1596, which included the Parliament Chamber on the upper floor that was converted into the playhouse. The Children of the Chapel played in the theatre beginning in the autumn of 1600 until the King's Men took over in 1608. They successfully used it as their winter playhouse until all the theatres were closed in 1642 when the English Civil War began. In 1666, the entire area was destroyed in the Great Fire of London. First theatre Blackfriars Theatre was built on the grounds of the former Dominic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1588 In Literature
This article presents lists of the literary events and publications in 1588. Events *January 1 – The Children of Paul's perform at the court of Queen Elizabeth I of England, probably acting John Lyly's ''Gallathea''. * February 2 – The Children of Paul's return to the English court, probably with Lyly's ''Endymion''. * February 28 – The gentlemen of Gray's Inn perform Thomas Hughes' play ''The Misfortunes of Arthur'' before Queen Elizabeth I of England, at Greenwich Palace. *May–December – Lope de Vega serves in the Spanish Armada, where he begins writing his epic poem ''La Hermosura de Angélica''. *November – Marprelate Controversy: The first tract by "Martin Marprelate", known as the ''Epistle'', appears at Molesey in England. *Venice's Biblioteca Marciana is completed by Vincenzo Scamozzi on the Piazza San Marco after more than a century of construction following a plan by the late Jacopo Sansovino. * John Dee finishes ''Libri mysteriorum I-XVIII'' (Spiritual D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midas (Lyly Play)
''Midas'' is an Elizabethan era stage play, a comedy written by John Lyly. It is arguably the most overtly and extensively allegorical of Lyly's allegorical plays. Performance and production ''Midas'' was entered into the Stationers' Register on 4 October 1591; it was first published in 1592 in a quarto printed by Thomas Scarlet for Joan Broome. She was the widow of William Broome, the bookseller who issued reprints of Lyly's ''Campaspe'' and ''Sapho and Phao'' in 1591; the widow Broome herself published the first editions of Lyly's ''Endymion'' (1591) and ''Gallathea'' (1592). ''Midas'' was probably acted by the Children of Paul's, Lyly's regular company through most of his playwriting career. The title page of the first edition states that the play was performed at Court on Twelfth Night, probably on 6 January 1590. John Dover Wilson proposed that Lyly himself may have played the role of Midas; but this is a speculation unsupported by evidence. "Obviously" the play was wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Children Of Paul's
The Children of Paul's was the name of a troupe of boy actors in Elizabethan The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personifi ... and Jacobean era, Jacobean London. Along with the Children of the Chapel, they were an important component of the companies of boy players that constituted a distinctive feature of English Renaissance theatre. Education The youth who would become choirboys and boy players for the Children of Paul's ranged in age from six to their mid-teens. They would be educated and boarded at the choir school, trained in not only singing but in grammar and literacy. Although their basic needs were taken care of, choirboys sometimes made some money for themselves. When fashionably dressed men wearing spurs, which could be loud and distracting to other church-goers, would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Endymion (play)
''Endymion, the Man in the Moon'' is an Elizabethan era comedy by John Lyly, written circa 1588. The action of the play centers around a young courtier, Endymion, who is sent into an endless slumber by Tellus, his former lover, because he has spurned her to worship the ageless Queen Cynthia. The prose is characterised by Euphuism, Lyly's highly ornate, formalised style, meant to convey the intelligence and wit of the speaker. ''Endymion'' has been called "without doubt, the boldest in conception and the most beautiful in execution of all Lyly's plays." Lyly makes allusions to ancient Greek and Roman texts and traditional English folklore throughout the play. While the title and characters are references to the myth of Endymion, the plot sharply deviates from the classical story and highlights contemporary issues in Elizabeth I's court through its allegorical framework. Characters * Endymion- a young man * Cynthia- the queen * Eumenides- Endymion's friend * Tellus- lady-in-wai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diana (mythology)
Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside, hunters, crossroads, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter (mythology), Jupiter and Latona, and a twin brother, Apollo,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. though she had Diana Nemorensis, an independent origin in Italy. Diana is considered a virgin goddess and protector of childbirth. Historically, Diana made up a triad with two other Roman deities: Egeria (mythology), Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god. Diana is revered in modern neopagan religions including Roman polytheistic reconstructionism, Roman neopaganism, Stregheria, and Wicca. In the ancient, medieval, and modern periods, Diana has been considered a triple deity, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subplot
In fiction, a subplot is a secondary strand of the plot that is a supporting side story for any story or for the main plot. Subplots may connect to main plots, in either time and place or thematic significance. Subplots often involve supporting characters, those besides the protagonist or antagonist. Subplots may also intertwine with the main plot at some point in a story. Subplots are distinguished from the main plot by taking up less of the action, having fewer significant events occur, with less impact on the "world" of the work, and occurring to less important characters. In screenwriting Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession. Screenwriters are responsible for researching the story, devel ..., a subplot is referred to as a "B story" or a "C story," etc., while the main plot point can be referred to as the "A story". References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, lust, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus (mythology), Venus and the god of war Mars (mythology), Mars. He is also known in Latin as ' ("Love"). His interpretatio graeca, Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greece, Classical ancient Greek art, Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galathea
''Galathea'' is one of the largest genera of squat lobsters, containing 70 currently recognised species (17 in the Atlantic Ocean, 22 in the Indian Ocean and 43 in the Pacific Ocean). Most species of ''Galathea'' live in shallow waters. Species ''Galathea'' contains 70 species: *'' Galathea aegyptiaca'' Paul'son, 1875 *''Galathea albatrossae'' Baba, 1988 *'' Galathea amamiensis'' Miyake & Baba, 1966 *'' Galathea amboinensis'' De Man, 1888 *''Galathea anepipoda'' Baba, 1990 *''Galathea australiensis'' Stimpson, 1858 *''Galathea balssi'' Miyake & Baba, 1964 *''Galathea bengala'' Tirmizi & Javed, 1993 *''Galathea bidens'' Baba, 1988 *''Galathea bimaculata'' Miyake & Baba, 1966 *''Galathea bolivari'' Zariquiey Álvarez, 1950 *''Galathea boninensis'' Miyake & Baba, 1965 *''Galathea brevimana'' Paul'son, 1875 *''Galathea capillata'' Miyake & Baba, 1970 *''Galathea cenarroi'' Zariquiey Álvarez, 1968 *''Galathea consobrina'' De Man, 1902 *'' Galathea corallicola'' Haswell, 1882 *'' Gal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stationers' Register
The Stationers' Register was a record book maintained by the Stationers' Company of London. The company is a trade guild given a royal charter in 1557 to regulate the various professions associated with the publishing industry, including printers, bookbinders, booksellers, and publishers in England. The Register itself allowed publishers to document their right to produce a particular printed work, and constituted an early form of copyright law. The company's charter gave it the right to seize illicit editions and bar the publication of unlicensed books. For the study of English literature of the later sixteenth and the seventeenth centuries—for the Elizabethan era, the Jacobean era, the Caroline era, and especially for English Renaissance theatre—the Stationers' Register is an crucial and essential resource: it provides factual information and hard data that is available nowhere else. Together with the records of the Master of the Revels (which relate to dramatic perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
