Dulwich Art Gallery
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Dulwich Art Gallery
Dulwich Picture Gallery is an art gallery in Dulwich, South London, which opened to the public in 1817. It was designed by Regency architect Sir John Soane using an innovative and influential method of illumination. Dulwich is the oldest public art gallery in England and was made an independent charitable trust in 1994. Until this time the gallery was part of the College of God's Gift, a charitable foundation established by the actor, entrepreneur, and philanthropist Edward Alleyn in the early 17th century. The acquisition of artworks by its founders and bequests from its many patrons resulted in Dulwich Picture Gallery housing one of the country's finest collections of Old Masters, especially rich in French, Italian, and Spanish Baroque paintings, and in British portraits from Tudor times to the 19th century. The Dulwich Picture Gallery and its mausoleum are listed Grade II* on the National Heritage List for England. History Early history of the gallery Edward Alleyn (1566 ...
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Dulwich
Dulwich (; ) is an area in south London, England. The settlement is mostly in the London Borough of Southwark, with parts in the London Borough of Lambeth, and consists of Dulwich Village, East Dulwich, West Dulwich, and the Southwark half of Herne Hill (which is often referred to as the North Dulwich triangle). Dulwich lies in a valley between the neighbouring districts of Camberwell (to the west), Crystal Palace, Denmark Hill, Forest Hill, Peckham, Sydenham Hill, and Tulse Hill. For the last four centuries Dulwich has been centred on the College of God's Gift, also known as the "Old College", which owned most of the land in the area today known as the Dulwich Estate. The College, founded with educational and charitable aims, established three large independent schools in the 19th century (Dulwich College, Alleyn's School and James Allen's Girls' School). In recent decades four large state secondary schools have opened in the area (The Charter School East Dulwich, The Chart ...
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William Cartwright (actor)
William Cartwright (died 17 December 1686) was an English actor of the seventeenth century, whose career spanned the Caroline era to the Restoration. He is sometimes known as William Cartwright, Junior or William Cartwright the younger to distinguish him from his father, another William Cartwright ( fl. 1598 – 1636), an actor of the previous generation. Early career William Cartwright the younger was about eighty years old when he died; he was therefore born around 1606 or 1607. Nothing is known of his early life; it is reasonable to assume that he began his stage career under his father's tutelage. He was included with his father on a 1635 list of actors; apparently they both belonged to the King's Revels Men at that time. James Wright's ''Historia Histrionica'' ( 1699) maintains that the younger Cartwright was associated with the Salisbury Court Theatre — which may refer to his time with his father's troupe, or may indicate that he was with Queen Henrietta's Men in ...
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Joseph Mallord William Turner
Joseph Mallord William Turner (23 April 177519 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting. Turner was born in Maiden Lane, Covent Garden, London, to a modest lower-middle-class family. He lived in London all his life, retaining his Cockney accent and assiduously avoiding the trappings of success and fame. A child prodigy, Turner studied at the Royal Academy of Arts from 1789, enrolling when he was 14, and exhibited his first work there at 15. During this period, he also served as an architectural draftsman. He earned a steady i ...
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William Etty
William Etty (10 March 1787 – 13 November 1849) was an English artist best known for his history paintings containing nude figures. He was the first significant British painter of nudes and still lifes. Born in York, he left school at the age of 12 to become an apprentice printer in Hull. He completed his apprenticeship seven years later and moved to London, where in 1807 he joined the Royal Academy Schools. There he studied under Thomas Lawrence and trained by copying works by other artists. Etty earned respect at the Royal Academy of Arts for his ability to paint realistic flesh tones, but had little commercial or critical success in his first few years in London. Etty's '' Cleopatra's Arrival in Cilicia'', painted in 1821, featured numerous nudes and was exhibited to great acclaim. Its success prompted several further depictions of historical scenes with nudes. All but one of the works he exhibited at the Royal Academy in the 1820s contained at least one nude ...
