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Early Middle Japanese
is a stage of the Japanese language between 794 and 1185, which is known as the Heian Period(). The successor to Old Japanese(), it is also known as Late Old Japanese. However, the term "Early Middle Japanese" is preferred, as it is closer to Late Middle Japanese (, after A.D. 1185) than to Old Japanese (before A.D. 794). Background Old Japanese had borrowed and adapted the Chinese script to write Japanese. In Early Middle Japanese, two new scripts emerged: the kana scripts hiragana and katakana. That development simplified writing and brought about a new age in literature with many classics such as '' The Tale of Genji'', ''The Tale of the Bamboo Cutter'', and ''The Tales of Ise''. Writing system Early Middle Japanese was written in three different ways. It was first recorded in Man'yōgana (), literally "ten thousand leaves borrowed labels", in reference to the ''Man'yōshū'' poetry anthology and the "borrowing" of the kanji characters as "labels" for the sounds of Japanese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tales Of Ise
is a Japanese ''uta monogatari'', or collection of ''waka'' poems and associated narratives, dating from the Heian period. The current version collects 125 sections, with each combining poems and prose, giving a total of 209 poems in most versions. Concerning the exact date of composition and authorship there is only unresolved speculation. The identity of the nameless, idealised central character is unclear, though it is suggested to be Ariwara no Narihira (825–880). Thirty of the poems from ''The Tales of Ise'' appear in the ''Kokin Wakashū'' (905), with similar headnotes, all attributed to Narihira. The combination of these poems, and the similarity of some events in the tales to Narihira's life, have led to the additional suggestion that Narihira actually composed the work; however, the inclusion of material and events dating after 880 suggests otherwise. Title The late-eleventh centuryKeene 1999 : 518–519. work known as '' The Tale of Sagoromo'' refers to ''Ise'' by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orthography
An orthography is a set of conventions for writing a language, including norms of spelling, hyphenation, capitalization, word breaks, emphasis, and punctuation. Most transnational languages in the modern period have a writing system, and most of these systems have undergone substantial standardization, thus exhibiting less dialect variation than the spoken language. These processes can fossilize pronunciation patterns that are no longer routinely observed in speech (e.g., "would" and "should"); they can also reflect deliberate efforts to introduce variability for the sake of national identity, as seen in Noah Webster's efforts to introduce easily noticeable differences between American and British spelling (e.g., "honor" and "honour"). Some nations (e.g. France and Spain) have established language academies in an attempt to regulate orthography officially. For most languages (including English) however, there are no such authorities and a sense of 'correct' orthography evol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinjitai
are the simplified forms of kanji used in Japan since the promulgation of the Tōyō Kanji List in 1946. Some of the new forms found in ''shinjitai'' are also found in Simplified Chinese characters, but ''shinjitai'' is generally not as extensive in the scope of its modification. ''Shinjitai'' were created by reducing the number of strokes in ''kyūjitai'' ("old character form") or , which is unsimplified kanji (usually similar to Traditional Chinese characters). This simplification was achieved through a process (similar to that of simplified Chinese) of either replacing the ''onpu'' (, "sound mark") indicating the ''On'' reading with another ''onpu'' of the same ''On'' reading with fewer strokes, or replacing a complex component of a character with a simpler one. There have been a few stages of simplifications made since the 1950s, but the only changes that became official were the changes in the Jōyō Kanji List in 1981 and 2010. Background The following forms were establ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dakuten And Handakuten
The , colloquially , is a diacritic most often used in the Japanese kana syllabaries to indicate that the consonant of a syllable should be pronounced voiced, for instance, on sounds that have undergone rendaku (sequential voicing). The , colloquially , is a diacritic used with the kana for syllables starting with ''h'' to indicate that they should instead be pronounced with . History The ''kun'yomi'' pronunciation of the character is ''nigori''; hence the ''daku-ten'' may also be called the ''nigori-ten''. This character, meaning ''muddy'' or ''turbid'', stems from historical Chinese phonology, where consonants were traditionally classified as ''clear'' ( "voiceless"), ''lesser-clear'' ( " aspirated") and ''muddy'' ( "voiced"). (See: Middle Chinese § Initials) ''Dakuten'' were used sporadically since the start of written Japanese; their use tended to become more common as time went on. The modern practice of using dakuten in all cases of voicing in all writing only came ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji (era)
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samurai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hentaigana
