|
Dorothy Nickerson
Dorothy Nickerson (August 5, 1900 – April 25, 1985) was an American color scientist and technologist who made important contributions in the fields of color quality control, technical use of colorimetry, the relationship between color stimuli and color perceptions, standardization of light sources, color tolerance specification, and others. Background Dorothy Nickerson was born on August 5, 1900, and raised in Boston. In 1919, she attended Boston University and in 1923 Johns Hopkins University. She continued her education at summer courses and university extensions at Harvard University, George Washington University, and the Graduate School of the U.S. Department of Agriculture. Her special interest was the science of color, then in significant development. Career In 1921, Nickerson joined the Munsell Color Company as a laboratory assistant and secretary to A.E.O. Munsell, who had taken over the firm from his father in 1918. In 1922, the firm moved to New York City and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munsell Color Company
The Munsell Color Company was founded by Albert H. Munsell in 1917 with two other stockholders, Arthur Allen and Ray Greenleaf. It was located at Boston, Massachusetts. This company was manufactured to carry on business by publishing books, selling color supplies for schools such as crayons, water colors, paper colors and school supplies and to teach the principles of Munsell Color System. After the death of Albert H. Munsell, his son, Alexander Ector Orr Munsell, was convinced to take over the company and reorganized it, renamed as the Munsell Color Foundation. The Munsell Color Foundation moved to New York for educational purposes and established the Munsell Research Laboratory which was funded by the Munsell family. A few years later, the Munsell Color Foundation and the Laboratory moved to Baltimore, Maryland, to be close to the National Bureau of Standards and Johns Hopkins University. Alexander Munsell contributed his times attending to Johns Hopkins University and under the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cotton
Cotton is a soft, fluffy staple fiber that grows in a boll, or protective case, around the seeds of the cotton plants of the genus ''Gossypium'' in the mallow family Malvaceae. The fiber is almost pure cellulose, and can contain minor percentages of waxes, fats, pectins, and water. Under natural conditions, the cotton bolls will increase the dispersal of the seeds. The plant is a shrub native to tropical and subtropical regions around the world, including the Americas, Africa, Egypt and India. The greatest diversity of wild cotton species is found in Mexico, followed by Australia and Africa. Cotton was independently domesticated in the Old and New Worlds. The fiber is most often spun into yarn or thread and used to make a soft, breathable, and durable textile. The use of cotton for fabric is known to date to prehistoric times; fragments of cotton fabric dated to the fifth millennium BC have been found in the Indus Valley civilization, as well as fabric remnants dated back ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OSA-UCS
In colorimetry the OSA-UCS (Optical Society of America Uniform Color Space) is a color space first published in 1947 and developed by the Optical Society of America’s Committee on Uniform Color Scales. Previously created color order systems, such as the Munsell color system, failed to represent perceptual uniformity in all directions. The committee decided that, in order to accurately represent uniform color differences in each direction, a new shape of three dimensional Cartesian geometry would need to be used. History and development The development of the OSA-UCS took place during many years, from 1947-1977. Not long after the first mathematical color model was developed by the CIE, David MacAdam showed that when selecting a color on the CIE chromaticity diagram, it could not be guaranteed that colors of the same perceived color difference around this color were at the same color distance with respect to the reference color. More simply, the Euclidean distance between an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soil
Soil, also commonly referred to as earth or dirt, is a mixture of organic matter, minerals, gases, liquids, and organisms that together support life. Some scientific definitions distinguish ''dirt'' from ''soil'' by restricting the former term specifically to displaced soil. Soil consists of a solid phase of minerals and organic matter (the soil matrix), as well as a porous phase that holds gases (the soil atmosphere) and water (the soil solution). Accordingly, soil is a three-state system of solids, liquids, and gases. Soil is a product of several factors: the influence of climate, relief (elevation, orientation, and slope of terrain), organisms, and the soil's parent materials (original minerals) interacting over time. It continually undergoes development by way of numerous physical, chemical and biological processes, which include weathering with associated erosion. Given its complexity and strong internal connectedness, soil ecologists regard soil as an ecosystem. Most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromaticity
Chromaticity is an objective specification of the quality of a color regardless of its luminance. Chromaticity consists of two independent parameters, often specified as hue (h) and colorfulness (s), where the latter is alternatively called saturation, chroma, intensity, or excitation purity. This number of parameters follows from trichromacy of vision of most humans, which is assumed by most models in color science. Quantitative description In color science, the white point of an illuminant or of a display is a neutral reference characterized by a chromaticity; all other chromaticities may be defined in relation to this reference using polar coordinates. The ''hue'' is the angular component, and the ''purity'' is the radial component, normalized by the maximum radius for that hue. Purity is roughly equivalent to the term "saturation" in the HSV color model. The property "hue" is as used in general color theory and in specific color models such as HSV and HSL color spaces, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deane B , which includes Deane as one of the Tribes
{{disambiguation, geo ...