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John Constable
John Constable (; 11 June 1776 – 31 March 1837) was an English landscape painter in the Romanticism, Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling". Constable's most famous paintings include ''Wivenhoe Park (painting), Wivenhoe Park'' (1816), ''The Vale of Dedham (painting), Dedham Vale'' (1821) and ''The Hay Wain'' (1821). Although his paintings are now among the most popular and valuable in Art of the United Kingdom, British art, he was never financially successful. He became a member of the establishment after he was elected to the Royal Academy of Arts at the age of 52. His work was embraced in France, where he sold more than in his ...
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Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Royal Society of Arts, Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy ...
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John Philip Kemble
John Philip Kemble (1 February 1757 – 26 February 1823) was a British actor. He was born into a theatrical family as the eldest son of Roger Kemble, actor-manager of a touring troupe. His elder sister Sarah Siddons achieved fame with him on the stage of the Theatre Royal, Drury Lane. His other siblings, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, also enjoyed success on the stage. Early life The second child of Roger Kemble – the manager of the travelling theatre company the Warwickshire Company of Comedians – he was born at Prescot, Lancashire. John Kemble
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Mausoleum
A mausoleum is an external free-standing building constructed as a monument enclosing the interment space or burial chamber of a deceased person or people. A mausoleum without the person's remains is called a cenotaph. A mausoleum may be considered a type of tomb, or the tomb may be considered to be within the mausoleum. Overview The word ''mausoleum'' (from Greek μαυσωλείον) derives from the Mausoleum at Halicarnassus (near modern-day Bodrum in Turkey), the grave of King Mausolus, the Persian satrap of Caria, whose large tomb was one of the Seven Wonders of the Ancient World. Historically, mausolea were, and still may be, large and impressive constructions for a deceased leader or other person of importance. However, smaller mausolea soon became popular with the gentry and nobility in many countries. In the Roman Empire, these were often in necropoles or along roadsides: the via Appia Antica retains the ruins of many private mausolea for kilometres outside Rome. Whe ...
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Partitions Of Poland
The Partitions of Poland were three partitions of the Polish–Lithuanian Commonwealth that took place toward the end of the 18th century and ended the existence of the state, resulting in the elimination of sovereign Poland and Lithuania for 123 years. The partitions were conducted by the Habsburg monarchy, the Kingdom of Prussia, and the Russian Empire, which divided up the Commonwealth lands among themselves progressively in the process of territorial seizures and annexations. The First Partition was decided on August 5, 1772 after the Bar Confederation lost the war with Russia. The Second Partition occurred in the aftermath of the Polish–Russian War of 1792 and the Targowica Confederation of 1792 when Russian and Prussian troops entered the Commonwealth and the partition treaty was signed during the Grodno Sejm on January 23, 1793 (without Austria). The Third Partition took place on October 24, 1795, in reaction to the unsuccessful Polish Kościuszko Uprising the previ ...
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Fine Art
In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. Historically, the five main fine arts were painting, sculpture, architecture, music, and poetry, with p ...
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Stanisław August Poniatowski
Stanisław II August (born Stanisław Antoni Poniatowski; 17 January 1732 – 12 February 1798), known also by his regnal Latin name Stanislaus II Augustus, was King of Poland and Grand Duke of Lithuania from 1764 to 1795, and the last monarch of the Polish–Lithuanian Commonwealth. Born into wealthy Polish aristocracy, Poniatowski arrived as a diplomat at the Russian imperial court in Saint Petersburg in 1755 at the age of 22 and became intimately involved with the future empress Catherine the Great. With her connivance, he was elected King of Poland by the Polish Diet in September 1764 following the death of Augustus III. Contrary to expectations, Poniatowski attempted to reform and strengthen the large but ailing Commonwealth. His efforts were met with external opposition from neighbouring Prussia, Russia and Austria, all committed to keeping the Commonwealth weak. From within he was opposed by conservative interests, which saw the reforms as a threat to their traditional l ...
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The Polish–Lithuanian Commonwealth
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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