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Edmé Samson
Edmé Samson (b Paris, 1810; d Paris, 1891), founder of the porcelain firm Samson, Edmé et Cie (commonly known as Samson Ceramics), was a famous copyist (and perhaps art forgery, forger) of porcelain and pottery. The firm produced high-quality copies or imitations of earlier styles of porcelain, mainly 18th-century European and Chinese and Japanese porcelain, but also earlier styles such as Italian maiolica. Edme Samson's ceramics Samson began his career by making service and set piece replacements in the late 1830s. In 1845 he opened the ceramics firm Samson, Edmé et Cie at 7, Rue Vendôme (later Rue Béranger) in Paris, with the intention of supplying reproductions of ceramics on display in museums and private collections. The factory was moved to Montreuil, Seine-Saint-Denis in 1871 by Samson’s son, Emile Samson (1837–1913). The firm either drew inspiration from other factories, or directly copied their pieces. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pair Of Mounted Elephants, Item 2, C
Pair or PAIR or Pairing may refer to: Government and politics * Pair (parliamentary convention), matching of members unable to attend, so as not to change the voting margin * ''Pair'', a member of the Prussian House of Lords * ''Pair'', the French equivalent of peer, holder of a French Pairie, a French high title roughly equivalent to a member of the British peerage Mathematics * 2 (number), two of something, a pair * 2-tuple, in mathematics and set theory * Ordered pair, in mathematics and set theory * Pairing, in mathematics, an R-bilinear map of modules, where R is the underlying ring * Pair type, in programming languages and type theory, a product type with two component types * Topological pair, an inclusion of topological spaces Science and technology * Couple (app), formerly Pair, a mobile application for two people * PAIR (puncture-aspiration-injection-reaspiration), in medicine * Pairing, a handshaking process in Bluetooth communications * Pair programming, an agile soft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the normal te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1889)
The Exposition Universelle of 1889 () was a world's fair held in Paris, France, from 5 May to 31 October 1889. It was the fourth of eight expositions held in the city between 1855 and 1937. It attracted more than thirty-two million visitors. The most famous structure created for the Exposition, and still remaining, is the Eiffel Tower. Organization The Exposition was held to celebrate the 100th anniversary of the Storming of the Bastille, which marked the beginning of French Revolution, and was also seen as a way to stimulate the economy and pull France out of an economic recession. The Exposition attracted 61,722 official exhibitors, of whom twenty-five thousand were from outside of France. Admission price Admission to the Exposition cost forty centimes, at a time when the price of an "economy" plate of meat and vegetables in a Paris cafe was ten centimes. Visitors paid an additional price for several of the Exposition's most popular attractions. Climbing the Eiffel Towe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Exposition (1867)
The International Exposition of 1867 (french: Exposition universelle 'art et d'industriede 1867), was the second world's fair to be held in Paris, from 1 April to 3 November 1867. A number of nations were represented at the fair. Following a decree of Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of the renovation of Paris, marking the culmination of the Second French Empire. Visitors included Tsar Alexander II of Russia, a brother of the King William and Otto von Bismarck of Prussia, Prince Metternich and Franz Josef of Austria, Ottoman Sultan Abdülaziz, and the Khedive of Egypt Isma'il. Conception In 1864, Napoleon III issued a decree stating that an international exposition should be held in Paris in 1867. A commission was appointed with Prince Jerome Napoleon as president, under whose direction the preliminary work began. The site chosen for the Exposition Universelle of 1867 was the Champ de Mars, the great military parade ground ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arita, Saga
is a town located in Nishimatsuura District, Saga Prefecture, Japan. It is known for producing Arita porcelain, one of the traditional handicrafts of Japan. It also holds the largest ceramic fair in Western Japan, the Arita Ceramic Fair. This event is held from April 29 to May 5 ( Golden Week) every year and has thousands of stores and stalls lining the six-kilometre long main street. On March 1, 2006 the town of Nishiarita, from Nishimatsuura District, was merged into Arita. Geography Arita is located in the western part of Saga Prefecture, bordering Nagasaki Prefecture from its southwest to western sides. About 70% of the town is forest and mountains. Neighbouring municipalities *Saga Prefecture **Imari ** Takeo History Arita was one of the first sites in Japan to produce porcelain, Arita ware. The discovery of porcelain stone is attributed to a Korean potter named Kanagae Sambe, although most historians consider this a legend. *April 1, 1889 – The modern municip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imari Porcelain
is a Western term for a brightly-coloured style of Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. Typically Imari ware (in the English use of the term) is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze. In the most characteristic floral designs most of the surface is coloured, with "a tendency to overdecoration that leads to fussiness". The style was so successful that Chinese and European producers began to copy it. Sometimes the different overglaze styles of Kakiemon and Kutani ware are also grouped under Imari ware. The name derives from the port of Imari, Saga, from which they were shipped to Nagasaki, where the Dutch East India Company and the Chinese had trading outposts. In the West the multi-colour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Porcelain