In the Japanese writing system, are variant forms of hiragana. History Today, with few exceptions, there is only one hiragana for each of the forty-five moras that are written without diacritics or digraphs. However, traditionally there were generally several more-or-less interchangeable hiragana for each. A 1900 script reform ordained that only one selected character be used for each mora, with the rest deemed ''hentaigana''. Today, although not normally used in publication, ''hentaigana'' are still used in shop signs and brand names to create a traditional or antiquated air. Hiragana originate in ''man'yōgana,'' a system where kanji were used to write sounds without regard to their meaning. There was more than one kanji that could be used equivalently for each syllable (at the time, a syllable was a mora). Over time the ''man'yōgana'' was reduced to a cursive form, the hiragana. Many ''hentaigana'' derive from different kanji from the ones for the now-standard hir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mora (linguistics)
A mora (plural ''morae'' or ''moras''; often symbolized μ) is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable. For example, a short syllable such as ''ba'' consists of one mora (''monomoraic''), while a long syllable such as ''baa'' consists of two (''bimoraic''); extra-long syllables with three moras (''trimoraic'') are relatively rare. Such metrics are also referred to as syllable weight. The term comes from the Latin word for "linger, delay", which was also used to translate the Greek word χρόνος : ''chrónos'' (time) in its metrical sense. Formation The general principles for assigning moras to segments are as follows (see Hayes 1989 and Hyman 1985 for detailed discussion): # A syllable onset (the first consonant or consonants of the syllable) does not represent any mora. # The syllable nucleus represents one mora in the case of a short vowel, and two morae in the case of a long vowel or diphthong. Consonants se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man'yōgana
is an ancient writing system that uses Chinese characters to represent the Japanese language. It was the first known kana system to be developed as a means to represent the Japanese language phonetically. The date of the earliest usage of this type of kana is not clear, but it was in use since at least the mid-7th century. The name "man'yōgana" derives from the '' Man'yōshū'', a Japanese poetry anthology from the Nara period written with ''man'yōgana.'' Texts using the system also often use Chinese characters for their meaning, but ''man'yōgana'' refers to such characters only when used to represent a phonetic value. The values were derived from the contemporary Chinese pronunciation, but native Japanese readings of the character were also sometimes used. For example, (whose character means 'tree') could represent either (based on Middle Chinese ) or or (meaning 'tree' in Old Japanese). Simplified versions of ''man'yōgana'' eventually gave rise to both the hiragana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiragana Ye
is a Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' literally means "flowing" or "simple" kana ("simple" originally as contrasted with kanji). Hiragana and katakana are both kana systems. With few exceptions, each mora in the Japanese language is represented by one character (or one digraph) in each system. This may be either a vowel such as ''"a"'' (hiragana あ); a consonant followed by a vowel such as ''"ka"'' (か); or ''"n"'' (ん), a nasal sonorant which, depending on the context, sounds either like English ''m'', ''n'' or ''ng'' () when syllable-final or like the nasal vowels of French language, French, Portuguese language, Portuguese or Polish language, Polish. Because the characters of the kana do not represent single consonants (except in the case of ん "n"), the kana are referred to as syllabic symbols and not alphabetic letters. Hiragana is used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unicode Japanese Katakana Old E
Unicode, formally The Unicode Standard,The formal version reference is is an information technology standard for the consistent encoding, representation, and handling of text expressed in most of the world's writing systems. The standard, which is maintained by the Unicode Consortium, defines as of the current version (15.0) 149,186 characters covering 161 modern and historic scripts, as well as symbols, emoji (including in colors), and non-visual control and formatting codes. Unicode's success at unifying character sets has led to its widespread and predominant use in the internationalization and localization of computer software. The standard has been implemented in many recent technologies, including modern operating systems, XML, and most modern programming languages. The Unicode character repertoire is synchronized with ISO/IEC 10646, each being code-for-code identical with the other. ''The Unicode Standard'', however, includes more than just the base code. Alongside the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phoneme
In phonology and linguistics, a phoneme () is a unit of sound that can distinguish one word from another in a particular language. For example, in most dialects of English, with the notable exception of the West Midlands and the north-west of England, the sound patterns (''sin'') and (''sing'') are two separate words that are distinguished by the substitution of one phoneme, , for another phoneme, . Two words like this that differ in meaning through the contrast of a single phoneme form a ''minimal pair''. If, in another language, any two sequences differing only by pronunciation of the final sounds or are perceived as being the same in meaning, then these two sounds are interpreted as phonetic variants of a single phoneme in that language. Phonemes that are established by the use of minimal pairs, such as ''tap'' vs ''tab'' or ''pat'' vs ''bat'', are written between slashes: , . To show pronunciation, linguists use square brackets: (indicating an aspirated ''p'' in ''p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
