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Elisha Kirkall
Elisha Kirkall (c.1682–1742) was a prolific English engraver, who made many experiments in printmaking techniques. He was noted for engravings on type metal that could be set up with letterpress for book illustrations, and was also known as a mezzotint artist. Life Born in Sheffield, Kirkall was son of a locksmith. Around 1702 he came to London, and found employment in the book trade. He also studied drawing at Great Queen Street Academy. Kirkall married early in life, to Elizabeth; a second wife was called Deborah. He died in Whitefriars in December 1742, leaving a son, Charles, then aged about 22. Works As a book illustrator, Kirkall used etching and metalcut, with line engraving as "white line". From his first times in London, book ornaments he provided as raised metal proved very popular with publishers. In the 1720s he innovated with use of the mezzotint rocker tool to simulate ''chiaroscuro''. A reputation for wood engraving was apparently based on misapprehensions, ...
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Elisha Kirkall, After Jan Van Huysum, Heroic Stormy Landscape, 1724, NGA 153982
Elisha ( ; or "God is my salvation", Greek: , ''Elis îos'' or , ''Elisaié,'' Latin: ''Eliseus'') was, according to the Hebrew Bible, a prophet and a wonder-worker. His name is commonly transliterated into English as Elisha via Hebrew, Eliseus via Greek and Latin, or Alyasa via Arabic, and Elyasa or Elyesa via Turkish. Also mentioned in the New Testament and the Quran, Elisha is venerated as a prophet in Judaism, Christianity and Islam and writings of the Baháʼí Faith refer to him by name. Before he settled in Samaria, Elisha passed some time on Mount Carmel. He served from 892 until 832 BC as an advisor to the third through the eighth kings of Judah, holding the office of "prophet in Israel". He is called a patriot because of his help to soldiers and kings. In the biblical narrative, he is a disciple and protégé of Elijah, and after Elijah was taken up in a whirlwind, Elisha received a double portion of his power and he was accepted as the leader of the sons of the ...
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Terence
Publius Terentius Afer (; – ), better known in English as Terence (), was a Roman African playwright during the Roman Republic. His comedies were performed for the first time around 166–160 BC. Terentius Lucanus, a Roman senator, brought Terence to Rome as a slave, educated him and later on, impressed by his abilities, freed him. It is thought that Terence abruptly died, around the age of 25, likely in Greece or on his way back to Rome, due to shipwreck or disease. DEAD LINK He was supposedly on his way to explore and find inspiration for his comedies. His plays were heavily used to learn to speak and write in Latin during the Middle Ages and Renaissance Period, and in some instances were imitated by William Shakespeare. One famous quotation by Terence reads: "''Homo sum, humani nihil a me alienum puto''", or "I am human, and I think nothing human is alien to me." This appeared in his play ''Heauton Timorumenos''. Biography Terence's date of birth is disputed; Aelius ...
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William Stukeley
William Stukeley (7 November 1687 â€“ 3 March 1765) was an English antiquarian, physician and Anglican clergyman. A significant influence on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. He published over twenty books on archaeology and other subjects during his lifetime. Born in Holbeach, Lincolnshire, as the son of a lawyer, Stukeley worked in his father's law business before attending Bene't College, Cambridge. In 1709 he began studying medicine at St Thomas' Hospital, Southwark, before working as a general practitioner in Boston, Lincolnshire. From 1710 till 1725 he embarked on annual tours of the countryside, seeking out archaeological monuments and other features that interested him; he wrote up and published several accounts of his travels. In 1717, he returned to London and established himself within the city's antiquarian circles. In 1718 he was elected a Fello ...
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Henry Cooke (artist)
Henry Cooke (1642–1700), son of Henry Cooke, was an English artist, employed by the Ironmongers' Company. Cooke went to Italy where he studied under Salvator Rosa. He painted the choir of New College Chapel, Oxford, the staircase at Ranelagh House, and Lord Carlisle's House in Soho Square. He died in 1700. It is said that he committed a murder and fled from England; and that after his return, he was employed by King William to "repair" the Cartoons of Raphael. He finished the portrait of Charles II at Chelsea Hospital The Royal Hospital Chelsea is a retirement home and nursing home for some 300 veterans of the British Army. Founded as an almshouse, the ancient sense of the word "hospital", it is a site located on Royal Hospital Road in Chelsea, London, Che ...; and also tried portrait painting, but gave it up. References * 1642 births 1700 deaths 17th-century English painters English male painters {{England-painter-17thC-stub ...
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John Closterman
John Closterman (also spelt Cloosterman, Klosterman; 1660 – 24 May 1711 (buried)) was a Westphalian portrait painter of the late 17th and early 18th centuries. His subjects were mostly European noblemen and their families. Career Born in Osnabrück in the Holy Roman Empire (now in Lower Saxony), Closterman was the son of an artist who taught him the rudiments of design. In 1679, Closterman went to Paris and worked under François de Troy. In 1681, he went to England. He worked for John Riley, painting the draperies in Riley's portraits When Riley died in 1691, Closterman finished several of his portraits. Because of his work on Riley's portraits, Charles Seymour, 6th Duke of Somerset, hired him to create some paintings. However, Somerset became dissatisfied with a portrait of the Italian painter Guercino that Closterman had painted for him, ending the relationship. Lord Halifax eventually purchased the portrait. In 1696, Closterman was invited to the court of Spain, wher ...
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Ugo Da Carpi
Ugo da Carpi ( – ) was an Italian printmaker active between 1502 and 1532 in the cities of Venice, Rome and Bologna. He is known for his technical and stylistic contributions to the chiaroscuro woodcut, a printmaking technique using blocks of different colours."Ugo da Carpi." ''Encyclopædia Britannica. Encyclopædia Britannica Online.''
