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Ekō-in
, also known as Honjo Ekō-in, is a Pure Land Buddhist temple in Ryōgoku, Tokyo. The formal name of the temple is , reflecting its founding principle of Pariṇāmanā, or the spreading of Amida Buddha's benevolence to all souls of all living creatures. History On March 2, 1657, the Great Fire of Meireki destroyed 60 to 70% of the city of Edo (Tokyo) and killed about 100,000 people. The ''shōgun'' Tokugawa Ietsuna wished to commemorate the victims of the fire, most of whom were not survived by relatives. For this purpose he erected a monument called the ''Banninzuka'' (Mound of a Million Souls) and held a great memorial service conducted by of Zōjō-ji. A temple for prayers to Amida Buddha was built at the same time. This was the origin of the Ekō-in, which today continues to offer a resting place for any soul who did not leave relatives behind, including victims of natural disasters, prisoners, and animals. Sumo The temple was known as a sumo wrestling venue during the Ed ...
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Ryōgoku Kokugikan
, also known as Ryōgoku Sumo Hall or Kokugikan Arena, is the name bestowed to two different indoor sporting arenas located in Tokyo. The fist ''Ryōgoku Kokugikan'' opened its doors in 1909 and was located on the lands of the Ekōin temple in Ryōgoku, Tokyo. Although no sumo bouts were held after 1945, following the capitulation of Japan and the requisition of the building by the occupying forces, the building itself remained active until 1983, being notably used by the Nihon University. The second ''Ryōgoku Kokugikan'' is currently located in the Yokoami neighborhood of Sumida next to the Edo-Tokyo Museum. It opened in 1985, following the closure of the Kuramae Kokugikan, and is still in use today. The first Kokugikan History The growing popularity of Sumo during the Meiji period led to the building of the original Kokugikan in Ryōgoku. Until then, Sumo bouts were performed in temples precincts and depended on the weather. In March 1906, the 22nd Imperial Diet decided to ...
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Sumida, Tokyo
is a special ward located in Tokyo Metropolis, Japan. The English translation of its Japanese self-designation is Sumida City. As of May 1, 2015, the ward has an estimated population of 257,300, and a population density of 18,690 persons per km2. The total area is 13.77 km2. Its City Office is located in Azumabashi, but its commercial centre is the area around Kinshicho Station in the south. Geography Sumida is in the north-eastern part of the mainland portion of Tokyo. The Sumida and Arakawa are the major rivers, and form parts of its boundaries. Its neighbors are all special wards: Adachi to the north; Arakawa to the northwest; Katsushika to the east; Edogawa to the southeast; Taitō to the west; Chūō to the southwest; and Kōtō to the south. Landmarks *Tokyo Skytree: A digital terrestrial television broadcasting tower used by NHK and other broadcasters. It is the tallest tower in the world and the tallest man-made structure in Japan. The commercial facility Sk ...
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Nezumi Kozō
is the nickname of , a Japanese thief and folk hero who lived in Edo (present-day Tokyo) during the Edo period.Goodman, David G. (1986). Pg 256-257. "After Apocalypse: Four Japanese Plays of Hiroshima and Nagasaki", New York: Columbia University Press. His exploits have been commemorated in kabuki theatre, folk songs, jidaigeki, and modern pop culture. Capture and tattoo In 1822, he was caught and tattooed, and banished from Edo. On August 8, 1831, he was captured again, and confessed to the burglary of over 100 samurai estates and the impressive theft of over 30,000 ryō throughout his 15-year career. He was tied to a horse and paraded in public before being beheaded at the Suzugamori execution grounds. His head was then publicly displayed on a stake. He was buried at Ekō-in located in the Ryōgoku section of Tokyo. So many pilgrims have chipped away pieces of his tombstone for charms that his headstone has had to have been replaced a number of times since his death. Backgro ...
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Ryōgoku
is a district in Sumida, Tokyo. It is surrounded by various districts in Sumida, Chūō, and Taitō wards: Yokoami, Midori, Chitose, Higashi Nihonbashi, and Yanagibashi. In 1659, the Ryōgoku Bridge was built, spanning the Sumida River just upstream of its confluence with the Kanda River. Its name, meaning "two provinces," came from its joining Edo (the forerunner of Tokyo in Musashi Province) and Shimōsa Province. The district derived its name from that of the bridge. The Forty-seven rōnin avenged the death of their lord, Asano Naganori, by breaking into the mansion of his enemy, Kira Yoshinaka, in 1703. Part of the mansion has been preserved in a public park in Ryōgoku. Ryōgoku Station in the neighboring Yokoami district was opened in 1904, bringing rail transportation to the area. It is regarded as the heartland of professional sumo. Most training stables or ''heya'' are based there. The first Ryōgoku Kokugikan stadium for sumo was completed in 1909. The present o ...
