Don't Make My Baby Blue
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Don't Make My Baby Blue
"Don't Make My Baby Blue" is a song by Frankie Laine, released as a single in March 1963. It peaked at number 51 on ''Billboard'' Hot 100. It was later covered by the Shadows, who had a hit with it in the UK. Release and reception "Don't Make My Baby Blue" was recorded by Laine at the beginning of March 1963 at CBS Columbia Square Studios in Sunset Boulevard. It was produced by Terry Melcher and features an orchestra arranged and conducted by Jack Nitzsche. It was released as a single at the end of March with the B-side "The Moment of Truth", written by Laine, Nell Western and Fred Katz. Reviewed in '' Billboard'', it was described as Laine's "best record in a long, long time" with "a multi-tracked contemporary sound that's bound to rocket the vet singer to hitland". In '' Cash Box'', it was described as being Laine's "strongest bid for teen-market acceptance" and has "over-dubbed against a first-rate Nashville-styled ork-chorus backdrop". Track listing 7": Columbia / 4-427 ...
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Frankie Laine
Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American Singing, singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire (1931 song), That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel (Frankie Laine song), Jezebel", "High Noon (song), High Noon", "I Believe (1953 song), I Believe", "Hey Joe (1953 song), Hey Joe!", "The Kid's Last Fight", "Cool Water (song), Cool Water", "Rawhide (song), Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many western (genre), Western film soundtracks, including ''3:10 to Yuma (1957 film), 3:10 To Yuma'', ''Gunfight at the O.K. Corral (film), Gunfight at the O.K. Co ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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New Musical Express
''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations. As a 'rock inkie', ''NME'' was the first British newspaper to include a singles chart, adding that feature in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998. The magazine's website NME.com was launched in 1996, and became the world's biggest standalone music site, with ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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Abbey Road Studios
Abbey Road Studios (formerly EMI Recording Studios) is a recording studio at 3 Abbey Road, St John's Wood, City of Westminster, London, England. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited (until 2013 by EMI Records Limited, nowadays known as Parlophone Records and owned by UMG's competitor Warner Music Group). The studio's most notable client was the Beatles, who used the studio – particularly its Studio Two room – as the venue for many of the innovative recording techniques that they adopted throughout the 1960s. In 1976, the studio was renamed from EMI in honour of their final recorded album, ''Abbey Road''. In 2009, Abbey Road came under threat of sale to property developers. In response, the British Government protected the site, granting it English Herita ...
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Don't Cry For Me Argentina
"Don't Cry for Me Argentina" is a song recorded by Julie Covington for the 1976 concept album ''Evita'', later included in the 1978 musical of the same name. The song was written and composed by Andrew Lloyd Webber and Tim Rice while they were researching the life of Argentine leader Eva Perón. It appears at the opening of the first and second acts, as well as near the end of the show, initially as the spirit of the dead Eva exhorting the people of Argentina not to mourn her, during Eva's speech from the balcony of the Casa Rosada, and during her final broadcast. The ''Evita'' album had taken 3–4 months to record, since Rice was not satisfied with the intensity of the initial recordings. The song had a number of different titles before "Don't Cry for Me Argentina" was chosen as the final one. The song shares its melody with "Oh What a Circus" from the same show and lyrically consists of platitudes where Eva tries to win the favour of the people of Argentina. It was released ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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The War Lord (instrumental)
"The War Lord" is an instrumental by British group the Shadows, released as a single in November 1965. It peaked at number 18 on the UK Singles Chart. Release and reception "The War Lord" was written by American Jerome Moross and is the theme tune to Franklin J. Schaffner's 1965 film ''The War Lord'', starring Charlton Heston and Richard Boone. It was recorded by the Shadows in October 1965, a month before the American premiere of the film, although their version was not included on Moross' soundtrack album. The Shadows' version was released as a single with the B-side "I Wish I Could Shimmy Like My Sister Arthur", written by their bassist John Rostill. It spent nine weeks in the UK Top 40, peaking at number 18 for two weeks over the 1965–66 Christmas and New Year period. Reviewing for ''New Musical Express'', Derek Johnson wrote that "rasping, reverberating, low-register Hank Marvin guitar permeates this item, with pounding drums and tambourine added to accentuate the heavy bea ...
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Norrie Paramor
Norman William Paramor (15 May 1914 – 9 September 1979), known professionally as Norrie Paramor, was a British record producer, composer, arranger, pianist, bandleader, and orchestral conductor. He is best known for his work with Cliff Richard and the Shadows, both together and separately, steering their early careers and producing and arranging most of their material from the late 1950s to the early 1970s. Paramor was a composer of studio albums, theatrical productions, and film scores. Producer Although the term "producer" was not in circulation at the time Paramor started producing records (the usual term being Artiste and Repertoire Manager, or A&R man), he effectively began this role in 1952 when he became Recording Director for EMI's Columbia Records. As well as being producer for Cliff Richard and the Shadows, he produced records for Ruby Murray, Eddie Calvert, Michael Holliday, Helen Shapiro, Frank Ifield, Frankie Vaughan, the Mudlarks, the Avons, and Ricky Val ...
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Columbia Graphophone Company
Columbia Graphophone Co. Ltd. was one of the earliest phonograph, gramophone companies in the United Kingdom. Founded in 1917 as an offshoot of the American Columbia Records, Columbia Phonograph Company, it became an independent British-owned company in 1922 in a management buy-out after the parent company went into receivership. In 1925 it acquired a controlling interest in its American parent company to take advantage of a new electrical recording process. The British firm also controlled the US operations from 1925 until 1931. That year Columbia Graphophone in the UK merged with the Gramophone Company (which sold records under the HMV label) to form EMI. At the same time, Columbia divested itself of its American branch, which was eventually absorbed by Columbia Broadcasting System (CBS) in 1938. As Columbia Records, it became a successful British label in the 1950s and 1960s, and was eventually replaced by the newly created EMI Records, as part of a label consolidation. Thi ...
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EMI Studios
Abbey Road Studios (formerly EMI Recording Studios) is a recording studio at 3 Abbey Road, St John's Wood, City of Westminster, London, England. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited (until 2013 by EMI Records Limited, nowadays known as Parlophone Records and owned by UMG's competitor Warner Music Group). The studio's most notable client was the Beatles, who used the studio – particularly its Studio Two room – as the venue for many of the innovative recording techniques that they adopted throughout the 1960s. In 1976, the studio was renamed from EMI in honour of their final recorded album, ''Abbey Road''. In 2009, Abbey Road came under threat of sale to property developers. In response, the British Government protected the site, granting it English Heritag ...
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Lisbon
Lisbon (; pt, Lisboa ) is the capital and largest city of Portugal, with an estimated population of 544,851 within its administrative limits in an area of 100.05 km2. Grande Lisboa, Lisbon's urban area extends beyond the city's administrative limits with a population of around 2.7 million people, being the List of urban areas of the European Union, 11th-most populous urban area in the European Union.Demographia: World Urban Areas
- demographia.com, 06.2021
About 3 million people live in the Lisbon metropolitan area, making it the third largest metropolitan area in the Iberian Peninsula, after Madrid and Barcelona. It represents approximately 27% of the country's population.
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