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Elisabeth Schärtel
Elisabeth Schärtel (6 October 1919 – 24 August 2012) was a German operatic mezzo-soprano and contralto. A member of the Cologne Opera from 1959 to 1967, she performed leading parts at major European opera houses and regularly at the Bayreuth Festival. Career Born in Weiden in der Oberpfalz, she studied with Anna Bahr-Mildenburg in Munich and with Henny Wolff in Hamburg. She made her debut in 1942 at the Stadttheater Gießen. From 1959 to 1967 she was a member of the Cologne Opera. In 1965, she appeared there as the mother of Stolzius in the premiere of Bernd Alois Zimmermann's ''Die Soldaten''. She performed in opera recordings by the broadcaster Westdeutscher Rundfunk, such as Verdi's Falstaff with Mario Rossi conducting, where she sang Meg Page alongside Dietrich Fischer-Dieskau in the title role. Schärtel performed at the Bayreuth Festival from 1954 to 1967, singing leading parts in Wagner's music dramas as well as minor parts. In 1954 and 1955 she appeared as Mary in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weiden In Der Oberpfalz
Weiden in der Oberpfalz (official name: Weiden i.d.OPf.; Northern Bavarian: ''Weidn in da Owapfalz'') is a district-free city in Bavaria, Germany. It is located east of Nuremberg and west of the Czech border. A branch of the German Army is located here. History Weiden in der Oberpfalz was first mentioned in a document in 1241 as Weiden. It is assumed that the first settlements in Weiden are dated the year 1000. Located at the intersection of two major trading routes (Goldene Strasse and Magdeburger Strasse), Weiden soon became an important trading center with a population of 2,200 in 1531. An economic boom came along in 1863 when Weiden was connected to the railroad network. Some major companies of the glass and china industry settled in Weiden and the population increased. Districts Incorporations into Weiden in der Oberpfalz *January 1, 1914, Moosbürg, district of Moosbürg, Ermersricht, Fichtenbühl, Leihstadtmühle *February 1, 1915, Tröglersricht and Zollhaus *July 1, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maggio Musicale Fiorentino
The Maggio Musicale Fiorentino (English: Florence Musical May) is an annual Italian arts festival in Florence, including a notable opera festival, under the auspices of the Opera di Firenze. The festival occurs between late April into June annually, typically with four operas. History In April 1933, on 's idea, Vittorio Gui founded the festival, with the aim of presenting contemporary and forgotten operas in visually dramatic productions. It was the first music festival in Italy and the oldest in Europe after the Salzburg Festival. The first opera presented was Verdi's early ''Nabucco'', his early operas then being rarely staged. The first festival's success, which included two performances of Spontini's ''La Vestale'' with Rosa Ponselle, led to it becoming a biennial event in 1937 with the presentation of nine operas. After 1937, it became an annual festival, except during World War II. Performances took place in the Teatro Comunale and Piccolo Teatro, plus the Teatro della Per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl-Josef Kutsch
Karl-Josef Kutsch, also known as K. J. Kutsch, (born 11 May 1924) is a German physician and co-author with Leo Riemens of the ''Großes Sängerlexikon'', the standard reference for opera singers. Life and work Born in Gangelt, Kutsch studied medicine, was drafted and participated as a soldier in the Russia campaign of the Second World War. He then completed his studies at the Goethe University Frankfurt in 1948. He practised as a physician from 1952 to 1989 in his hometown, together with his wife. From the 1950s, Kutsch built a collection of records and singers' biographies. Together with the Dutch musicologist Leo Riemens, he published a small biographical dictionary of singers in 1962 under the title ''Unvergängliche Stimmen'' (''Immortal Voices'').Jan David SchmitzSängerlexikon CD-ROMhsozkult.de In 1975 the work was revised as ''Unvergängliche Stimmen / Sängerlexikon'', which was again revised in 1985 with his and Riemens' cooperation and became the standard work. Under t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hochschule Für Musik Nürnberg