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Pure Land Temples
Pure may refer to: Computing * A pure function * A pure virtual function * PureSystems, a family of computer systems introduced by IBM in 2012 * Pure Software, a company founded in 1991 by Reed Hastings to support the Purify tool * Pure-FTPd, FTP server software * Pure (programming language), functional programming language based on term rewriting * Pure Storage, a company that makes datacenter storage solutions * Pure (CRIS), a research information system bought by Elsevier. Companies and products * Pure (app), dating app * Pure (restaurant chain), a British fast food chain * Pure Insurance, Privilege Underwriters Reciprocal Exchange * Pure Trading, a Canadian electronic communication network operated by CNQ * Pure Digital, a UK consumer electronics company specialising in DAB radios * Pure Oil, a U.S. chain of gas stations * Propulsion Universelle et Récuperation d'Énergie (PURE), a motorsport engineering company * Pure FM (Portsmouth), a university radio station based in P ...
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Buddhist Temples In Tokyo
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religions, Indian religion or Indian philosophy#Buddhist philosophy, philosophical tradition based on Pre-sectarian Buddhism, teachings attributed to the Buddha. It originated in History of India, northern India as a -movement in the 5th century BCE, and Silk Road transmission of Buddhism, gradually spread throughout much of Asia via the Silk Road. It is the Major religious groups, world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a Bhavana, training of t ...
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Santō Kyōden
Santō Kyōden (山東 京伝, 13 September 1761 Edo – 27 October 1816) was a Japanese artist, writer, and the owner of a tobacco shop during the Edo period. His real name was Iwase Samuru (岩瀬 醒), and he was also known popularly as Kyōya Denzō (京屋伝蔵, ''kyōya denzō''). He began his professional career illustrating the works of others before writing his own Kibyōshi and Sharebon. Within his works, Kyōden often included references to his shop to increase sales. Kyōden's works were affected by the shifting publication laws of the Kansei Reforms which aimed to punish writers and their publishers for writings related to the Yoshiwara and other things that were deemed to be "harmful to society" at the time by the Tokugawa Bakufu. As a result of his punishment in 1791, Kyōden shifted his writings to the more didactic Yomihon. During the 1790s, Santō Kyōden became a household name and one of his works could sell as many as 10,000 copies, numbers that were previou ...
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Jōruri (music)
is a form of traditional Japanese narrative music in which a sings to the accompaniment of a . accompanies , traditional Japanese puppet theater. As a form of storytelling, emphasizes the lyrics and narration rather than the music itself. According to Asai Ryōi, the first performer to have ever employed the during his storytelling, instead of the , was chanter Sawazumi. The story he narrated was , one of the many existing versions of the , which tells the tale of the tragic love between Minamoto no Yoshitsune was a military commander of the Minamoto clan of Japan in the late Heian and early Kamakura periods. During the Genpei War, he led a series of battles which toppled the Ise-Heishi branch of the Taira clan, helping his half-brother Yoritomo conso ... and Jōruri-hime. Following this event, every tale sung to the accompaniment of a became emblematic of the style. See also * Japanese styles of music Japanese traditional music Japanese words and phrases ...
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Takemoto Gidayū
was a ''jōruri (music), jōruri''Though Japan's puppet theatre is more commonly known as "bunraku" in English, that term refers to a specific school of performance established nearly 200 years after Gidayū's time. chanter and the creator of a style of chanted narration for Japan's bunraku, puppet theatre which has been used ever since. The name "''gidayū''" has since become the term for all ''jōruri'' chanters. He was a close colleague of the famous playwright Chikamatsu Monzaemon, and founder and manager of the Takemoto-za puppet theatre. Originally known as Kiyomizu Gorōbei, he took on the name Takemoto Gidayū no Jō in 1701. Life and career Gidayū was originally from the Tennōji-ku, Osaka, Tennōji neighborhood of Osaka, performed originally in Kyoto, as apprentice to Uji Kaganojō. In 1684, he left Kaganojō and Kyoto, returning to Osaka and founding the Takemoto-za, Takemoto-za theatre. The year after his arrival saw a competition between Gidayū and Kaganojō for ...
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Utagawa Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series ''The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series ''One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), ...
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Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ...
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