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Ein Feste Burg Ist Unser Gott (Telemann)
Georg Philipp Telemann composed the motet ''Ein feste Burg ist unser Gott'', TWV 8:7, setting Luther's hymn in German, "Ein feste Burg ist unser Gott", for a four-part choir and continuo. The motet was first published around 1780. A modern edition was published by Carus-Verlag. History Georg Philipp Telemann, in his capacity as church music director in Hamburg, organised a festival in the city in 1730 to celebrate the bicentenary of the Augsburg Confession. He contributed two cantatas, which were performed at the Katharinenkirche on 25 June, before and after the service. In the same year, he composed the motet ''Ein feste Burg ist unser Gott'' as a choral setting of Luther's hymn "Ein feste Burg ist unser Gott", known in English as "A Mighty Fortress Is Our God", for a four-part choir and continuo. The motet was first published around 1780 in a collection of 34 motets. A modern edition was published by Carus-Verlag in 1978 and again in 1992, edited by Günter Graulich. Text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motets
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Compositions
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Georg Philipp Telemann
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Tunder
Franz Tunder (1614 – November 5, 1667) was a German composer and organist of the early to middle Baroque era. He was an important link between the early German Baroque style which was based on Venetian models, and the later Baroque style which culminated in the music of J.S. Bach; in addition he was formative in the development of the chorale cantata. Life According to recent research, Tunder was born in Lübeck, not in Bannesdorf or Burg on the island of Fehmarn as was believed by earlier scholars. Little is known about his early life other than that his talent was sufficient to allow him to be appointed as court organist to Frederick III, Duke of Holstein-Gottorp in Gottorf at the age of 18. A few years earlier, he had gone to Italy in the company of Johann Heckelauer, and it is likely that he studied with Girolamo Frescobaldi while he was in Florence. (Johann Mattheson asserted that he did, but this has been disputed by later scholars). Between 1632 and 1641, Tun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Walter
Johann Walter, also known as ''Johann Walther'' or ''Johannes Walter'' (original name: ''Johann Blankenmüller'') (1496 – 25 March 1570) was a Lutheran composer and poet during the Reformation period. Life Walter was born in Kahla, in present-day Thuringia, in 1496. According to a document filed with his will, he was born with the surname of Blanckenmüller, but adopted out of poverty by a citizen of Kahla, and given an education at Kahla and Rochlitz under his new name: Johann Walter. He began his career as a composer and bass cantor in the chapel of Frederick the Wise at the age of 21. It was a position he would hold until Frederick's death in 1525. By this time, he was the director of the chapel and had become an outspoken musical spokesman for Lutherans. Walter edited the first Protestant hymnal for choir, ', in Wittenberg in 1524, with a foreword by Martin Luther himself; and for the German-language Deutsche Messe produced in 1527. Following the conclusion of his appointme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akademie Für Alte Musik Berlin
Akademie für Alte Musik Berlin (Academy for Early Music Berlin, short name: Akamus) is a German chamber orchestra founded in East Berlin in 1982. Each year Akamus gives approximately 100 concerts, ranging from small chamber works to large-scale symphonic pieces in Europe's musical centers as well as on tours in Asia, North America and South America. About 30 musicians form the core of the orchestra. They perform under the leadership of their four concertmasters Midori Seiler, Stephan Mai, Bernhard Forck and Georg Kallweit or guest conductors like René Jacobs, Marcus Creed, Daniel Reuss, Peter Dijkstra and Hans-Christoph Rademann. Recording exclusively for harmonia mundi France since 1994, the ensemble’s CDs have earned many international prizes, including the Grammy Award, the Diapason d'Or, the Cannes Classical Award, the Gramophone Award and the Edison Award. In 2011 the recording of Mozarts ''Magic Flute'' was honoured with the German Record Critics' Award. In 2006 the Rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berliner Philharmoniker
The Berlin Philharmonic (german: Berliner Philharmoniker, links=no, italic=no) is a German orchestra based in Berlin. It is one of the most popular, acclaimed and well-respected orchestras in the world. History The Berlin Philharmonic was founded in Berlin in 1882 by 54 musicians under the name Frühere Bilsesche Kapelle (literally, "Former Bilse's Band"); the group broke away from their previous conductor Benjamin Bilse after he announced his intention of taking the band on a fourth-class train to Warsaw for a concert. The orchestra was renamed and reorganized under the financial management of Hermann Wolff in 1882. Their new conductor was Ludwig von Brenner; in 1887 Hans von Bülow, the conductor of the Meiningen Court Orchestra and one of the most famous piano virtuosos of the time, took over the post. This helped to establish the orchestra's international reputation, and guests Hans Richter, Felix von Weingartner, Richard Strauss, Gustav Mahler, Johannes Brahms and Edvar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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