Encyclopædia Britannica, 2011. Web. 24 Feb. 2011.
Ugo claimed to be the first to use this technique, seeking a copyright first from the , and later from . ...
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Sir Christopher Wren
Sir Christopher Wren PRS FRS (; – ) was one of the most highly acclaimed English architects in history, as well as an anatomist, astronomer, geometer, and mathematician-physicist. He was accorded responsibility for rebuilding 52 churches in the City of London after the Great Fire in 1666, including what is regarded as his masterpiece, St Paul's Cathedral, on Ludgate Hill, completed in 1710. The principal creative responsibility for a number of the churches is now more commonly attributed to others in his office, especially Nicholas Hawksmoor. Other notable buildings by Wren include the Royal Hospital Chelsea, the Old Royal Naval College, Greenwich, and the south front of Hampton Court Palace. Educated in Latin and Aristotelian physics at the University of Oxford, Wren was a founder of the Royal Society and served as its president from 1680 to 1682. His scientific work was highly regarded by Isaac Newton and Blaise Pascal. Life and works Wren was born in East Knoyle ...
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Johann Elias Ridinger
Johann Elias Ridinger (16 February 1698, Ulm – 10 April 1767, Augsburg) was a German Painting, painter, engraver, Drawing, draughtsman and publisher. He is considered one of the most famous German engravers of animals, particularly horses, hounds and hunting scenes. He began his training in Ulm with the painter Christoph Resch (1701–16), and later studied under Johann Falch (1687–1727) in Augsburg. He learned the art of engraving from Georg Philipp Rugendas. On the invitation of Wolf, Freiherr von Metternich (1706–31), he spent three years in Regensburg: his coursing and visits to the riding school there proved decisive for his development. His Engraving, engraved, etched and scratched sheets show the animals in characteristic movements and positions in a landscape environment. The ornamental movements in his works show visibly Rococo stylistic tendencies. He later founded his own art publishing house in Augsburg, where most of his works appeared. In 1759 he became t ...
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Raphael Cartoons
The Raphael Cartoons are seven large cartoons for tapestries, belonging to the British Royal Collection but since 1865 on loan to the Victoria and Albert Museum in London, designed by the High Renaissance painter Raphael in 1515–16 and showing scenes from the Gospels and Acts of the Apostles. They are the only surviving members of a set of ten cartoons commissioned by Pope Leo X for the Sistine Chapel tapestries for the Sistine Chapel in the Vatican Palace, which are still (on special occasions) hung below Michelangelo's famous ceiling. Reproduced in the form of prints, the tapestries rivalled Michelangelo's ceiling as the most famous and influential designs of the Renaissance, and were well known to all artists of the Renaissance and Baroque. Admiration of them reached its highest pitch in the 18th and 19th centuries; they were described as "the Parthenon sculptures of modern art". Commission and the tapestries Raphael – whom Michelangelo greatly disliked – was highl ...
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William Van De Velde The Younger
Willem van de Velde the Younger (18 December 1633 (baptised)6 April 1707) was a Dutch marine painter, the son of Willem van de Velde the Elder, who also specialised in maritime art. His brother, Adriaen van de Velde, was a landscape painter. Biography Willem van de Velde was baptised on 18 December 1633 in Leiden, Holland, Dutch Republic. He was instructed by his father, and around 1650 by Simon de Vlieger, a marine painter of repute at the time, who worked around Weesp. He was also influenced by the work of the Dutch artist Jan van de Cappelle, who excelled at painting cloudy skies, the clouds often being reflected in the calm waters. Willem was married twice, in 1652 with Petronella Le Maire coming from Weesp, but divorced. At that time he lived at Buitenkant and likely with a view on the harbour and the Amsterdam Admiralty; from 1655 one of his neighbors was Michiel de Ruyter. In 1656 he married Magdalena Walravens, the daughter of a skipper. The couple had four childr ...
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à La Poupée
''À la poupée'' is a largely historic intaglio (printmaking), intaglio printmaking technique for making colour prints by applying different ink colours to a single printing plate using ball-shaped wads of cloth, one for each colour. The paper has just one run through the press, but the inking needs to be carefully re-done after each impression is printed. Each impression will usually vary at least slightly, and sometimes very significantly. Though invented much earlier, the technique became common from the late 17th century into the early 19th century. It was always an alternative to, and often combined with, hand colouring, usually with watercolour and brush. Large areas, such as the sky in landscapes, might be done à la poupée, with more detailed parts hand coloured. It was used with all the various intaglio printmaking techniques, but tended to be most effective with stipple engraving, "giving a bright and clean look". The term ''à la poupée'' means "with the doll" ...
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Richard Bradley (botanist)
Richard Bradley FRS (1688 – 5 November 1732) was an English naturalist specialising in botany. He published important works on ecology, horticulture, and natural history. Biography Little is known about Bradley's childhood aside from an early interest in gardening and the fact that he lived in the vicinity of London, a city at the time with many amateur naturalists. Though Bradley lacked a university education, his first publication, ''Treatise of Succulent Plants'', gained him traction with influential patrons like James Petiver and later, Hans Sloane. With their support, he was proposed and elected a Fellow of the Royal Society in 1712, at the age of 24. In 1714, Bradley visited the Netherlands and took an interest in horticulture. He spent the next decade back in England writing treatises on topics related to this central interest, like weather, fertiliser, productivity, and plant hybridisation. In recognition of his work in the field and with the (thereafter unfulf ...
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