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El Grillo (song)
''El Grillo'' (''The Cricket'') is a frottola by Josquin des Prez. Possibly written in the early 16th century, it is regarded as one of Josquin's most popular works. History Published in the early sixteenth century, ''El Grillo'' is attributed to an "Iosquin Dascanio", traditionally identified as French composer Josquin des Prez. Several scholars have posited that Josquin wrote the song to either honour or make fun of his colleague at the House of Sforza, an Italian court singer named Carlo Grillo. This would have to have been no earlier than the 1490s. The ''Frottole libro tertio'', published by Ottaviano Petrucci in 1505, is the only contemporaneous source of ''El Grillo''. It received considerably little attention from modern musicologists until 1931, when it was included in ''Geschichte der Musik in Beispielen'' by Arnold Schering. Analysis The song is scored for four voices. Written from a third-person perspective, ''El Grillo'' concerns the cricket. The opening section ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frottola
The frottola (; plural frottole) was the predominant type of Italian popular secular song of the late fifteenth and early sixteenth century. It was the most important and widespread predecessor to the madrigal. The peak of activity in composition of frottole was the period from 1470 to 1530, after which time the form was replaced by the madrigal. While "frottola" is a generic term, several subcategories can be recognized, as would be expected of a musical form which was used for approximately a hundred years, maintaining immense popularity for more than half of that time. Most typically, a frottola is a composition for three or four voices (more towards the end of the period), with the uppermost voice containing the melody: instrumental accompaniments may have been used. The poem usually has a rhyme scheme of ''abba'' for a ''ripresa'' (reprise), and a stanza of ''cdcdda'' or ''cdcddeea'', though there is much variation between subtypes of frottola. Most likely the poetic form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onomatopoeia
Onomatopoeia is the process of creating a word that phonetically imitates, resembles, or suggests the sound that it describes. Such a word itself is also called an onomatopoeia. Common onomatopoeias include animal noises such as ''oink'', ''meow'' (or ''miaow''), ''roar'', and ''chirp''. Onomatopoeia can differ between languages: it conforms to some extent to the broader linguistic system; hence the sound of a clock may be expressed as ''tick tock'' in English, in Spanish and Italian (shown in the picture), in Mandarin, in Japanese, or in Hindi. The English term comes from the Ancient Greek compound ''onomatopoeia'', 'name-making', composed of ''onomato''- 'name' and -''poeia'' 'making'. Thus, words that imitate sounds can be said to be onomatopoeic or onomatopoetic. Uses In the case of a frog croaking, the spelling may vary because different frog species around the world make different sounds: Ancient Greek (only in Aristophanes' comic play ''The Frogs'') probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gematria
Gematria (; he, גמטריא or gimatria , plural or , ''gimatriot'') is the practice of assigning a numerical value to a name, word or phrase according to an alphanumerical cipher. A single word can yield several values depending on the cipher which is used. Hebrew alphanumeric ciphers were probably used in biblical times, and were later adopted by other cultures. Gematria is still widely used in Jewish culture. Similar systems have been used in other languages and cultures: the Greeks isopsephy, and later, derived from or inspired by Hebrew gematria, Arabic abjad numerals, and English gematria. Although a type of gematria system ('Aru') was employed by the ancient Babylonian culture, their writing script was logographic, and the numerical assignations they made were to whole words. The value of these words were assigned in an entirely arbitrary manner and correspondences were made through tables, and so cannot be considered a true form of gematria. Aru was very different from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volta (literature)
In poetry, the volta, or turn, is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry. Terminology The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of ''How Does a Poem Mean?'', John Ciardi calls the turn a "fulcrum". In ''The Poet's Art'', M.L. Rosenthal employs two different terms for different kinds of turns: "gentle ''modulations'', or at the furthest extreme, wrenching turns of emphasis or focus or emotional pitch (''torques'')". Hank Lazer primarily refers to the turn as a "swerve", asking, "Is there a describable lyricism of swerving? For those poems for which the swerve, the turn, the sudden change in direction are integral, can we begin to articulate a precise appreciation? Is there a describable and individualistic lyricism of swerving?" What Leslie Ullman calls the "center" of a poem largely is the poem's turn. Importance Author and historian Paul Fussell calls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballata
The ''ballata'' (plural: ''ballate'') is an Italian poetic and musical form in use from the late 13th to the 15th century. It has the musicapenim AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the French musical ' forme fixe' virelai (and not the ballade as the name might otherwise suggest). The first and last "A" is called a ''ripresa'', the "b" lines are ''piedi'' (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc. Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ''ballare'', to dance, and the form certainly began as dance music. The ballata was one of the most prominent secular musical forms during the trecento, the period often known as the Italian '' ars nova''. Ballate are sung at the end of each day of Boccacci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songbird
A songbird is a bird belonging to the suborder Passeri of the perching birds (Passeriformes). Another name that is sometimes seen as the scientific or vernacular name is Oscines, from Latin ''oscen'', "songbird". The Passeriformes contains 5000 or so speciesEdwards, Scott V. and John Harshman. 2013. Passeriformes. Perching Birds, Passerine Birds. Version 06 February 2013 (under construction). http://tolweb.org/Passeriformes/15868/2013.02.06 in The Tree of Life Web Project, http://tolweb.org/ ccessed 2017/12/11 found all over the world, in which the vocal organ typically is developed in such a way as to produce a diverse and elaborate bird song. Songbirds form one of the two major lineages of extant perching birds (~4000 species), the other being the Tyranni (~1000 species), which are most diverse in the Neotropics and absent from many parts of the world. The Tyranni have a simpler syrinx musculature, and while their vocalizations are often just as complex and striking as thos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cricket (insect)
Crickets are orthopteran insects which are related to bush crickets, and, more distantly, to grasshoppers. In older literature, such as Imms,Imms AD, rev. Richards OW & Davies RG (1970) ''A General Textbook of Entomology'' 9th Ed. Methuen 886 pp. "crickets" were placed at the family level (''i.e.'' Gryllidae), but contemporary authorities including Otte now place them in the superfamily Grylloidea. The word has been used in combination to describe more distantly related taxa in the suborder Ensifera, such as king crickets and mole crickets. Crickets have mainly cylindrically-shaped bodies, round heads, and long antennae. Behind the head is a smooth, robust pronotum. The abdomen ends in a pair of long cerci; females have a long, cylindrical ovipositor. Diagnostic features include legs with 3-segmented tarsi; as with many Orthoptera, the hind legs have enlarged femora, providing power for jumping. The front wings are adapted as tough, leathery elytra, and some crickets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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