Deane may refer to: Places * Deane, Greater Manchester, an area of Bolton and a former historic parish * Deane, Hampshire, a village * Deane, Kentucky Ships * USS ''Deane'' (1778), US Navy frigate named after Silas Deane * HMS ''Deane'' (K551), a 1943 British Royal Navy frigate which served in the Second World War See also * Deane (name), for people with the name ''Deane'' * Dean (surname) * Dean (other) *Tribes of Galway The Tribes of Galway ( ga, Treibheanna na Gaillimhe) were 14 merchant families who dominated the political, commercial and social life of the city of Galway in western Ireland between the mid-13th and late 19th centuries. They were the families ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munsell Color System
In colorimetry, the Munsell color system is a color space that specifies colors based on three properties of color: hue (basic color), chroma (color intensity), and value ( lightness). It was created by Professor Albert H. Munsell in the first decade of the 20th century and adopted by the United States Department of Agriculture (USDA) as the official color system for soil research in the 1930s. Several earlier color order systems had placed colors into a three-dimensional color solid of one form or another, but Munsell was the first to separate hue, value, and chroma into perceptually uniform and independent dimensions, and he was the first to illustrate the colors systematically in three-dimensional space. Munsell's system, particularly the later renotations, is based on rigorous measurements of human subjects' visual responses to color, putting it on a firm experimental scientific basis. Because of this basis in human visual perception, Munsell's system has outlasted its c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Society Of America
Optica (formerly known as The Optical Society (OSA) and before that as the Optical Society of America) is a professional society of individuals and companies with an interest in optics and photonics. It publishes journals and organizes conferences and exhibitions. It currently has about 488,000 customers in 183 countries, including nearly 300 companies. History Optica was founded in 1916 as the "Optical Society of America", under the leadership of Perley G. Nutting, with 30 optical scientists and instrument makers based in Rochester, New York. It soon published its first journal of research results and established an annual meeting. The first local section was established in Rochester, New York, in 1916 and the ''Journal of the Optical Society of America'' was created in 1918. The first series of joint meetings with the American Physical Society was in 1918. In 2008 it changed its name to The Optical Society (OSA). In September 2021, the organization's name changed to Optica, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CIELAB Color Space
The CIELAB color space, also referred to as ''L*a*b*'' , is a color space defined by the International Commission on Illumination (abbreviated CIE) in 1976. (Referring to CIELAB as "Lab" without asterisks should be avoided to prevent confusion with Hunter Lab). It expresses color as three values: ''L*'' for perceptual lightness and ''a*'' and ''b*'' for the four unique colors of human vision: red, green, blue and yellow. CIELAB was intended as a perceptually uniform space, where a given numerical change corresponds to a similar perceived change in color. While the LAB space is not truly perceptually uniform, it nevertheless is useful in industry for detecting small differences in color. Like the CIEXYZ space it derives from, CIELAB color space is a device-independent, "standard observer" model. The colors it defines are not relative to any particular device such as a computer monitor or a printer, but instead relate to the CIE standard observer which is an averaging of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Solid
A color solid is the three-dimensional representation of a color model, an analog of the two-dimensional color wheel. The added spatial dimension allows a color solid to depict an added dimension of color variation. Whereas a two-dimensional color wheel typically depicts the variables of hue (red, green, blue, etc.) and lightness (gradations of light and dark, tints or shades), a color solid adds the variable of colorfulness (either chroma or saturation), allowing the solid to depict all conceivable colors in an organized three-dimensional structure. Organization File:Sphere vertical cross section runge.svg , Philipp Otto Runge's ''Farbenkugel'' File:Sphere vertical cross section munsell.svg , Albert Henry Munsell's ''color sphere'' File:Sphere vertical cross section itten.svg , Johannes Itten's ''color sphere'' File:Sphere vertical cross section parametric.svg , Spherical coordinate system (for comparison) Different color theorists have each designed unique color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lightness (color)
Lightness is a visual perception of the luminance (L) of an object. It is often judged relative to a similarly lit object. In colorimetry and color appearance models, lightness is a prediction of how an illuminated color will appear to a standard observer. While luminance is a linear measurement of light, lightness is a linear prediction of the human perception of that light. This is because human vision's lightness perception is non-linear relative to light. Doubling the quantity of light does not result in a doubling in perceived lightness, only a modest increase. The symbol for perceptual lightness is usually either J as used in CIECAM02 or L^* as used in CIELAB and CIELUV. L^* ("Lstar") is not to be confused with L as used for luminance. In some color ordering systems such as Munsell color system, Munsell, Lightness is referenced as value. Chiaroscuro and Tenebrism both take advantage of dramatic contrasts of value to heighten drama in art. Artists may also employ shading ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colorfulness
Colorfulness, chroma and saturation are attributes of perceived color relating to chromatic intensity. As defined formally by the International Commission on Illumination (CIE) they respectively describe three different aspects of chromatic intensity, but the terms are often used loosely and interchangeably in contexts where these aspects are not clearly distinguished. The precise meanings of the terms vary by what other functions they are dependent on. * Colorfulness is the "attribute of a visual perception according to which the perceived color of an area appears to be more or less chromatic"., page 87. The colorfulness evoked by an object depends not only on its spectral reflectance but also on the strength of the illumination, and increases with the latter unless the brightness is very high ( Hunt effect). * Chroma is the "colorfulness of an area judged as a proportion of the brightness of a similarly illuminated area that appears white or highly transmitting". As a resu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
