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Helga Pilarczyk
Helga Pilarczyk (12 March 1925 – 15 September 2011) was a German operatic soprano. Born in Schöningen, she originally trained as a pianist, at Braunschweig and at the . However, she made her debut as a contralto at the Staatstheater Braunschweig, as Irmentraud in Lortzing's ''Der Waffenschmied'' in 1951. By 1954 to 1955, she emerged as a dramatic soprano at the Hamburg State Opera, where she remained until the 1966/67 season. Pilarczyk became a specialist in works of the twentieth century, including works by Richard Strauss, '' Salome'' and ' (as the Dyer's Wife), Prokofiev's '' The Fiery Angel'', Luigi Dallapiccola's ''Il prigioniero'', Stravinsky's ' and '' The Flood'', Alban Berg's ''Wozzeck'' and ''Lulu'', and Schoenberg's ' and ''Von heute auf morgen''. She appeared in Zürich, Berlin, at the Royal Opera House, Covent Garden (as Salome in 1958), Florence (' and ''Wozzeck''), the Glyndebourne Festival (as Composer in ''Ariadne auf Naxos'' by Strauss, 1958), Paris Opéra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schöningen
Schöningen is a town of about 11,000 inhabitants in the district of Helmstedt, in Lower Saxony, Germany. Geography The town is located on the southeastern rim of the Elm hill range, near the border with the state of Saxony-Anhalt. In its current form, it was created in 1974 by joining the municipalities of Esbeck, Hoiersdorf, and Schöningen. Schöningen station was served by regional trains on the Wolfenbüttel–Helmstedt railway line until it was closed in 2007. The town is a stop on the scenic German Timber-Frame Road. History In archaeology, Schöningen is famous for the Schöningen Spears, four ancient wooden spears found in an opencast mine near the town (Bamford & Henderson 2003). The spears are about 400,000 years old (Klein. 2005. p114), making them the world's oldest human-made wooden artifacts, as well as the oldest weapons, ever found. Three of them were probably manufactured as projectile weapons, because the weight and tapered point is at the front of the spea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Flood (Stravinsky)
''The Flood: A musical play'' (1962) is a short biblical drama by Igor Stravinsky on the story of Noah and the flood, originally conceived as a work for television. It contains singing, spoken dialogue, and ballet sequences. It is in Stravinsky's late, serial style. The work was premiered in the United States on the CBS Television Network on 14 June 1962, a production conducted by Robert Craft and choreographed by George Balanchine. Dramatic actors participating in the work included Laurence Harvey (narrator), Sebastian Cabot (Noah), and Elsa Lanchester (Noah's wife, which Lanchester played with a Cockney accent). Robert Craft also conducted the first staged performance, by the Santa Fe Opera in New Mexico in 1962, and again in Hamburg on 30 April 1963. Text The narrative of ''The Flood'' juxtaposes the story of the Creation with that of Noah. The text was compiled by Robert Craft using material from Genesis and the York and Chester cycles of mystery plays. Excerpts from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Bartoletti
Bruno Bartoletti ( Sesto Fiorentino, 10 June 1926 – Florence, 9 June 2013) was an Italian operatic conductor. His active international career lasted from 1953 to 2007, and he specialized in the Italian repertory and contemporary works. He was particularly noted for his 51-year association with Lyric Opera of Chicago, as co-artistic director, artistic director, principal conductor, and artistic director emeritus. He also served as Artistic Director of both the Teatro dell'Opera di Roma (1965–1973) and the Maggio Musicale Fiorentino (1985–1991), and as principal conductor of the Danish Royal Opera (1957–1960), in addition to frequent work as a guest conductor at various major opera houses. Life and career Bartoletti's father was Umberto Bartoletti, a blacksmith, who also played clarinet in a Florence band. As a youth, Bartoletti played the piccolo. A teacher in Florence recognised the young Bartoletti's talent in music, and her husband, the sculptor Antonio Berti, recom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geraint Evans
Sir Geraint Llewellyn Evans (16 February 1922 – 19 September 1992) was a Welsh bass-baritone noted for operatic roles including Figaro in ''Le nozze di Figaro'', Papageno in ''Die Zauberflöte'', and the title role in ''Wozzeck''. Evans was especially acclaimed for his performances in the title role of Verdi's '' Falstaff''. He sang more than 70 different roles in a career that lasted from his first appearance at Covent Garden in 1948 to his farewell there in 1984. Early life Evans was born in Cilfynydd, the only son of William John Evans (1899–1978), a coal miner, and his wife, Charlotte May, ''née'' Thomas (1901–1923). His family was Welsh speaking, and Evans spoke Welsh before he learned English.Goodwin, Noël: "Evans, Sir Geraint Llewellyn (1922–1992)", Oxford Dictionary of National Biography, Oxford University Press, 200accessed 14 Dec 2008/ref> On leaving school, aged 14, he worked as a window dresser for the High Class Ladies' Wear store in Pontypridd. He took sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Böhm
Karl August Leopold Böhm (28 August 1894 – 14 August 1981) was an Austrian conductor. He was best known for his performances of the music of Mozart, Wagner, and Richard Strauss. Life and career Education Karl Böhm was born in Graz. The son of a lawyer, he studied law and earned a doctorate in this subject before entering the music conservatory in his home town of Graz, Austria. He later enrolled at the Vienna Conservatory, where he studied under Eusebius Mandyczewski, a friend of Johannes Brahms. Munich, Darmstadt, Hamburg In 1917, Böhm became a rehearsal assistant in his home town, making his debut as a conductor in Viktor Nessler's ''Der Trompeter von Säckingen'' in 1917. He became the assistant director of music in 1919, and the following year, the senior director. On the recommendation of Karl Muck, Bruno Walter engaged him at the Bavarian State Opera, Munich in 1921. An early assignment here was Mozart's ''Die Entführung aus dem Serail'', with a cast which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's '' Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opéra
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play '' Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyndebourne Festival
Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1941–45 during World War II and 1993 when the theatre was being rebuilt, for a 1994 reopening. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000. Since the company's inception, Glyndebourne has been particularly celebrated for its productions of Mozart operas. Recordings of Glyndebourne's past historic Mozart productions have been reissued. Other notable productions included their 1980s production of George Gershwin's ''Porgy and Bess'', directed by Trevor Nunn, and later expanded from the Glyndebourne stage and videotaped in 1993 for television, with Nunn again directing. While Mozart operas have continued to be the mainstay of its repertory, the compa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, makin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Von Heute Auf Morgen
' (''From Today to Tomorrow'' or ''From One Day to the Next'') is a one act opera composed by Arnold Schoenberg, to a German libretto by "Max Blonda", the pseudonym of Gertrud Schoenberg, the composer's wife. It is the composer's opus 32. The opera was composed at the end of 1928 (finished on the first day of 1929), and was premiered at the Oper Frankfurt on 1 February 1930, with William Steinberg conducting Herbert Graf's production. It was the first twelve-tone opera, and Schoenberg's only comedy. The libretto may indeed be a contemporary comedy of manners, but the music is complex, the angular vocal-lines and large orchestra creating a frightening whirlwind of fury. Schoenberg wrote: "I have proved in my operas ''Von heute auf morgen'' and ''Moses und Aron'' that every expression and characterization can be produced with the style of free dissonance." Performance history In 1930, after the Frankfurt premiere, the composer himself conducted a radio broadcast performance in Berl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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