Chinese ceramics show a continuous development since pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the Palaeolithic era. Chinese ceramics range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage. Most later Chinese ceramics, even of the finest quality, were made on an industrial scale, thus few names of individual potters were recorded. Many of the most important kiln workshops were owned by or reserved for the emperor, and large quantities of Chinese export porcelain were exported as diplomatic gifts or for trade from an early date, initially to East Asia and the Islamic world, and then from around the 16th century to Eur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Famille Verte
Famille jaune, noire, rose, verte are terms used in the West to classify Chinese porcelain of the Qing dynasty by the dominant colour of its enamel palette. These wares were initially grouped under the French names of ("green family"), and (pink family) by Albert Jacquemart in 1862. The other terms (yellow) and (black) may have been introduced later by dealers or collectors and they are generally considered subcategories of ''famille verte''. ''Famille verte'' porcelain was produced mainly during the Kangxi era, while ''famille rose'' porcelain was popular in the 18th and 19th century. Much of the Chinese production was Jingdezhen porcelain, and a large proportion were made for export to the West, but some of the finest were made for the Imperial court. Famille verte ''Famille verte'' (康熙五彩, ''Kangxi wucai'', also 素三彩, ''Susancai''), adopted in the Kangxi period around 1680, uses green in a few different shades and iron red with other overglaze colours. It dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Famille Rose
Famille rose (French for "pink family") is a type of Chinese porcelain introduced in the 18th century and defined by the presence of pink colour overglaze enamel. It is a Western classification for Qing dynasty porcelain known in Chinese by various terms: ''fencai'', ''ruancai'', ''yangcai'', and ''falangcai''. The colour palette is thought to have been introduced in China during the reign of Kangxi (1654–1722) by Western Jesuits who worked at the palace, but perfected only in the Yongzheng era when the finest pieces were made. Although ''famille rose'' is named after its pink coloured enamel, the colour may actually range from pale pink to deep ruby. Apart from pink, a range of other soft colour palettes are also used in ''famille rose''. The gradation of colours was produced by mixing coloured enamels with 'glassy white' (玻璃白, ''boli bai''), an opaque white enamel (lead arsenate), and its range of colour was further extended by mixing different colours. Famille ros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qing Dynasty
The Qing dynasty ( ), officially the Great Qing,, was a Manchu-led imperial dynasty of China and the last orthodox dynasty in Chinese history. It emerged from the Later Jin dynasty founded by the Jianzhou Jurchens, a Tungusic-speaking ethnic group who unified other Jurchen tribes to form a new "Manchu" ethnic identity. The dynasty was officially proclaimed in 1636 in Manchuria (modern-day Northeast China and Outer Manchuria). It seized control of Beijing in 1644, then later expanded its rule over the whole of China proper and Taiwan, and finally expanded into Inner Asia. The dynasty lasted until 1912 when it was overthrown in the Xinhai Revolution. In orthodox Chinese historiography, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China. The multiethnic Qing dynasty lasted for almost three centuries and assembled the territorial base for modern China. It was the largest imperial dynasty in the history of China and in 1790 the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Palissy
Bernard Palissy (c. 1510c. 1589) was a French Huguenot potter, hydraulics engineer and craftsman, famous for having struggled for sixteen years to imitate Chinese porcelain. He is best known for his so-called "rusticware", typically highly decorated large oval platters featuring small animals in relief among vegetation, the animals apparently often being moulded from casts taken of dead specimens. It is often difficult to distinguish examples from Palissy's own workshop and those of a number of "followers" who rapidly adopted his style. Imitations and adaptations of his style continued to be made in France until roughly 1800, and then revived considerably in the 19th century. In the 19th century, Palissy's pottery became the inspiration for Mintons Ltd's Victorian majolica, which was exhibited at the London Great Exhibition of 1851 under the name " Palissy ware". Palissy is known for his contributions to the natural sciences, and is famous for discovering principles of geology, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic
Islam (; ar, ۘالِإسلَام, , ) is an Abrahamic monotheistic religion centred primarily around the Quran, a religious text considered by Muslims to be the direct word of God (or '' Allah'') as it was revealed to Muhammad, the main and final Islamic prophet.Peters, F. E. 2009. "Allāh." In , edited by J. L. Esposito. Oxford: Oxford University Press. . (See alsoquick reference) " e Muslims' understanding of Allāh is based...on the Qurʿān's public witness. Allāh is Unique, the Creator, Sovereign, and Judge of mankind. It is Allāh who directs the universe through his direct action on nature and who has guided human history through his prophets, Abraham, with whom he made his covenant, Moses/Moosa, Jesus/Eesa, and Muḥammad, through all of whom he founded his chosen communities, the 'Peoples of the Book.'" It is the world's second-largest religion behind Christianity, with its followers ranging between 1-1.8 billion globally, or around a quarter of the world's po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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