The Hochschule für Musik Nürnberg (formerly ''Hochschule für Musik Nürnberg-Augsburg'') is a music conservatoire based in Nuremberg, Bavaria, Germany. The conservatoire has a secondary building in Augsburg. The Hochschule The Hochschule für Musik Nürnberg is the result of the merging of the ''Meistersinger-Konservatorium'' in Nuremberg and the ''Leopold-Mozart-Konservatorium'' in Augsburg in 1998. The Meistersinger-Konservatorium dates back from 1821 when Johannes Scharrer founded the ''Städtische Singschule'', which later became the State Music School (1883) and from 1972 as the "Fachakademie für Musik und Meistersinger-Konservatorium". The courses The hochschule offers degrees and postgraduate qualifications in all orchestral instruments, jazz, popular music, singing, opera, music education, conducting and composition. Notable alumni and faculty This is a partial list of present and former staff and alumni. * Werner Andreas Albert (conductor) * Measha Brueggergosman (s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Oper
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helga Pilarczyk
Helga Pilarczyk (12 March 1925 – 15 September 2011) was a German operatic soprano. Born in Schöningen, she originally trained as a pianist, at Braunschweig and at the . However, she made her debut as a contralto at the Staatstheater Braunschweig, as Irmentraud in Lortzing's ''Der Waffenschmied'' in 1951. By 1954 to 1955, she emerged as a dramatic soprano at the Hamburg State Opera, where she remained until the 1966/67 season. Pilarczyk became a specialist in works of the twentieth century, including works by Richard Strauss, ''Salome'' and ' (as the Dyer's Wife), Prokofiev's '' The Fiery Angel'', Luigi Dallapiccola's ''Il prigioniero'', Stravinsky's ' and '' The Flood'', Alban Berg's ''Wozzeck'' and ''Lulu'', and Schoenberg's ' and ''Von heute auf morgen''. She appeared in Zürich, Berlin, at the Royal Opera House, Covent Garden (as Salome in 1958), Florence (' and ''Wozzeck''), the Glyndebourne Festival (as Composer in ''Ariadne auf Naxos'' by Strauss, 1958), Paris Opéra ('' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Crass
Franz Crass (9 March 192823 June 2012) was a German bass singer. A native of Wipperfürth, Rhine Province, Crass studied with Gerda Heuer in Wiesbaden and with Professor Clemens Glettenberg at the Hochschule für Musik in Köln. He won numerous competitions throughout Germany in the 1950s. In 1954, he made his debut at the municipal theater in Krefeld; from 1956 he sang at the Landestheater Hannover. Crass established a reputation as a Wagnerian early in his career, appearing at the Bayreuth Festival between 1954 and 1973. He made guest appearances throughout Germany, and was a regular member of the Köln Opera from 1962 until 1964. In addition to his work as a concert and oratorio singer, he became known for singing works of Wolfgang Amadeus Mozart. Crass developed hearing problems and as a result, ended his career abruptly in 1981; after that he devoted himself to coaching younger singers. He died in Rüsselsheim, in 2012, aged 84. The Kammersänger left recordings a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Sawallisch
Wolfgang Sawallisch (26 August 1923 – 22 February 2013) was a German conductor and pianist. Biography Wolfgang Sawallisch was born in Munich, the son of Maria and Wilhelm Sawallisch. His father was director of the Hamburg-Bremer-Feuerversicherung in the city. Wolfgang's brother Werner was five years older. He passed his Abitur in 1942 at the Wittelsbacher-Gymnasium in Munich. At the age of five, he was already playing the piano and by the time he was ten, he had decided he wanted to become a concert pianist. As a child, he was greatly influenced by Richard Strauss and Hans Knappertsbusch. In his musical education he was generously supported by his family, especially by his widowed mother, who became active again because of him, and also by his older brother. At first, he studied composition and piano privately. This enabled him to prepare for his career as a pianist and conductor before and after the Second World War without financial worries. His professional development wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Fritz Schuh
Oscar Fritz Schuh (15 January 1904 – 22 October 1984) was a German-Austrian opera director, theatre director and opera manager. He is known for directing Mozart operas at the Vienna State Opera and the Salzburg Festival in productions that toured internationally. They focused on the psychology of the characters. Life and career Schuh was born in Munich, the son of a veterinarian. He attended the , achieving the Abitur in 1921. During his schooling, he already had a contract as a theatre critic for the Berlin magazine ''Der Fechter'', and also wrote essays about theatre history and reviews for other papers. He studied art history and philosophy at Munich University. In 1923, he was engaged at the Bayerische Landesbühne in Augsburg. His first theatre direction there was Hauptmann's '' Hanneles Himmelfahrt''. He moved on to Oldenburg, Osnabrück, Staatstheater Darmstadt, (with Walter Bruno Iltz), and Prague. In 1931, he was called by Albert Ruch to work as director and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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